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Scarlett I don't want to lie to him. I really don't. First of all, he's hot. Really hot. I know I swore off gorgeous men for the rest of eternity, but Tenn Sawyer has me questioning all of my choices. At least, any choices that mean I can't have him. Second, he isn't just hot, Tenn is bossy and domineering and patient and his smile makes my panties melt. And that was all before he kidnapped me. After... I have no reason to trust him. There's too much at risk to follow my gut. One mistake and I'll lose everything. But with Tenn, I can't seem to help myself. Tenn I knew she was trouble the second I lay eyes on her. Okay, it took me two minutes to figure it out. At first all I saw was a gorgeous woman I needed to get to know. Preferably naked. Five minutes later, everything changed. Scarlett isn't just a woman I want, suddenly she's my lifeline, the only thing keeping me from a murder charge. And if that isn't complicated enough, every other word out of her mouth is a lie. She needs my help. She won't trust me enough to ask. Every moment we're together binds us until I can't imagine not having her, even with all of her lies between us. When she finally comes clean, and I understand what's at stake, I'm not worried about going to jail. I'm too busy trying to keep us alive. Scheming Heart is a standalone romance with a happy ending. It's third in The Hearts of Sawyers Bend series, featuring the Sawyer family of Sawyers Bend.
He kicked her in the stomach. Blood continued to flow, and she sneered, "I forgot to say, this child is yours."
The essential Taoist guide to living with simplicity, compassion, and integrity This is a book that draws on ancient Chinese wisdom to explore the critical life issues: What is our place in nature? How do we make right decisions? How do we respect the earth? How are we to view life and death? What is the path we should live to truly achieve a good and meaningful life? For Deng Ming-Dao, the two entry points for this exploration are two words: The first is the Chinese word for “heart”— which means heart, mind, intention, center, core intelligence, and soul. And the second is the word beauty—which connotes the pleasure we take in art, design, fashion, and music. Our hearts love beauty, and beauty opens our hearts. In this profound collection of fresh and contemporary translations of ancient texts, Deng Ming-Dao gathers over 220 selections that deal with the essence of heart and beauty. Topics include: how to be great, how long it takes to follow your heart, how to bring order to the world, how to know everything, how to pacify the heart, and much more. Here are stories, fables, poems, and epigrams that delight, inspire, and inform. Those who would subdue people through their own “excellence” Have yet to subdue anyone. But if you used excellence to nurture people instead, The whole world would be subdued. No one has become ruler of all under heaven Without subdued hearts. It has never happened.
Sakaguchi Ango (1906-1955) was a writer who thrived on iconoclasm and agitation. He remains one of the most creative and stimulating thinkers of twentieth-century Japan. Ango was catapulted into the public consciousness in the months immediately following Japan's surrender to the Allied Forces in 1945. The energy and iconoclasm of his writings were matched by the outrageous and outsized antics of his life. Behind that life, and in the midst of those tumultuous times, Ango spoke with a cutting clarity. The essays and translations included in Literary Mischief probe some of the most volatile issues of culture, ideology, and philosophy of postwar Japan. Represented among the essayists are some of Japan's most important contemporary critics (e.g., Karatani K?jin and Ogino Anna). Many of Ango's works were produced during Japan's wars in China and the Pacific, a context in which words and ideas carried dire consequences for both writers and readers. All of the contributions to this volume consider this dimension of Ango's legacy, and it forms one of the thematic threads tying the volume together. The essays use Ango's writings to situate his accomplishment and contribute to our understanding of the potentials and limitations of radical thought in times of cultural nationalism, war, violence, and repression. This collection of essays and translations takes advantage of current interest in Sakaguchi Ango's work and makes available to the English-reading audience translations and critical work heretofore unavailable. As a result, the reader will come away with a coherent sense of Ango the individual and the writer, a critical apparatus for evaluating Ango, and access to new translations of key texts.