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They are known as the Brides of Christ. They wear all-black robes tied with heavy rosary beads and crucifixes that would make any child wince. They cover their heads with vast, winglike hoods. They have no legs but roll along on silent casters. They do not flinch from handing out swift and painful smacks with a switch, cane, or paddle. With photographs of these secretive sisters doing a few of their favorite things—frolicking in the sea, shooting guns, and lying prostrate on the floor, among them—Scary Nuns explores what goes on behind closed convent doors. Included are brief histories of some of the most notorious nuns and orders, as well as thoughts from famous thinkers on what it is to be a nun, that illuminate the mysteries of these wimple-wearing women who roam Gothic cathedrals around the world. Nuns are scary. You don't have to be a lapsed Catholic to think so. But if you are, you'll find Scary Nuns terrifying.
Just five weeks after its publication in January 1836, Awful Disclosures of the Hotel Dieu Nunnery, billed as an escaped nun's shocking exposé of convent life, had already sold more than 20,000 copies. The book detailed gothic-style horror stories of licentious priests and abusive mothers superior, tortured nuns and novices, and infanticide. By the time the book was revealed to be a fiction and the author, Maria Monk, an imposter, it had already become one of the nineteenth century's best-selling books. In antebellum America only one book, Uncle Tom's Cabin, outsold it. The success of Monk's book was no fluke, but rather a part of a larger phenomenon of anti-Catholic propaganda, riots, and nativist politics. The secrecy of convents stood as an oblique justification for suspicion of Catholics and the campaigns against them, which were intimately connected with cultural concerns regarding reform, religion, immigration, and, in particular, the role of women in the Republic. At a time when the term "female virtue" pervaded popular rhetoric, the image of the veiled nun represented a threat to the established American ideal of womanhood. Unable to marry, she was instead a captive of a foreign foe, a fallen woman, a white slave, and a foolish virgin. In the first half of the nineteenth century, ministers, vigilantes, politicians, and writers--male and female--forged this image of the nun, locking arms against convents. The result was a far-reaching antebellum movement that would shape perceptions of nuns, and women more broadly, in America.
Since the first scandals broke in the mid-1980s, the sexual misconducts of priests have cost the Catholic Church in America more than $4 billion in compensation settlements and incalculable damage to its reputation. Although their crimes have attracted far less attention, predatory nuns have also caused harm. The depredations of these nuns took place in convent novitiates, orphanages, boarding schools for Native Americans, and in Catholic schools, both elementary and secondary. Their victims, male and female, ranged in age from six-year-olds to young adults. This book focuses on the criminal behavior of North American nuns and the responses from church leadership. Mothers superior were outspoken in their refusal to accept responsibility for the crimes committed under their watch, and their inclination was to close ranks and protect the predators, endangering many children and young people in the process. The complainants, on the other hand, were considered nuisances to be pushed aside with the least amount of exposure and expense possible. Straightforward and informative, this text begins by exploring the nuns' vow of chastity and its relationship with human sexuality, followed by dozens of case studies detailing the sexual abuse that nuns committed in various settings.
Impressionistic and dreamy, a nine-year-old girl immediately feels that she might be called by God when a Catholic missionary speaks to her third grade class at a Catholic school. The idea of this calling embeds itself into her, haunting her through elementary and high school, after which she chooses to enter the convent. Her story follows the five years she spent as an Adrian Dominican nun struggling to balance her desire for a secular life with her great fear of turning her back on God's call. Her stories are sad as well as joyous, inspiring as well as unsettling.
Maureen Swanson is the scourge of the neighborhood. At age nine, she already has a reputation as a hard slapper, a loud laugher, a liar, and a stay-after-schooler. The other kids call her Stinky. So sometimes when Maureen passes the crumbling (and haunted?) Messerman mansion, she imagines that she is Maureen Messerman–rich, privileged, and powerful. Then she finds a way into the forbidden, boarded-up house. In the hall are portraits of seven young women wearing elaborate gowns and haughty expressions. Maureen has something scathing to say to each one, but then she notices that the figures seem to have shifted in their frames. So she reaches out her finger to touch the paint–just to make sure–and touches . . . silk! These seven daughters of privilege are colder and meaner than Maureen ever thought to be. They are wicked, wicked ladies, and Maureen has something they want. . . .
The discovery of the fascinating and richly documented story of Sister Benedetta Carlini, Abbess of the Convent of the Mother of God, by Judith C. Brown was an event of major historical importance. Not only is the story revealed in Immodest Acts that of the rise and fall of a powerful woman in a church community and a record of the life of a religious visionary, it is also the earliest documentation of lesbianism in modern Western history. Born of well-to-do parents, Benedetta Carlini entered the convent at the age of nine. At twenty-three, she began to have visions of both a religious and erotic nature. Benedetta was elected abbess due largely to these visions, but later aroused suspicions by claiming to have had supernatural contacts with Christ. During the course of an investigation, church authorities not only found that she had faked her visions and stigmata, but uncovered evidence of a lesbian affair with another nun, Bartolomeo. The story of the relationship between the two nuns and of Benedetta's fall from an abbess to an outcast is revealed in surprisingly candid archival documents and retold here with a fine sense of drama.
Kara McKinney vowed that her first day at Saint Joan of Arc School would be her last. Her parents forced her to switch to a stricter school, and now she's being chased down the hallways by a nun in sneakers! It seems she's doomed to be a nun-in-training. Will she escape from Saint Joan of Arc before she turns into a nun on the run, or will she discover that even the most difficult challenges in life can be for the best?
From Nommo Award finalist Kerstin Hall comes “a layered and incisive examination of power.”—Rory Power, New York Times bestselling author of Wilder Girls All martyrdoms are difficult. Elfreda Raughn will avoid pregnancy if it kills her, and one way or another, it will kill her. Though she’s able to stomach her gruesome day-to-day duties, the reality of preserving the Sisterhood of Aytrium’s magical bloodline horrifies her. She wants out, whatever the cost. So when a shadowy faction approaches Elfreda with an offer of escape, she leaps at the opportunity. As their spy, she gains access to the highest reaches of the Sisterhood, and enters a glittering world of opulent parties, subtle deceptions, and unexpected bloodshed. A phantasmagorical indictment of hereditary power, Star Eater takes readers deep into a perilous and uncanny world where even the most powerful women are forced to choose what sacrifices they will make, so that they might have any choice at all. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Meet the Sisters of the Last Straw, a community of Sisters trying hard to overcome their bad habits. Join these loveable misfit nuns as they learn to love God and forgive one another. When their new chapel seems to be haunted, the Sisters have to work together to uncover the mystery.
Outspoken, Pulitzer Prize-winning New York Times Op-Ed columnist Maureen Dowd tackles the hot-button topic of gender politics in this “funny, biting, and incisive take on women's place in American society today” (Library Journal). Are men afraid of smart, successful women? Why did feminism fizzle? Why are so many of today’s women freezing their faces and emotions in an orgy of plasticity? Is “having it all” just a cruel hoax? In this witty and wide-ranging book, Maureen Dowd looks at the state of the sexual union, raising bold questions and examining everything from economics and presidential politics to pop culture and the “why?” of the Y chromosome. In our ever-changing culture where locker room talk has become the talk of the town, Are Men Necessary? will intrigue Dowd's devoted readers—and anyone trying to sort out the chaos that occurs when sexes collide. THE INSPIRATION FOR WHITNEY CUMMINGS' FORTHCOMING HBO® COMEDY PILOT “A LOT”