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Mervyn Finlaysons wife is a quadriplegic confined to a wheelchair after a car accident. Her hopeless situation has made her extremely depressed. To make matters worse, the woman who has cared for her since her return home from hospital has just quit on short notice. When Mervyn offers Anya a job as his wifes new carer, he thinks he is nobly rescuing her from a life of enforced prostitution. A series of suspicious mishaps occur, leading Mervyn to suspect that Anya may not be all that she seemsand he eventually realizes that his life is in danger.
Before she goes to America, the Polish Jew Anya who has escaped several times during World War II, always searches for her little girl, given to Gentiles at the start of the war.
This lush tale of magic and dragons is a gem for any adventure-seeking middle grader and perfect for fans of Aru Shah and the End of Time. Anya and the Dragon is the story of fantasy and mayhem in tenth century Eastern Europe, where headstrong eleven-year-old Anya is a daughter of the only Jewish family in her village. When her family's livelihood is threatened by a bigoted magistrate, Anya is lured in by a friendly family of fools, who promise her money in exchange for helping them capture the last dragon in Kievan Rus. This seems easy enough, until she finds out that the scary old dragon isn't as old--or as scary--as everyone thought. Now Anya is faced with a choice: save the dragon, or save her family.
He lost his hand as well as his livelihood. She made a fatal choice. Will they be able to save each other from devastation? Two years ago, Country lost everything. Surviving on just his military pension, he scrapes by until his landlord raises his rent. Forced back into work, he finds himself as a mercenary, but how can he protect people with only one hand? Sold by her father to a Russian politician, Anya does the only thing she can think of. She flees to America with the help of a terrifying Russian mafia boss. Now Anya finds herself in an even more dangerous situation, owing money to the mafia. When Country begins investigating missing babies their worlds collide. Will they be able to protect each other or will the investigation end in both their deaths? Readers who enjoy books by Susan Stoker and Samantha A. Cole will love this fast-paced protector romance. Buy now to take this wild ride.
Russian billionaire ex-crime boss Dmitry Medlov is finally happy with his life. His legacy has been passed on to his son, but everything is shattered when his little girl, Anya, is abducted. The only way for Dmitry to find Anya is to come out of retirement and begin a reign of terror that could destroy everything and everyone around him.
Features main character smoking, possessing pills; contains references to sexual harassment and violence.
Finally: an evidence-based, reassuring guide to what to do about kids and screens, from video games to social media. Today's babies often make their debut on social media with the very first sonogram. They begin interacting with screens at around four months old. But is this good news or bad news? A wonderful opportunity to connect around the world? Or the first step in creating a generation of addled screen zombies? Many have been quick to declare this the dawn of a neurological and emotional crisis, but solid science on the subject is surprisingly hard to come by. In The Art of Screen Time, Anya Kamenetz -- an expert on education and technology, as well as a mother of two young children -- takes a refreshingly practical look at the subject. Surveying hundreds of fellow parents on their practices and ideas, and cutting through a thicket of inconclusive studies and overblown claims, she hones a simple message, a riff on Michael Pollan's well-known "food rules": Enjoy Screens. Not too much. Mostly with others. This brief but powerful dictum forms the backbone of a philosophy that will help parents moderate technology in their children's lives, curb their own anxiety, and create room for a happy, healthy family life with and without screens.
The adventure continues in this exciting sequel to Anya and the Dragon; a dangerous monster lurks beneath the city and only Anya can keep him from taking her friends' magic--and their lives. Perfect for fans of The Girl Who Drank the Moon.
Ten-year-old girls don't wear wigs. So why is Anya wearing one? That's what Keely wants to know. But when Anya's wig falls off in front of the whole class, Keely realizes what she really wants is to help Anya, even though she's not sure how--and even though it means she'll have to do something she's afraid of: stand up to her friends. As for Anya, she just wants her hair to grow back, but no one can tell her whether it ever will. How can she learn to accept her disease when she can't even look in the mirror?
Left-handed Anya draws with great passion . . . but only when she's alone. In Russia, right-handedness is demanded--it is the right way. This cultural expectation stifles young Anya's creativity and artistic spirit as she draws the world around her in secret. Hiding away from family, teachers, and neighbors, Anya imagines a secret society of famous left-handed artists drawing alongside her. But once her family emigrates from Russia to America, her life becomes less clandestine, and she no longer feels she needs to conceal a piece of her identity.