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A collection of piano solos composed by Robert Schumann.
Whereas Schumann composed the Album for the Young for children, his Scenes from Childhood (Kinderszenen) are reflections of childhood for adults. Like many of his character pieces, Schumann notes that the 13 selections in this set were composed before their titles were assigned. Palmer's scholarly edition includes a table of suggested tempos for the works taken from early editions and from the recorded performances of various artists.
Originally scored for symphony orchestra, Shostakovich's Jazz Suite No. 2is notable for the addition of saxophones, accordion and guitar. The appealing second waltz is in a light classical style and is wonderfully adapted for young concert bands i
Classical/Opera Piano Solos
(Schirmer Performance Editions). Perfect literature for the intermediate to early advanced pianist, these miniatures by Schumann have been favorites of many generations of students. The pieces are an excellent introduction to Schumann's piano music and to Romantic musical literature in general. Includes the famous "Traumerei." Contents: Of Strange Lands and People (Von fremden Landern und Menschen) * Curious Story (Kuriose Geschichte) * Blindman's Bluff (Hasche-Mann) * Pleading Child (Bittendes Kind) * Perfect Happiness (Gluckes genug) * Great Adventure (Wichtige Begebenheit) * Reverie (Traumerei) * By the Fireside (Am Kamin) * On the Rocking Horse (Ritter vom Steckenpferd) * Almost Too Serious (Fast zu ernst) * Hobgoblin (Furchtenmachen) * A Child Falling Asleep (Kind in Einschlummern) * The Poet Speaks (Der Dichter spricht). Includes audio recordings.
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The brilliant yet tortured Robert Schumann virtually launched the Romantic Era with his music, which conveyed the depths of his emotions through a unique blending of music and poetry. Nearly the entire Schumann catalogue is represented in this newly reissued edition.
The "story of a child prodigy caught in a grotesque pattern of exploitaiton and abuse, her oppressor, her father, whose controlling passion was money, not music. After fleeing from her father and growing up in unhappy obscurity, Ruth Slenczynska has become again a remarkable and now mature pianist." Pub W.
In 1912 Heinrich Schenker contracted with the Viennese publisher Universal Edition to provide an 'elucidatory edition' (Erl erungsausgabe) of Beethoven's last five piano sonatas. Each publication would comprise a score, newly edited by Schenker and using the composer's autograph manuscript as principal source, together with a substantial commentary combining analytical, text-critical and performance-related matter. Four of the five editions appeared between 1913 and 1921, but that of the 'Hammerklavier' Sonata, op. 106, was never published. It has generally been assumed that this was simply because Schenker was unable to locate the autograph manuscript, which remains missing to this day. But as Nicholas Marston shows in a detailed history of the Erl erungsausgabe project, other factors were involved also, including financial considerations, Schenker's health concerns, and his broader theoretical ambitions. Moreover, despite the missing autograph he nevertheless developed a voice-leading analysis of the complete sonata during the years 1924-1926, a crucial period in the development of his mature theory of tonal music. Marston's book provides the first in-depth study of this rich analysis, which is reproduced in full in high-quality digital images. The book draws on hundreds of letters and documents from Schenker's Nachla it both adds to our biographical knowledge of Schenker and illuminates for the first time the response of this giant of music theory to one of the most significant masterworks in all music.