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Carl Czerny (1791 – 1857) was an Austrian composer whose books of studies are still widely used in piano teaching.
Czerny, Best Studies from op. 299; well-balanced selection of studies for different types of technique.
Classical/Opera Piano Solos
This popular volume offers practical training in well-articulated pianistic passage work, particularly in playing the virtuoso music of the romantic period. In addition to this, each study is a complete music composition, demanding attention to dynamics and phrasing. Students who master Opus 299 have indeed progressed a long way in the "school of velocity." Available in a 112-page complete volume or in two separate books.
(Guitar Book). Adapted from Carl Czerny's School of Velocity, Op. 299 for piano, this lesson book explores 12 keys with 12 different approaches or "treatments." You will explore a variety of articulations, ranges and technical perspectives as you learn each key. These arrangements will not only improve your ability to play scales fluently, but will also develop your ears, knowledge of the fingerboard, reading abilities, strength and endurance. In standard notation and tablature.
Carl Czerny (1791–1857) was an Austrian pianist, composer and teacher. Today he is best remembered for his volumes of études for the piano. Czerny's music was greatly influenced by his teachers, Clementi, Hummel, Salieri and Beethoven. This book contains Czerny's "First Instruction in Piano Playing," ("100 Recreations"), Exercises 1-100.
While Czerny's excellent fingering has been preserved, all unnecessary fingering has been removed by editor Willard A. Palmer. The book begins with lessons on learning the notes and introduces students to the various technical studies of keyboard music. In this edition, the music has been widely spaced for easy reading.
A slight condensation of Hanon's first exercises. The simplification in layout and range make the exercises appear less difficult to a young student.
As there are several hundred piano studies by Czerny, it might become confusing to attempt to pick out the most effective exercises. To overcome this problem, Heinrich Germer, the original editor, chose those he thought were best. Willard A. Palmer has made several changes to metronome markings, fingerings and pedal indications where he felt certain passages needed clarification.