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A look at the wider issues of design and industrial culture throughout Europe, Scandinavia, North America, and the Far East. The book explores the way in which 20th-century designs such as the Coca-Cola bottle have affected our culture more than those considered true classics
Scandinavia is a region associated with modernity: modern design, modern living and a modern welfare state. This new history of modernism in Scandinavia offers a picture of the complex reality that lies behind the label: a modernism made up of many different figures, impulses and visions. It places the individuals who have achieved international fame, such as Edvard Munch and Alvar Aalto in a wider context, and through a series of case studies, provides a rich analysis of the art, architecture and design history of the Nordic region, and of modernism as a concept and mode of practice. Modernism in Scandinavia addresses the decades between 1890 and 1970 and presents an intertwined history of modernism across the region. Charlotte Ashby gives a rationale for her focus on those countries which share an interrelated history and colonial past, but also stresses influences from outside the region, such as the English Arts and Crafts movement and the impact of emergent American modernism. Her richly illustrated account guides the reader through key historical periods and cultural movements, with case studies illuminating key art works, buildings, designed products and exhibitions.
Scandinavian design in in the mid-twentieth century combined the fundamentals of craftsmanship, quality, subtlety, and a relationship to the natural surroundings. Here is glass and ceramics from some of the leading designers of the era, Friberg, Lindberg, Nylund, K**ge, Hald, Palmquist, Wirkkala, Sarpaneva, and Lindstrand, and the manufacturers, Rrstrand, Gustavsberg, Arabia, Saxbo, Palshus, Orrefors, Kosta, and Iittala. Over 500 color photos illustrate this beautiful volume, and a price guide makes it a great tool for collectors.
Sweden’s transformation in the last century was brought about not by the military prowess of exceptional Swedes (indeed neutrality has been a key element in Swedish policy for almost two centuries) but by the creative ability of its people. Sweden has emerged as a model welfare state and a well-ordered democracy, to which economists, sociologists, feminists, architects, and scientists from sophisticated nations have paid study visits. Sweden now depends on international trade to preserve its high standard of living and, in a world of harsh international competition, often has to struggle to maintain its welfare system and its reputation. Despite its present difficulties, however, it remains one of the world’s most advanced and affluent democracies. This third edition of Historical Dictionary of Sweden contains a chronology, an introduction, appendixes, an extensive bibliography, and a dictionary section with more than 300 cross-referenced entries on important personalities, politics, economy, foreign relations, religion, and culture. This book is an excellent access point for students, researchers, and anyone wanting to know more about Sweden.
In his major new history, Paul Greenhalgh tells the story of ceramics as a story of human civilisation, from the Ancient Greeks to the present day. As a core craft technology, pottery has underpinned domesticity, business, religion, recreation, architecture, and art for millennia. Indeed, the history of ceramics parallels the development of human society. This fascinating and very human history traces the story of ceramic art and industry from the Ancient Greeks to the Romans and the medieval world; Islamic ceramic cultures and their influence on the Italian Renaissance; Chinese and European porcelain production; modernity and Art Nouveau; the rise of the studio potter, Art Deco, International Style and Mid-Century Modern, and finally, the contemporary explosion of ceramic making and the postmodern potter. Interwoven in this journey through time and place is the story of the pots themselves, the culture of the ceramics, and their character and meaning. Ceramics have had a presence in virtually every country and historical period, and have worked as a commodity servicing every social class. They are omnipresent: a ubiquitous art. Ceramic culture is a clear, unique, definable thing, and has an internal logic that holds it together through millennia. Hence ceramics is the most peculiar and extraordinary of all the arts. At once cheap, expensive, elite, plebeian, high-tech, low-tech, exotic, eccentric, comic, tragic, spiritual, and secular, it has revealed itself to be as fluid as the mud it is made from. Ceramics are the very stuff of how civilized life was, and is, led. This then is the story of human society's most surprising core causes and effects.
Taking a decade-by-decade approach, this lavishly illustrated guide to 20th-century collectibles delivers useful information in a lively and entertaining style. Each chapter provides detailed insight into a particular decade and includes two central areas of collecting from that era, whether it is ceramic bathing beauties from the 1920s, vintage clothes from the 1940s, cars from the 1950s, or Memphis design from the 1980s. Covering popular periods such as art nouveau, industrial, art deco, retro, and modern, this is an ideal companion for both serious collectors and those who want a glimpse into the world of 20th-century design.
Scandinavian design is still seen as democratic, functional and simple, its products exemplifying the same characteristics now as they have done since the 1950s. But both the essence and the history of Scandinavian design are much more complex than this. Scandinavian Design: Alternative Histories presents a radically new assessment, a corrective to the persistent mythologies and reductive accounts of Scandinavian design. The book brings together case studies from the early twentieth century to today. Drawn from fields as diverse as transport, engineering, packaging, photography, law, interiors, and corporate identity, these studies tell new or unfamiliar stories about the production, mediation and consumption of design. An alternative history is created, one much more alive to national and regional differences and to types of product. Scandinavian Design analyses a century of design culture from Denmark, Finland, Norway and Sweden and, in so doing, presents a sophisticated introduction to Scandinavian design.
Over 950 entries From the Arts and Crafts Movement to Postmodernism, Apple to Frank Lloyd Wright, this fascinating dictionary covers the past 160 years of international design, with accessible entries on branding, graphics, industrial design, functionalism, and fashion. New entries on digital design and sustainable design bring the coverage up to date. The dictionary's international focus takes in major movements, key concepts, design terminology, and important design institutions, museums, and heritage sites. The new edition reflects the growing global importance of design, with coverage of India, China, the countries of the Pacific Rim, Eastern Europe and East Asia, and demonstrates how developments in the design of technology influence everyday life, with new entries on fonts, games developers such as Gunpei Yokoi of Nintendo, Android, Samsung, and Blackberry, and a fully revised entry on Apple. The A-Z entries are complemented by an extensive bibliography and a timeline.