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This book is like no other. It won't teach you how to play the saxophone: there are dozens of effective methods for that, and you will not find scores to play in this book. It will teach you how to practice the saxophone efficiently so that you can improve your saxophone as quickly as possible in the shortest time possible. You will be able to play harder and faster scores. Espagnol: Este libro es único en su género. No te enseñará a tocar el saxofón: hay docenas de métodos efectivos para eso, y no encontrarás partituras para tocar en este libro. Te enseñará cómo practicar el saxofón de manera eficiente para que puedas mejorar tu habilidad con el saxofón lo más rápido posible en el menor tiempo posible. Serás capaz de tocar partituras más difíciles y rápidas. Italiano: Questo libro è come nessun altro. Non ti insegnerà a suonare il sassofono: ci sono dozzine di metodi efficaci per quello, e non troverai spartiti da suonare in questo libro. Ti insegnerà come praticare il sassofono in modo efficiente in modo che tu possa migliorare il tuo sassofono nel più breve tempo possibile. Sarai in grado di suonare partiture più difficili e veloci. Deutch: Dieses Buch ist wie kein anderes. Es wird dir nicht beibringen, wie man Saxophon spielt: Es gibt Dutzende effektiver Methoden dafür, und du wirst in diesem Buch keine Noten zum Spielen finden. Es wird dir beibringen, wie du effizient Saxophon üben kannst, sodass du deine Fähigkeiten auf dem Saxophon so schnell wie möglich in kürzester Zeit verbessern kannst. Du wirst in der Lage sein, schwierigere und schnellere Stücke zu spielen. 1) ADVICES FOR MOTIVATION TO PLAY SAXOPHONE Dissociate working the Saxophone and playing the Saxophone Law of Least Effort Select the scores How often to play the Saxophone per week and for how long? Warming up and working the sound of Saxophone Vary musical style Is it necessary to learn to read music to play Saxophone? 2) SAXOPHONE WORKING TECHNIQUES Imitate great Saxophone players Shift the beginning of the piece at each session When you fail Accidentals Scribbling How to practice a difficult section in a piece ? Avoid degradation of a piece over time The work of musical nuances Boost your progression: face new challenges How to learn by heart? 3) TRAINING TO PLAY THE SAXOPHONE IN FRONT OF AN AUDIENCE OR PREPARE COMPETITIONS Marathon workout in preparation to perform in front of an audience Discomfort zone techniques. 4) THE WORK OF THE SAXOPHONE VIRTUOSITY Virtuosity is mastery The metronome's work of mastery and stability Working on sections where the notes are very fast Back-nibbling technique: for the ultra-difficult Regularity workouts for difficult sections Working on a difficult section: x3 x5 x8 repetition Use the metronome to learn difficult and long sections that include various rhythms Structure of a working session. WORKSHEETS
A trusted training method for aspiring and serious players, "The Saxophone Bible" covers tuning, tone production, fingering, breath control, playing low and high ranges, scales, intervals, and much more.
According to Larry Teal, the best method of learning to play the saxophone is to study with a competent teacher. Teal's studies were mostly of instruments other than the saxophone, but as a student at a Chautauqua summer session, he came under the influence of Georges Barrère, the eminent French flutist. He played bass clarinet with the Detroit Symphony, but he continued to be absorbed by the saxophone. As a result of his acquired expertise and growing reputation, he was appointed to a full-time faculty position as a saxophone teacher by the University of Michigan -- the first ever to receive such an appointment from a major university. During his 21-year tenure, he attracted students from all over, thus exerting an ever widening influence on saxophone teaching and performing.
This follow-up edition presents a continuation and expansion of the techniques presented in Scale Studies, with a special emphasis on chordal concepts. It includes innovative exercises and solos that will help sax players learn melody, harmony, rhythm and improvisation techniques.
This book is designed to guide saxophonists of any genre towards achieving their ideal sound. Not only will pursuing this aspiration result in a more beautiful and powerful tone, but it will also promote virtuosity in other areas of technique such as the ability to execute technical passage, extending the range of the saxophone to four octaves, and widening the palette of available tone colors. The guiding principles for reaching these goals are taught in this book as are corresponding specific exercises to help efficiently achieve them. Accompanying sound clips are available at: www.benbrittonjazz.com/completeapproach "This is a terrific book on an often neglected yet integral part of saxophone playing. I recommend Ben's book to every serious saxophonist." --Walt Weiskopf Editor: Victor Pinto, New Orleans, LA Cover Photophrapy: Frankie Withers, Annapolis, MD
Johann Sebastian Bach created some of the most significant music in history, including A Keyboard Practice Consisting of an Aria with Thirty Variations for the Harpsichord—commonly known as the Goldberg Variations. Goldberg is Johann Gottlieb Goldberg, a young musician in the court of Count Keyserlingk, a Russian ambassador living in Dresden. It isn’t known for certain why Bach’s difficult composition was named for the young man, but Anna Harwell Celenza gives us one possible story based on extensive research.
(Instrumental). Easy Improvisation is a great way to learn the basics of improvising, on your own, with friends, or with the whole band! Musicians are given guidance to play along in parts, to play along with written-out solos, or to improvise on their own. The audio tracks include demonstration of the music on the page, or just the background rhythms and chords. 30 different styles are included: rock 'n' roll, hip-hop, jazz, EDM, country, Bossa Nova, calypso, cha-cha, reggae, and more. Use sample solos and other tips to start improvising today!
Imagine a large watermelon. Inside sit the secrets to saxophone virtuosity. Saxophone Technique whacks open the melon, cuts it into slices, and presents each topic as a digestible and tasty treat. Philosophical and phun, Saxophone Technique delves into the petits détails—the essential minutiae—that allow good saxophonists to become great. Bursting with exercises and pulsating with strategies, Saxophone Technique will help any player derive the most satisfaction and the most enjoyment from the practice process.
For years people have asked me to put what I showed them into a book. This book is my contribution to music education. This concept opens up many possibilities of phrasing that develop and flow easily. This concept was developed while living, playing and tutoring in New York City. Bebop licks, lines and phrases are still used in most of today's different forms of music. In this book you'll find licks and phrases you can use for Soul, Funk, Hip Hop Jazz, Cool Jazz, Smooth Jazz and easy Bebop tunes.This book uses words to help give jazz notation easy to remember sound qualities. Just as the famous "Cry me a river" jazz lick is used to teach a specific bebop lick, this book has many useful jazz licks.Basic Example,Notes = C D E GNumbers = 1 2 3 5Easy to remember words,Words = "Play some be - bop"Numbers = 1 2 3 5The above example uses the simple first 4 notes of the pentatonic scale to show the notes to words approach. This book uses many of the typical scales used in music. These scales become less simple and more musical in edited and inverted form. Most of the music we hear and play use the same scales and notes. It's usually the syncopation of the rhythm and arrangement of the notes that makes the different styles of music. This book has edited down the scales to the licks, lines and phrases used from BEBOP to FUNK, HIP HOP, NEW JACK SWING, COOL and SMOOTH JAZZ. Most of today's music still has a huge bebop influence, so first think simple bebop when reading the notes and words in this book. Once the sounds are in your ear, they'll come out naturally in other styles of music. Just follow the rhythm of the style of music you're playing. Listen to a drummer and follow his accents and you can usually play a variation of what you like to play. Written music is a good tool to show musicians the notes. Words are used to express the feeling of the music. Rhythm provides the groove and pulse of the music. Take time and try all of the examples in this book. Say the words and play the notes. Find the ones that flow freely from your instrument. This is not a technical struggle. Have fun.This book is my contribution to the "Wonderful world of jazz".