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A Regency Historical Novel - Book Four of the Scandalous Series... After years of abuse at the hands of her mother, Cordelia Avery knows the only way out is marriage to the perfect man. A man who will allow her all the freedom she has ever craved. And she has the perfect man picked out. The scandalous Marquess of Haversham might not be perfect to anyone else, but taking the man's black reputation under consideration, Cordie believes she'll enjoy all the freedom she's always wished for in his disreputable arms. If only she could get her heart to go along with the plan and to stop leaping whenever Lord Adonis...er...the Earl of Clayworth is nearby. But the very proper earl is most assuredly the wrong sort for her purposes. Brendan Reese, the Earl of Clayworth, has no intention of ever marrying again. He's still trying to clean up the mess his first wife left him, even years after her death. To all the world, Clayworth is the epitome of the perfect English gentleman, and he so wishes that image was the truth. But the truth, as it often can be, is ugly. After all, a perfect English gentleman would never have a traitor for a mother. And unless Clayworth can find the evidence his late wife hid, he could face the gallows himself. But a chance encounter with the reckless Cordelia Avery gives him the best lead he's had in years to finally putting his family's past to rest. Unfortunately, focusing on anything other than Miss Avery seems a nearly impossible task.
To make a deal… She must bury the past With her uncle’s health declining, Esther Yoder wants nothing more than to sell his mercantile store. But what she doesn’t count on is Joseph Kemp being the prospective buyer. He’s the reason Esther fled her Amish community, and Esther fears her shameful past could threaten the sale. Can they learn to forgive each other…or will old guilt stand in the way of their future? From Love Inspired: Uplifting stories of faith, forgiveness and hope.
A compelling, scandalous Regency debut Sworn never to marry Or reveal her secrets… Staying with her aunt for the summer, hoping to finally put the past behind her, spinster Louisa Conrad meets the baronet of Hayton Hall, Sir Isaac Liddell—a man so broodingly abrasive, she’s determined to keep her distance! Until she discovers why he’s that way, with experiences so like her own she can’t help but fall for him. Yet Louisa cannot let him closer unless he knows the truth of her past…but telling him risks losing everything! From Harlequin Historical: Your romantic escape to the past.
“Have you no decency?” Straight-laced missionary Sarah Fisher has never met a man like Captain Martin Bouchard. He is the most beautiful person—male or female—she’s ever seen. Overwhelmingly masculine, elegantly attired despite months at sea, he is in complete command of everyone and everything around him: everyone, that is, except Sarah. But that’s about to change because Sarah has bought Bouchard’s mercy with the only thing she has to sell: her body. “None at all . . .” In spite of her outrageous offer, Martin has no doubt Sarah is a virgin, and a most delectable one at that. But instead of bedding her, he finds himself staring down the muzzle of his own pistol. Clearly, the longer she stays on his ship, the greater the chances that she’ll end up its damned captain! Most infuriating of all, she looks past his perfect exterior to the wounded man inside. Can Martin outrun his scandalous past in time to have a future with the first woman to find and capture his heart? Praise for The Outcasts series “Fans of Amanda Quick’s early historicals will find much to savor.” —Booklist (Starred Review) “Wicked repartee, savvy wit, and energetic libidos.” —Publishers Weekly “A remarkably resourceful heroine who can more than hold her own against any character invented by bestselling Bertrice Small . . . deliciously fun retro flavor.” —Booklist (Starred Review) “Sexy and wildly entertaining.” —Bookpage “Spencer shines . . . an author to watch.” —Kirkus Reviews
Unleash the power of God’s grace as you journey through the Old Testament. Prepare to be challenged and transformed as you explore the stories and testimonies of the Bible, where grace refuses to be tamed. Grace is a dangerous topic. We want to domesticate it, calm it down, and stuff it into a blue blazer and a pair of khakis. But biblical grace—or charis—doesn’t like to settle down. Grace is a dangerous topic because the Bible is a dangerous book. Scandalous Grace offers: Biblically rich viewpoints that challenge conventional interpretations; An exploration of grace in the Old Testament instead of a focus on judgment; Theological perspective that showcases a benevolent God who consistently extends redemption to those seen as irredeemable. Whether you're a seasoned theologian or seeking Christian spiritual growth, Scandalous Grace promises an intellectual and spiritual journey that will expand your understanding of a God whose grace knows no boundaries.
"Glamorous and suspenseful." —Marie Benedict, New York Times bestselling author Perhaps the best place in 1943 Hollywood to see the stars is the Hollywood Canteen, a club for servicemen staffed exclusively by those in show business. Murder mystery playwright Annie Laurence, new in town after a devastating breakup, definitely hopes to rub elbows with the right stars. Maybe then she can get her movie made. But Hollywood proves to be more than tinsel and glamour. When despised film critic Fiona Farris is found dead in the Canteen kitchen, Annie realizes any one of the Canteen's luminous volunteers could be guilty of the crime. To catch the killer, Annie falls in with Fiona's friends, a bitter and cynical group—each as uniquely unhappy in their life and career as Annie is in hers—that call themselves the Ambassador's Club. Solving a murder in real life, it turns out, is a lot harder than writing one for the stage. And by involving herself in the secrets and lies of the Ambassador's Club, Annie just might have put a target on her own back. "This vibrant, utterly delightful mystery expertly captures the drama, glamour and absurdity of wartime Hollywood. Sarah James's swift dialogue, dry wit and clever characters transport you into a 1940s movie, where the jokes are quick, the love affairs scandalous and the cast as charming as they are flawed." —Brianna Labuskes, author of The Librarian of Burned Books
Jacques Lacan is the foremost psychoanalytic theorist after Freud. Revolutionising the study of social relations, his work has been a major influence on political theory, philosophy, literature and the arts, but his thought has so far been studied without a serious investigation of its foundations. Just what are the influences on his thinking, so crucial to its proper understanding? In Lacan: The Silent Partners Slavoj Zizek, the maverick theorist and pre-eminent Lacan scholar, has marshalled some of the greatest thinkers of our age in support of a dazzling re-evaluation of Lacan's work. Focussing on Lacan's 'silent partners', those who are the hidden inspiration to Lacanian theory, they discuss his work in relation to the Pre-Socratics, Diderot, Hegel, Nietzsche, Schelling, Hlderlin, Wagner, Turgenev, Kafka, Henry James and Artaud. This major collection, including three essays by Zizek, marks a new era in the study of this unsettling thinker, breathing new life into his classic work.
In Žižek's long-awaited magnum opus, he theorizes the "parallax gap" in the ontological, the scientific, and the political—and rehabilitates dialectical materialism. The Parallax View is Slavoj Žižek's most substantial theoretical work to appear in many years; Žižek himself describes it as his magnum opus. Parallax can be defined as the apparent displacement of an object, caused by a change in observational position. Žižek is interested in the "parallax gap" separating two points between which no synthesis or mediation is possible, linked by an "impossible short circuit" of levels that can never meet. From this consideration of parallax, Žižek begins a rehabilitation of dialectical materialism. Modes of parallax can be seen in different domains of today's theory, from the wave-particle duality in quantum physics to the parallax of the unconscious in Freudian psychoanalysis between interpretations of the formation of the unconscious and theories of drives. In The Parallax View, Žižek, with his usual astonishing erudition, focuses on three main modes of parallax: the ontological difference, the ultimate parallax that conditions our very access to reality; the scientific parallax, the irreducible gap between the phenomenal experience of reality and its scientific explanation, which reaches its apogee in today's brain sciences (according to which "nobody is home" in the skull, just stacks of brain meat—a condition Žižek calls "the unbearable lightness of being no one"); and the political parallax, the social antagonism that allows for no common ground. Between his discussions of these three modes, Žižek offers interludes that deal with more specific topics—including an ethical act in a novel by Henry James and anti-anti-Semitism. The Parallax View not only expands Žižek's Lacanian-Hegelian approach to new domains (notably cognitive brain sciences) but also provides the systematic exposition of the conceptual framework that underlies his entire work. Philosophical and theological analysis, detailed readings of literature, cinema, and music coexist with lively anecdotes and obscene jokes.
When Charlie returns to Lichfield, she steps into chaos. The killer is still on the loose, Lady Harcourt's secret is out, Seth and Gus are gone, and Lady Vickers has come to stay. But nothing compares to the chaos inflicted on Charlie's heart by seeing Lincoln every day. Despite their frequent clashes, Lincoln and Charlie manage to work together to narrow their list of suspects. No one can be trusted, especially not the members of the committee who are not what they seem. Long buried pasts are dug up as Charlie and Lincoln attempt to restore peace to Lichfield. But when danger enters her home, Charlie's world is shattered.
Jewish Studies Athens. BUT BE CAREFUL THAT I DONT SOMEHOW DECEIVE YOU UNINTENTIONALLY (!!! ???) BY PROFFERRING AN ILLEGITIMATE ACCOUNTING OF THE CHILD/TOKOU. [Republic 507a] ************************************************************************************* Jerusalem. A Note from the Tanna Kamma: The laws regarding the release from vows hover in the air (having no Scriptural support). The laws of Shabbat; of the Festival Offerings; and acts of trespass; are like mountains suspended by a hair; for there are but scant Scriptural foundation for them but there are numerous halakhot for them. Civil cases; Temple services; the regulations concerning purity and contamination; and the forbidden sexual relations; all of these have true and firm Scriptural support. AND IT IS THESE {the ones with true and firm Scriptural support) WHICH ARE THE FUNDAMENTALS OF THE TORAH [The last Paragraph of Chapter One of the Hagigah Mishna; found at 10a-i of the Art Scroll rendition (with some modifications). The passage is orchestrated by the Tanna Kamma.]