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Poetry. Asian & Asian American Studies. California Studies. Film. SAVAGE PAGEANT recounts the history of the defunct zoo, Jungleland, which housed Hollywood's show animals up until its closure in 1969. In it, Stark explores the concept of US American spectacle and its historic ties to celebrity culture, the maternal body, racist taxonomies, the mistreatment of animals, and ecological violence. With a hybrid, documentary poetics, SAVAGE PAGEANT reveals how we attempt to narrate and control geographical space and how ghosts (remainders, the sketch, unfinished stories) collapse the tidy corners of our collective, accumulative histories.
Thirty years after the smashing success of Zelda, Nancy Milford returns with a stunning second act. Savage Beauty is the portrait of a passionate, fearless woman who obsessed American ever as she tormented herself. If F. Scott Fitzgerald was the hero of the Jazz Age, Edna St. Vincent Millay, as flamboyant in her love affairs as she was in her art, was its heroine. The first woman ever to win the Pulitzer Prize, Millay was dazzling in the performance of herself. Her voice was likened to an instrument of seduction and her impact on crowds, and on men, was legendary. Yet beneath her studied act, all was not well. Milford calls her book "a family romance"—for the love between the three Millay sisters and their mother was so deep as to be dangerous. As a family, they were like real-life Little Women, with a touch of Mommie Dearest. Nancy Milford was given exclusive access to Millay's papers, and what she found was an extraordinary treasure. Boxes and boxes of letter flew back and forth among the three sisters and their mother—and Millay kept the most intimate diary, one whose ruthless honesty brings to mind Sylvia Plath. Written with passion and flair, Savage Beauty is an iconic portrait of a woman's life.
From bestselling, Printz Award-winning author Libba Bray, the story of a plane of beauty pageant contestants that crashes on a desert island.Teen beauty queens. A "Lost"-like island. Mysteries and dangers. No access to emall. And the spirit of fierce, feral competition that lives underground in girls, a savage brutality that can only be revealed by a journey into the heart of non-exfoliated darkness. Oh, the horror, the horror! Only funnier. With evening gowns. And a body count.
A tavern mistress in 1777 unravels a puzzle that involves stolen diplomatic letters, spies and avaricious traitors, while trying to find the killer of an overnight guest.
After World War II, Japanese Americans in Hawai‘i sought to carve a positive niche of public citizenship in the community. In 1953 members of the Honolulu Japanese Junior Chamber of Commerce and their wives created a beauty contest, the Cherry Blossom Festival (CBF) Queen Pageant, which quickly became an annual spectacle for the growing urban population of Honolulu. Crowning the Nice Girl analyzes the pageant through its decades of development to the present within multiple frameworks of gender, class, and race/ethnicity. Drawing on extensive archival research; interviews with CBF queens, contestants, and organizers; and participant observation in the Fiftieth Annual Festival as a volunteer, Christine Yano paints a complex portrait of not only a beauty pageant, but also a community. The study begins with the subject of beauty pageants in general and Asian American beauty pageants in particular, interrogating the issues they raise, embedding them within their histories, and examining them as part of a global culture that has taken its model from the Miss America contest.Yano follows the pageant throughout the decades into the 1990s, adding corresponding "herstories"—extensive narratives drawn from interviews with CBF queens. She concludes by framing issues of race, ethnicity, spectacle, and community within the intertwined themes of niceness and banality.
Explores both the American and Arab sides of the September 11th terrorist attacks in an account of the people, ideas, events, and intelligence failures that led to the tragedies.
"The Dead Boxer," penned by way of William Carleton, unfolds a gripping narrative that delves into the complexities of human resilience, loss, and redemption. Set towards the backdrop of the gritty global of boxing, Carleton weaves a tale that goes past the confines of the hoop, exploring the profound effect of lifestyles's challenges at the human spirit. The protagonist, a as soon as-prominent boxer, faces a sequence of adversities that force him to confront his own vulnerabilities and question the essence of his identity. As the narrative unfolds, Carleton skillfully navigates the emotional terrain, imparting readers with a nuanced portrayal of the protagonist's adventure through despair, self-discovery, and ultimately, the pursuit of internal electricity. The Dead Boxer no longer best captures the visceral depth of the game however also serves as a powerful exploration of the standard themes of resilience and the human capability for transformation. Carleton's narrative mastery and insightful storytelling make this painting a poignant and idea-upsetting literary contribution, resonating with readers who appreciate narratives that go beyond the bounds of style, providing a profound reflection at the human revel in.