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While High Meadow is dealing with troublemakers and raiders, Wisp follows an invisible trail across the country to rescue Nick. What had started as a simple trip turns into an undercover operation for Nick, leaving Wisp to return to High Meadow on his own with a van full of children. In the search for answers, Nick learns that the problems are more complex than he imagined. The country’s minimal infrastructure is teetering on the brink of collapse. And the people in charge are not at all what he’d hoped. Angus predicts that the high mortality rate from the last round of flu could cause the disintegration of smaller settlements putting people on the road. With the train stations closed, there will be no food or shelter for these refugees, leaving them victim to marauders and starvation. As Tillie scrambles to plan for a winter without train food, the influx of refugees is eating up precious supplies. The world is changing again and they must adapt or die.
In the near future, a virus has whittled down the human race. The remaining population struggles to survive in a world ravaged by extreme weather. A reticent government provides food, vaccines and keeps the ultra-fast trains running. Cities are empty, farms deserted, factories abandoned. The world is running on a skeleton crew. Nick lives at High Meadow med center. The people there stay hopeful as they work toward self-sufficiency. He counts survivors for Angus’s research. He wants his life to stay as normal as possible in a world he barely understands. Wisp is a fugitive biobot. He lives off the land, moving from town to town, hiding his extrasensory skills. He is a Finder and will accept the right kind of job. Silence and subterfuge keep him alive. Lily is a young girl with long brown hair and eyes the color of ripe cherries. She is searching for her brother. They were separated while fleeing armed men. She is part of something that started before her birth.
The stability of the Survivor’s Alliance is still fragile. They made it through the winter, but now it’s flu season. Every year the virus changes just a little. Tillie and Angus are trying to prepare for every scenario, even the possibility that they will be the first to go. Nick is working to bridge the gap in supplies until the spring crops come in. Wisp and Bridget are preparing for the birth of their child. But there are changes coming that no one expected.
While a wildfire threatens High Meadow, an uninvited guest sows seeds of dissent. The president arrives at High Meadow with his entourage of bureaucrats and faux-military. Tillie and Angus don’t have time for any distractions as a massive wildfire bears down on their settlement. It will take more than hard work and good intentions to get them through this catastrophe. Martin is leery about sending all of his men to aid those in the path of the fire thereby leaving their borders unprotected. They are most vulnerable in their commitment to help others. Wisp and Nick work the fire lines seeking out people fleeing the raging flames. Only Wisp can find those lost in the heavy smoke, risking his life to bring them to safety. Behind their backs, certain people are questioning every decision. At a time when they most need to work together, the outsiders are creating divisiveness.
As starving, travel weary people overrun High Meadow, Tillie and Angus must do a delicate dance to keep the doors open. Angus has set the boundaries for their new territory and Martin is tasked with keeping it safe. Tillie struggles to get everyone fed while keeping an eye on the stores for winter. Wisp helps where he can, vetting the newcomers and finding stragglers, but not every person comes under his scrutiny. He has to learn new skills to deal with the increasing mental pressure of the desperate arrivals. The refugees seem to be only concerned with food and shelter, but a handful of them might be working toward malicious aims. After a dangerous confrontation, Nick warns Angus that the biobots at High Meadow need more security. Within the flood of people, not all are who they seem to be. The gentle people of High Meadow need to prepare for war or lose what they cherish most.
From the #1 New York Times bestselling author of This Is Where It Ends comes another heartbreaking, emotional and timely page-turner that will keep you on the edge of your seat. The Hope Juvenile Treatment Center is ironically named. No one has hope for the delinquent teenagers who have been exiled there; the world barely acknowledges that they exist. Then the guards at Hope start acting strange. And one day...they don't show up. But when the teens band together to make a break from the facility, they encounter soldiers outside the gates. There's a rapidly spreading infectious disease outside, and no one can leave their houses or travel without a permit. Which means that they're stuck at Hope. And this time, no one is watching out for them at all. As supplies quickly dwindle and a deadly plague tears through their ranks, the group has to decide whom among them they can trust and figure out how they can survive in a world that has never wanted them in the first place. Also by Marieke Nijkamp: This Is Where It Ends Even If We Break Before I Let Go Praise for Marieke Nijkamp: "Immersive and captivating. Thrilling in every sense of the word."—Karen M. McManus, #1 New York Times bestselling author of One of Us is Lying on Even If We Break "With exceptional handling of everything from mental illness to guilt and a riveting, magic realist narrative, this well wrought, haunting novel will stick with readers long after the final page."—Booklist on Before I Let Go *STARRED REVIEW* "A compelling, brutal story of an unfortunately all-too familiar situation: a school shooting. Nijkamp portrays the events thoughtfully, recounting fifty-four intense minutes of bravery, love, and loss."—BookRiot on This Is Where It Ends
This acclaimed post-apocalyptic novel of hope and terror from an award-winning author "pairs well with 1984 or The Handmaid's Tale" and includes a foreword by N. K. Jemisin (John Green, New York Times). When global climate change and economic crises lead to social chaos in the early 2020s, California becomes full of dangers, from pervasive water shortage to masses of vagabonds who will do anything to live to see another day. Fifteen-year-old Lauren Olamina lives inside a gated community with her preacher father, family, and neighbors, sheltered from the surrounding anarchy. In a society where any vulnerability is a risk, she suffers from hyperempathy, a debilitating sensitivity to others' emotions. Precocious and clear-eyed, Lauren must make her voice heard in order to protect her loved ones from the imminent disasters her small community stubbornly ignores. But what begins as a fight for survival soon leads to something much more: the birth of a new faith . . . and a startling vision of human destiny.
WINNER OF THE 2019 AUREALIS AWARD FOR BEST CHILDREN'S FICTION SHORTLISTED: CBCA 2020 Awards, Book of the Year, Younger Readers 'We're gonna starve if we stay here,' Emery said. 'If we're gonna go, best go now.' And he said it like going was something easy. Like all we have to do is walk away. Ella and her brother Emery are alone in a city that's starving to death. If they are going to survive, they must get away, upcountry, to find Emery's mum. But how can two kids travel such big distances across a dry, barren, and dangerous landscape? Well, when you've got five big doggos and a dry-land dogsled, the answer is you go mushing. But when Emery is injured, Ella must find a way to navigate them through rough terrain, and even rougher encounters with desperate people...
DigiCat presents to you this unique Sci-Fi collection with carefully picked out stories from out of space, thrilling intergalactic adventures, dystopian novels and the greatest sci-fi classics: H. G. Wells: The Time Machine The War of the Worlds The Island of Doctor Moreau The Invisible Man... Edgar Wallace: Planetoid 127 The Green Rust... Otis Adelbert Kline: The Venus Trilogy The Mars Series Malcolm Jameson: Captain Bullard Series Garrett P. Serviss: Edison's Conquest of Mars A Columbus of Space The Sky Pirate... Arthur Conan Doyle: The Professor Challenger Series Jules Verne: 20.000 Leagues under the Sea The Mysterious Island... Mary Shelley: Frankenstein The Last Man Edwin A. Abbott: Flatland Jack London: Iron Heel The Scarlet Plague The Star Rover... Robert Louis Stevenson: Dr Jekyll and Mr Hyde George MacDonald: Lilith H. Rider Haggard: King Solomon's Mines She William H. Hodgson: The House on the Borderland The Night Land... Edgar Allan Poe: Some Words with a Mummy Mellonta Tauta... H. P. Lovecraft: Beyond the Wall of Sleep The Cats of Ulthar Celephaïs Edward Bellamy: Looking Backward: 2000–1887 Equality... Mark Twain: A Connecticut Yankee in King Arthur's Court Owen Gregory: Meccania the Super-State Margaret Cavendish: The Blazing World Jonathan Swift: Gulliver's Travels William Morris: News from Nowhere Samuel Butler: Erewhon Edward Bulwer-Lytton: The Coming Race James Fenimore Cooper: The Monikins Hugh Benson: Lord of the World Fred M. White: The Doom of London Ignatius Donnelly: Caesar's Column Ernest Bramah: The Secret of the League Arthur D. Vinton: Looking Further Backward Robert Cromie: The Crack of Doom Cleveland Moffett: The Conquest of America Richard Jefferies: After London Francis Stevens: The Heads of Cerberus Percy Greg: Across the Zodiac David Lindsay: A Voyage to Arcturus Stanley G. Weinbaum: Stories from the Solar System Edward Everett Hale: The Brick Moon Abraham Merritt: The Moon Pool The Metal Monster... Francis Bacon: New Atlantis C. J. Cutcliffe Hyne: The Lost Continent Lewis Grassic Gibbon: Three Go Back
‘Walker is my name and I am the same. Riddley Walker. Walking my riddels where ever theyve took me and walking them now on this paper the same. There aint that many sir prizes in life if you take noatis of every thing. Every time will have its happenings out and every place the same. Thats why I finely come to writing all this down. Thinking on what the idear of us myt be. Thinking on that thing whats in us lorn and loan and oansome.’ Composed in an English which has never been spoken and laced with a storytelling tradition that predates the written word, RIDDLEY WALKER is the world waiting for us at the bitter end of the nuclear road. It is desolate, dangerous and harrowing, and a modern masterpiece.