Download Free Scanning The Signs Of The Times Book in PDF and EPUB Free Download. You can read online Scanning The Signs Of The Times and write the review.

An investigation of the spiritual encounter between a twentieth-century Dominican friar and an eleventh-century Afghani Sufi master. This book explores the profound spiritual encounter between Serge de Beaurecueil (1917–2005), a twentieth-century French Dominican friar and Christian mystic, and the eleventh-century ?anbal? Sufi master Khw?ja ‘Abdull?h An??r? of Her?t (1006–1089). De Beaurecueil lived much of his Christian discipleship in Cairo and Afghanistan, where he became the foremost expert on the life and thought of An??r?. His mystical conversation and scholarly engagement with An??r?, his experience of Islamic hospitality, and the transformation of his own practical spirituality or praxis mystica through his experience of dwelling in the abode of Islam provide us with not only a magnificent and luminous meditation on the hidden and abiding presence of God among Muslims but also a contemplation on the quandary of genuine engagement with and openness to the religious other. “To place a French Dominican friar who died in 2005 and a Sufi who died in 1089 in juxtaposition in the same book is not the most obvious path in comparative religious scholarship. Yet Dallh has not only done precisely that, but he has also produced a brilliant monograph in the process which makes for a fascinating read. Dallh’s work exhibits painstaking scholarship which illuminates two notable figures in Christianity and Islam respectively and makes an original contribution to the study of these two great faith traditions.” — Ian Richard Netton, author of Islam, Christianity and Tradition: A Comparative Exploration
"While the intent of the editors is to honor Steve Bevans, SVD, a towering figure in the field of missiology and a longtime author of Orbis books on missiology, this book will be designed less as a festschrift than as a textbook for classroom use. Designed around the three main foci of Bevans' theology (mission, contextual theologies, and dialogical theory), it will appeal to teachers of courses in Christian mission, theological method, contextual theologies, and contemporary Third World theologies. The contributors are a who's who of contemporary mission studies in a global context, including representatives from various Christian traditions and from throughout the global church"--
Explores the relationship between revelation and reason in medieval Islamic intellectual history. In this original study, Elizabeth R. Alexandrin examines the complex relationships that can be inscribed between medieval Ismā'īlī thought as an intellectual tradition with a devotional practice of reliance on the imām, and as a politico-esoteric system that redefined governance during the Fāṭimid caliphate in the eleventh century. Alexandrin's work is a departure from recent Western scholarship that focuses on similarities among early Islamic traditions. She argues instead that, under the guidance of the Fāṭimid Ismā'īlī chief missionary al-Mu'ayyad fī al-Dīn al-Shīrāzī (d. 1078 CE), the concept of walāyah (divine guidance) became closely associated with religio-political authority, on the one hand, and the perfection of the individual human being, on the other. By signaling and affirming how the Fāṭimid caliph-imām's were the heirs of walāyah and by proposing new definitions of the "seal of God's friends" (khātim al-awliyā' Allāh), al- Mu'ayyad broadened the contexts of making esoteric knowledge public and shifted the apocalyptic frameworks of Islamic messianism.
With variety and breadth, these essays celebrate the 800th anniversary of the foundation of the Dominican Order as well as the richness in Catholic thought and praxis during the past hundred years around the world. Their themes range from Yves Congar's view of the hierarchy to Jacques Loew's theory of ministry in the workplace. Ideas from thinkers interacting with Islam and Judaism lead on to a theology of refugees. A book for those pondering theology amid history and culture.
"Examines ancient and contemporary practices of refuge in the church"--
Brain Imaging: A Guide for Clinicians is designed to provide a foundation of information necessary to those wishing to integrate brain imaging into their practice, or to those that currently review brain scans but have minimal formal training in neuroimaging. The guide covers a range of topics important to those using brain imaging, such as the strengths and weaknesses of the many different techniques currently available, the factors that may influence the use of imaging data, common pitfalls or artifacts that may be misleading to the clinician, the most appropriate techniques to use given a specific clinical question or condition, how to interpret information presented on a brain image, and also how many pathological conditions appear on a variety of brain scanning techniques or sequences. This guide also provides detailed information regarding the identification of primary brain regions, anatomical structures, systems or pathways using both two-dimensional and three-dimensional imaging techniques. A brain atlas is included using both CT and MRI sequences to facilitate the reader's ability to identify most primary brain structures. A novel color-coded system is used throughout this guide to assist the reader in identifying slice locations and orientations. Images with green borders are displayed in the axial plane, with the slice location being shown on other orthogonal image planes by a green line. Similarly, images with a red border are displayed in the coronal plane and those with a blue border are displayed using a sagittal plane; red and blue reference lines are displayed on orthogonal slices to identify the slice location. The crosshairs formed by the color-coded reference lines optimize the reader's ability to identify primary anatomical structures or pathological markers and processes. This book is written in a manner to progress from a general description of the clinical use of brain images and the interpretation of brain scans, to more complex chapters involving neuroanatomy and imaging technology. Real life examples of clinical cases are integrated into all chapters of this guide. Brain Imaging: A Guide for Clinicians provides hundreds of images derived from traumatic and non-traumatic pathologies to provide the reader with examples of conditions most often seen in the clinic. PEARL-PERIL sections outline critical information for the clinician, along with many tables and charts designed to provide general information required when interpreting brain images.
How electric light created new spaces that transformed the built environment and the perception of modern architecture. In this book, Sandy Isenstadt examines electric light as a form of architecture—as a new, uniquely modern kind of building material. Electric light was more than just a novel way of brightening a room or illuminating a streetscape; it brought with it new ways of perceiving and experiencing space itself. If modernity can be characterized by rapid, incessant change, and modernism as the creative response to such change, Isenstadt argues, then electricity—instantaneous, malleable, ubiquitous, evanescent—is modernity's medium. Isenstadt shows how the introduction of electric lighting at the end of the nineteenth century created new architectural spaces that altered and sometimes eclipsed previously existing spaces. He constructs an architectural history of these new spaces through five examples, ranging from the tangible miracle of the light switch to the immaterial and borderless gloom of the wartime blackout. He describes what it means when an ordinary person can play God by flipping a switch; when the roving cone of automobile headlights places driver and passenger at the vertex of a luminous cavity; when lighting in factories is seen to enhance productivity; when Times Square became an emblem of illuminated commercial speech; and when the absence of electric light in a blackout produced a new type of space. In this book, the first sustained examination of the spatial effects of electric lighting, Isenstadt reconceives modernism in architecture to account for the new perceptual conditions and visual habits that followed widespread electrification.