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This spring, Schlock! Webzine (schlock.co.uk) celebrates eight years of online horror. Schlock Quarterly is a youngster comparatively, and will turn six this autumn. But it's still providing a compilation of the best stories to feature recently in the webzine!
In this final instalment of the print magazine we offer you a selection of the best stories to appear in Schlock! Webzine (www.schlock.co.uk). We have rural fantasy, comic fantasy, sword and sorcery and urban fantasy. We have tales of lunacy and torture, fantasy and horror, all culled from the gory pages of the weekly webzine.
In this winter edition of Schlock Quarterly we have a collection of the best stories to feature online in Schlock! Webzine. Beginning on Mars, where Gregory KH Bryant's long-running sword and planet saga reaches dramatic new heights with battle on the ochre plains.
This latest edition of Schlock Quarterly is a tribute to the late Gregory KH Bryant, who passed away in May of this year.
Film/Genre revises our notions of film genre and connects the roles played by industry critics and audiences in making and re-making genre. Altman reveals the conflicting stakes for which the genre game has been played and recognises that the term 'genre' has different meanings for different groups, basing his new genre theory on the uneasy competitive yet complimentary relationship among genre users and discussing a huge range of films from The Great Train Robbery to Star Wars and from The Jazz Singer to The Player.
A detailed, theoretically attuned analysis of all of the Scorsese-directed features from The Last Waltz to Bringing Out the Dead . Grist illuminates Scorsese's authorship, but also reflects back upon a range of informing contexts.
A critical study of the low-budget film formula described as the "stalker" film, popular in the late 1970s and early 1980s. The discussion suggests reasons for its impressive popularity and demonstrates how a generic form is organized to speak a cultural text. Illustrated.