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Jessica Wakefield tries to deal with nasty rumors about her which are circulating around her school.
Yonkers, New York, finds its place on the literary map of America. Transcending all the limitations of "ethnic literature" and mobster stereotyping, David Prete flawlessly (and seemingly effortlessly) nails Italian-American life to the page and elevates it to a new place in American writing. Say That to My Face introduces us to Joey Frascone and his family and friends in the tense, violent, racially divided Yonkers of the Seventies and Eighties. His childhood segmented between four homes and his teenage dreams pulling him towards the challenge and excitement of New York City, Joey is a handsome kid whose intense and conflicting loyalties threaten to tear him apart. Whether responding to the crush of a motherless girl whose sister he adores; flirting with danger during the terrifying summer of mass-murderer "Son of Sam"; cheating his teammates of a victory to save a friend on the ballfield; watching his mother play softball against his father ("in her lovely red dress, she pretended to fix her crotch and spit out a wad of chewing tobacco... With one shake of her ass in the batter's box of a church parking lot, my mother dropped thirty years"); or struggling with the mind-blowing high of a lifetime while running drugs from Jamaica, Frascone wins the reader's steadfast allegiance as he tries to figure out where his own truest loyalties lie. Capturing people in flux between their better and worse selves, David Prete is one outstanding storyteller. With hilarious, thrilling, and painful accuracy, he evokes the color and poignancy and humor of Italian-American speech and the characters who use it. Like barman Frank Gianguzzi, whose favorite term of affection is "coog," from the Italian "cugino," or cousin, or any of its variations: "coog-o, coogini, coogette, coogie coog, coog a'bell, coog a'brut." Or Benny Colangelo, the quintessential neighborhood guy, "emanating his future. A future of work, neighborhood, family, and the beautiful poetry of routine." Or Joey's butcher grandfather, scratching his grandson's back with his thick, heavy butcher's nails, as he yells, "Look at the prince here." Or his Uncle Gingy, whose motto — "the one thing you don't mess with is family"-doesn't seem to apply to how he treats his wife. Having come of age among characters as memorable as any in Faulkner's Mississippi, Joey finds that even when he escapes Yonkers for the sophisticated city sparkling at the other side of the bridge, his past isn't forgotten: the past isn't even past.
Alfred Hayes is one of the secret masters of the twentieth century novel, a journalist and scriptwriter and poet who possessed an immaculate ear and who wrote with razorsharp intelligence about passion and its payback. My Face for the World to See is set in Hollywood, where the tonic for anonymity is fame and you’re only as real as your image. At a party, the narrator, a screenwriter, rescues a young woman who staggers with drunken determination into the Pacific. He is living far from his wife in New York and long ago shed any illusions about the value of his work. He just wants to be left alone. And yet without really meaning to, he gets involved with the young woman, who has, it seems, no illusions about love, especially with married men. She’s a survivor, even if her beauty is a little battered from years of not quite making it in the pictures. She’s just like him, he thinks, and as their casual relationship takes on an increasingly troubled and destructive intensity, it seems that might just be true, only not in the way he supposes.
The actor and founder of the Alan Alda Center for Communicating Science traces his personal quest to understand how to relate and communicate better, from practicing empathy and using improv games to storytelling and developing better intuitive skills.
The Oscar-nominated Precious star and Empire actress delivers a much-awaited memoir which is wise, complex, smart and funny. This Is Just My Face is the whirlwind tour of Gabourey Sidibe’s life so far. In it, we meet her polygamous father, her gifted mother who fed the family by busking on the subway, and the psychic who told her she’d one day be ‘famous like Oprah’. Gabby shows us round the Harlem studio apartment where she grew up, relives the debilitating depression that hit her at college, and reminisces about her first ever job as a phone sex ‘talker’ (less creepy than you’d think). With exhilaratingly honest (and often hilarious) dispatches on friendship, depression, celebrity, haters, fashion, race, and weight, This Is Just My Face will resonate with anyone who has ever felt different - and with anyone who has ever felt inspired to make a dream come true. 'Frank, funny, and insanely charming' Lena Dunham 'A read that lives up to the unforgettable attitude of its name' Glamour 'You’re the BOMB, girl!' President Barack Obama
Hot Conflict Rule number one for "How to Throw a Wedding": Don't get kidnapped. Rule number two? Don't let your rescuer be DJ McAllister, as in tall, dark, and secretive with a bod to die for. As in the man who pushed wedding planner Mary Grace Heyward away once and left her heartbroken for, um, well forever. But now that they're running for their lives (so that's what it takes to get a man to commit!), the looks DJ's giving her tell another story, one that's making her very, very warm. And Mary Grace's mission is clear: Indulge the hot Marine's every fantasy and secure a victory of the everlasting kind. . . Hot Landing Zone The mission went bad, really bad. And Jake Mackenzie blames Dr. Katherine Collier, the egghead scientist his team was rescuing from terrorists. If she'd just obeyed his orders they wouldn't be stranded--alone--on a remote island with no way off. But hell, Jake's a Marine. He'll improvise, adapt, and overcome. . .as long as the drop-dead gorgeous Katherine stops accidentally setting off his booby traps, prancing around in what's left of her clothing, and driving him wild with desire. Protecting her is his sworn duty, and the lady seems to have some specific requests in that area. . . Hot Target Rick Cahill's got his orders: Drop into the Amazon and pick up American Peace Corp volunteer Sam Previn. Who knew Sam was actually Samantha, a beautiful redhead with a temper to match? And who knew the Colombian drug cartels would be after them? On the run in the jungle, searching secluded spots for shelter, Rick has to remind himself that Sam is off-limits, no matter how it unhinges him every time her skin brushes his. But when the savvy Sam starts speaking in military abbreviations and can load a sidearm without looking, it's clear she's something special--and just Rick's type. . . The daughter, wife, and now mother of career U.S. Marines, Amy J. Fetzer has penned twenty-eight novels and novellas in historical, historical paranormal, contemporary, and romantic suspense. Amy's work has been nominated twice for Storyteller of the Year in historical and contemporary, Career Achievement, and hit the top spots of the Waldenbooks bestseller lists, as well as winning several genre awards. After twenty-five years of traveling with the Marine Corps, Amy and her family live outside Charleston, South Carolina, enjoying the quiet, retired life, trying to behave like civilians.
Named a Favorite Book for Southerners in 2020 by Garden & Gun "Donovan is such a vivid writer—smart, raunchy, vulnerable and funny— that if her vaunted caramel cakes and sugar pies are half as good as her prose, well, I'd be open to even giving that signature buttermilk whipped cream she tops her desserts with a try.”—Maureen Corrigan, NPR Noted chef and James Beard Award-winning essayist Lisa Donovan helped establish some of the South's most important kitchens, and her pastry work is at the forefront of a resurgence in traditional desserts. Yet Donovan struggled to make a living in an industry where male chefs built successful careers on the stories, recipes, and culinary heritage passed down from generations of female cooks and cooks of color. At one of her career peaks, she made the perfect dessert at a celebration for food-world goddess Diana Kennedy. When Kennedy asked why she had not heard of her, Donovan said she did not know. "I do," Kennedy said, "Stop letting men tell your story." OUR LADY OF PERPETUAL HUNGER is Donovan's searing, beautiful, and searching chronicle of reclaiming her own story and the narrative of the women who came before her. Her family's matriarchs found strength and passion through food, and they inspired Donovan's accomplished career. Donovan's love language is hospitality, and she wants to welcome everyone to the table of good food and fairness. Donovan herself had been told at every juncture that she wasn't enough: she came from a struggling southern family that felt ashamed of its own mixed race heritage and whose elders diminished their women. She survived abuse and assault as a young mother. But Donovan's salvations were food, self-reliance, and the network of women in food who stood by her. In the school of the late John Egerton, OUR LADY OF PERPETUAL HUNGER is an unforgettable Southern journey of class, gender, and race as told at table.
Anu Krishnan, seeking refuge from city life, becomes a tenant of the seemingly happy, tightly-knit Dharma family in a small northern town in B.C. But the Dharma family holds secrets which begin to spill out, brought on by Anu's presence, and leading to tragic consequences.!
An autobiographical novel of race and class by one of the leading Black writers of the 20th century