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Aimed at musicians searching for the next level in their ability to compose and improvise, this handy reference draws on the author’s own published music as well as accessible standards. Educational text is interspersed with personal experiences playing alongside legends such as "Machito" and his Latin Jazz Orchestra, Lionel Hampton's Big Band, trombonist Curtis Fuller, pianist Carla Bley, and Brazilian star Milton Nasciemento. Conducting a musical journey that enriches understanding of form, structure, time, melody, and harmony, this enlightening guide delves into the mechanics behind the craft, demystifying the art and providing inspiration to all aspiring musicians seeking to expand their creative horizons.
All compositions published by Slagle Music BMI.
Anne Trubek wrote several books, was a member fo the National Book Critics Circle, and was a tenured English professor before she decided try book publishing. To start and run a small press, she had to teach herself the ins and outs of a confusing, often archaic, strangely shrouded industry from yet another angle: business owner, publisher, and editor. In So You Want to Publish a Book? Trubek, who also writes the weekly newsletter Notes from a Small Press, provides insights from her journeys through all facets of writing, making, and writing about books, offering authors, authors-to-be, and the curious concrete advice and information about the publishing industry. Chapters discuss book proposals, publicity, developmental versus copy editing, how to make friends (and enemies) with independent bookstores, the differences between Big Five and independent presses, royalties, and cover design. Handy, humorous charts such as Five Things Aspiring Authors Should Never Say, Wait, Wholesalers Receive How Much of A Discount? and The Indignity of Returns, along with illustrations by Belt cover designer David Wilson, will help readers feel less confused by the process and, armed with more transparent understanding of the industry, more prepared to publish, promote, and purchase books wisely and successfully.
The contents of this book have been personally selected by Martha Mier as some of her all-time favorite sheet music solos. Many of the solos are among the most requested by piano teachers and students alike. The varied styles of each piece makes this book a valuable supplement to most piano methods. This book contains 10 late elementary to early intermediate pieces including: * Busy Fingers * Chattanooga Blues * Copper Penny Rag * Feelin' Blue * Firefly Waltz * Frontier Frolic * Ladybug Lullaby * Peppermint Rag * Summer Rain * Swaying Willow Trees
Typescript, dated Rehearsal Draft April 7, 2018. Without music. Unmarked typescript of a musical that opened April 8, 2018, at the August Wilson Theatre, New York, N.Y., directed by Casy Nicholaw.
(Vocal Selections). Jason Robert Brown, the creator of Parade and Songs for a New World , has written a distinctive new Off-Broadway musical. The Last Five Years tells the story of a failed marriage of 20-somethings: he a successful novelist, she a struggling actress. Her story is told in reverse, his conventionally moving forward. They meet in the middle at the point of their wedding. Brown's strong writing has found a solid following among musical theatre fans. Our songbook features piano/vocal arrangements of 12 songs: Goodbye Until Tomorrow * I Can Do Better Than That * If I Didn't Believe in You * Moving Too Fast * The Next Ten Minutes * Nobody Needs to Know * A Part of That * The Schmuel Song * Shiksa Goddess * Still Hurting * A Summer in Ohio * When You Come Home to Me. "Short, bittersweet and nearly perfect, Brown has come up with a winning combination of music and book." Variety
A retired group of legendary mercenaries get the band back together for one last impossible mission in this award-winning debut epic fantasy. "Fantastic, funny, ferocious." -- Sam Sykes Clay Cooper and his band were once the best of the best, the most feared and renowned crew of mercenaries this side of the Heartwyld. Their glory days long past, the mercs have grown apart and grown old, fat, drunk, or a combination of the three. Then an ex-bandmate turns up at Clay's door with a plea for help -- the kind of mission that only the very brave or the very stupid would sign up for. It's time to get the band back together.
“Caroline is a breakthrough—a story so grounded in the ordinary details of life that it almost seems to have discovered a new genre.” –Richard Zoglin, Time “Acute, smart and witty: a telling snapshot focusing with sharp clarity on characters captured at a fraught turning point in history—a culture’s and a family’s.” –Charles Isherwood, Variety “Thrilling. You’ve never seen anything quite like Caroline, or Change and likely won’t again anytime soon. There’s never a moment that the part-pop, part-opera, part-musical-theater score Jeanine Tesori has conjured up doesn’t ideally match Tony Kushner’s meticulously chosen words with clarion precision.” –Matthew Murray, talkinbroadway.com “A monumental achievement in American musical theater. Joyful, wholly successful, immensely moving, told with abundant wit and generosity of heart.” –John Helipern, New York Observer Louisiana, 1963: A nation reeling from the burgeoning Civil Rights Movement and the Kennedy assassination. Caroline, a black maid, and Noah, the son of the Jewish family she works for, struggle to find an identity for their friendship after Noah's stepmother, unable to give Caroline a raise, tells Caroline that she may keep the money Noah leaves in his pockets. Through their intimate story, this beautiful musical portrays the changing rhythms of a nation. Tony Kushner and composer Jeanine Tesori have created a story that addresses contemporary questions of culture, community, race and class through the lens and musical pulse of the 1960s.
New York Times bestselling author Rainbow Rowell's epic fantasy, the Simon Snow trilogy, concludes with Any Way the Wind Blows. In Carry On, Simon Snow and his friends realized that everything they thought they understood about the world might be wrong. And in Wayward Son, they wondered whether everything they understood about themselves might be wrong. Now, Simon and Baz and Penelope and Agatha must decide how to move forward. For Simon, that means choosing whether he still wants to be part of the World of Mages — and if he doesn't, what does that mean for his relationship with Baz? Meanwhile Baz is bouncing between two family crises and not finding any time to talk to anyone about his newfound vampire knowledge. Penelope would love to help, but she's smuggled an American Normal into London, and now she isn't sure what to do with him. And Agatha? Well, Agatha Wellbelove has had enough. Any Way the Wind Blows takes the gang back to England, back to Watford, and back to their families for their longest and most emotionally wrenching adventure yet. This book is a finale. It tells secrets and answers questions and lays ghosts to rest. The Simon Snow Trilogy was conceived as a book about Chosen One stories; Any Way the Wind Blows is an ending about endings—about catharsis and closure, and how we choose to move on from the traumas and triumphs that try to define us.