Download Free Saturday Night Widows Book in PDF and EPUB Free Download. You can read online Saturday Night Widows and write the review.

In this transcendent and infectiously wise memoir, Becky Aikman—a widow, too young, too modern to accept the role—forms an unlikely group with five other young widows, each seeking a way forward in a strange and disquieting world. A warm, witty, and compassionate guide on this journey, Aikman explores surprising new discoveries about how people are transformed by adversity, learning the value of new experiences, humor, and friendship. The Saturday Night Widows band together to bring these ideas to life, striking out on ever more far-flung adventures and navigating the universal perils of finding love and meaning. Theirs is a transporting true story of six marriages, six heartbreaks, and one shared beginning—an inspiring testament to what friends can achieve when they hold each other up. Saturday Night Widows is the rare book that will make you laugh, think, and remind yourself that despite the utter unpredictability and occasional tragedy of life, it is also precious, fragile, and often more joyous than we recognize. Now with Extra Libris material, including a reader’s guide and bonus content
Six marriages, six heartbreaks, one shared beginning. In her forties – a widow, too young, too modern to accept the role – Becky Aikman struggled to make sense of her place in an altered world. In this transcendent and infectiously wise memoir, she explores surprising new discoveries about how people experience grief and transcend loss and, following her own remarriage, forms a group with five other young widows to test these unconventional ideas. Together, these friends summon the humor, resilience, and striving spirit essential for anyone overcoming adversity. Meet the Saturday Night Widows: ringleader Becky, an unsentimental journalist who lost her husband to cancer; Tara, a polished mother of two, whose husband died in the throes of alcoholism after she filed for divorce; Denise, a widow of just five months, now struggling to get by; Marcia, a hard-driving corporate lawyer; Dawn, an alluring self-made entrepreneur whose husband was killed in a sporting accident, leaving two small children behind; and Lesley, a housewife who returned home one day to find that her husband had committed suicide. The women meet once a month, and over the course of a year, they strike out on ever more far-flung adventures, learning to live past the worst thing they thought could happen. They share emotional peaks and valleys – dating, parenting, moving, finding meaningful work, and reinventing themselves – while turning traditional thinking about loss and recovery upside down. Through it all runs the story of Aikman's own journey through grief and her love affair with a man who tempts her to marry again. In a transporting story of what friends can achieve when they hold each other up, Saturday Night Widows is a rare book that will make you laugh, think, and remind yourself that despite the utter unpredictability and occasional tragedy of life, it is also precious, fragile, and often more joyous than we recognize. Look for Becky's new book, Off The Cliff: How the Making of Thelma & Louise Drove Hollywood to the Edge.
"An agile novel written in a language perfectly pitched for the subject matter, a ruthless dissection of a fast decaying society"—José Saramago, Nobel Prize winner The English translation of hit novel Las Viudas de Los Jueves! “Piñeiro’s clever U.S. debut.. . illuminates the hypocrisies of the country's upper classes after 9/11.”—Publishers Weekly “Piñeiro is particularly skilful at exposing the social forces undermining Argentine society, and the fragility of personal relationships. We learn the surprising truth of the three men’s death in the final chapter; the build-up to it is riveting.”—The Times (London) "Piñeiro builds up tension through banal, domestic details and the accretion of despair in everyday marital and professional struggles. There may be bloody murder at the centre of this novel, but the dystopia portrayed is an indictment not solely of an assassin but of Argentina’s class structure and the willful blindness of its petty bourgeoisie."—Times Literary Supplement “A razor-sharp psychological and social portrait not only of Argentina, but of the afluent Western world as a whole.”—Rosa Montero Three bodies lie at the bottom of a swimming pool in a gated country estate near Buenos Aires. It's Thursday night at the magnificent Scaglia house. Behind the locked gates, shielded from the crime, poverty, and filth of the people on the streets, the Scaglias and their friends hide lives of infidelity, alcoholism, and abusive marriage. Claudia Piñeiro's novel eerily foreshadowed a criminal case that generated a scandal in the Argentine media. But this is more than a story about crime. The suspense is a byproduct of Piñeiro's hand at crafting a psychological portrait of a professional class that lives beyond its means and leads secret lives of deadly stress and despair. It takes place during the post-9/11 economic meltdown in Argentina, but it is a universal story that will resonate among credit-crunched readers of today. The film of Thursday Night Widows, by Argentine New Wave and award-winning director Marcelo Piñeyro is coming soon with trailers available online. Claudia Piñeiro was a journalist, playwright, and television scriptwriter and in 1992 won the prestigious Pléyade Annual Journalism Award. She has more recently turned to fiction and is the author of literary crime novels that are all bestsellers in Latin America and have been translated into four languages. This novel won the Clarin Prize for fiction and is her first title to be available in English.
A lively and revealing behind-the-scenes look at the making of one of history's most controversial and influential movies, drawing on exclusive interviews with the cast and crew. “You’ve always been crazy,” says Louise to Thelma, shortly after she locks a police officer in the trunk of his car. “This is just the first chance you’ve had to express yourself.” In 1991, Thelma & Louise, the story of two outlaw women on the run from their disenchanted lives, was a revelation. Suddenly, a film in which women were, in every sense, behind the wheel. It turned the tables on Hollywood, instantly becoming a classic, and continues to electrify audiences as a cultural statement of defiance. But if the film’s place in history now seems certain, at the time its creation was a long shot. Only through sheer hard work and more than a little good luck did the script end up in the hands of the brilliant English filmmaker Ridley Scott, who saw its huge potential. With Scott on board, a team willing to challenge the odds came together—including the stars Geena Davis and Susan Sarandon and a fresh-faced up-and-coming actor named Brad Pitt, as well as legends like actor Harvey Keitel, composer Hans Zimmer, and old-school studio chief Alan Ladd Jr.—to create one of the most controversial movies of all time. But before icons like Davis and Sarandon got involved, Thelma & Louise was just an idea in the head of Callie Khouri, a thirty-year-old music video production manager, who was fed up with working behind the scenes on sleazy sets. At four a.m. one night, sitting in her car outside the ramshackle bungalow in Santa Monica that she shared with two friends, she had a vision: two women on a crime spree, fleeing their dull and tedious lives—lives like hers—in search of a freedom they had never before been able to realize. But in the late 1980s, Hollywood was dominated by men, both on the screen and behind the scenes. The likelihood of a script by an unheard-of screenwriter starring two women in lead roles actually getting made was remote. But Khouri had one thing going for her—she was so inexperienced she didn't really know she would be attempting the nigh impossible. In Off the Cliff, Becky Aikman tells the full extraordinary story behind this feminist sensation, which crashed through barricades and upended convention. Drawing on 130 exclusive interviews with the key players from this remarkable cast of actors, writers, and filmmakers, Aikman tells an inspiring and important underdog story about creativity, the magic of cinema, and the unjust obstacles that women in Hollywood continue to face to this day.
“One night when she was four and sleeping in the bottom bunk of her bunk bed, Ruth Cole woke to the sound of lovemaking—it was coming from her parents’ bedroom.” This sentence opens John Irving’s ninth novel, A Widow for One Year, a story of a family marked by tragedy. Ruth Cole is a complex, often self-contradictory character—a “difficult” woman. By no means is she conventionally “nice,” but she will never be forgotten. Ruth’s story is told in three parts, each focusing on a critical time in her life. When we first meet her—on Long Island, in the summer of 1958—Ruth is only four. The second window into Ruth’s life opens on the fall of 1990, when she is an unmarried woman whose personal life is not nearly as successful as her literary career. She distrusts her judgment in men, for good reason. A Widow for One Year closes in the autumn of 1995, when Ruth Cole is a forty-one-year-old widow and mother. She’s about to fall in love for the first time. Richly comic, as well as deeply disturbing, A Widow for One Year is a multilayered love story of astonishing emotional force. Both ribald and erotic, it is also a brilliant novel about the passage of time and the relentlessness of grief.
From the host of the popular podcast, Terrible, Thanks for Asking, comes a wise, humorous roadmap and caring resource for anyone going through the loss of a loved one—or even a difficult life moment. In the span of a few weeks, thirty-something Nora McInerny had a miscarriage, lost her father to cancer, and lost her husband due to a brain tumor. Her life fell apart. What Nora discovered during this dark time is that, when you’re in these hard moments, it can feel impossible to feel like even a shadow of the person you once were. People will give you all sorts of advice of how to hold onto your sanity and sense of self. But how exactly? How do you find that person again? Welcome to The Hot Young Widows Club, Nora’s response to the toughest questions about life’s biggest struggles. The Hot Young Widows Club isn’t just for people who have lost a spouse, but an essential tool for anyone who has gone through a major life struggle. Based on her own experiences and those of the listeners dedicated to her podcast, Terrible, Thanks for Asking, Nora offers wise, heartfelt, and often humorous advice to anyone navigating a painful period in their lives. Full of practical guidance, Nora also reminds us that it’s still okay to laugh, despite your deep grief. She explores how readers can educate the people around them on what to do, what to say, and how to best to lend their support. Ultimately, this book is a space for people to recognize that they aren’t alone, and to learn how to get through life’s hardest moments with grace and humor, and even hope.
A happily misanthropic Middle East divorcee finds refuge in books in a “beautiful and absorbing” novel of late-life crisis (The New York Times). Aaliya is a divorced, childless, and reclusively cranky translator in Beirut nurturing doubts about her latest project: a 900-page avant-garde, linguistically serpentine historiography by a late Chilean existentialist. Honestly, at seventy-two, should she be taking on such a project? Not that Aailiya fears dying. Women in her family live long; her mother is still going crazy. But on this lonely day, hour-by-hour, Aaliya’s musings on literature, philosophy, her career, and her aging body, are suddenly invaded by memories of her volatile past. As she tries in vain to ward off these emotional upwellings, Aaliya is faced with an unthinkable disaster that threatens to shatter the little life she has left. In this “meditation on, among other things, aging, politics, literature, loneliness, grief and resilience” (The New York Times), Alameddine conjures “a beguiling narrator . . . who is, like her city, hard to read, hard to take, hard to know and, ultimately, passionately complex” (San Francisco Chronicle). A finalist for the National Book Critics Circle Award and the National Book Award, An Unnecessary Woman is “a fun, and often funny . . . grave, powerful . . . [and] extraordinary” Washington Independent Review of Books) ode to literature and its power to define who we are. “Read it once, read it twice, read other books for a decade or so, and then pick it up and read it anew. This one’s a keeper” (The Independent)
On September 11, I dropped my son off at his second full day of kindergarten. The sky was so blue it looked as if it had been ironed. I crossed the street, ordered coffee, and sat to wait for my husband to meet me. It was our eighth wedding anniversary and Dave and I were about to begin a new chapter in our seventeen years together. Sipping coffee, I watched as a line of thick black smoke crept across the sky from Manhattan, oblivious to the fact that my life was about to change forever. On September 11, 2001, Marian Fontana lost her husband, Dave, a firefighter from the elite Squad 1 in Brooklyn, in the World Trade Center attack. A Widow's Walk begins that fateful morning, when Marian, a playwright and comedienne, became a widow, a single mother, and an unlikely activist. Two weeks after 9/11, the city attempted to close Squad 1, which had suffered the loss of twelve men. Known for her feisty spirit and passionate loyalty, Marian, who was still reeling from her profound loss, began to mobilize the neighborhood to keep the firehouse open. From this unlikely platform the 9/11 Widows and Victims' Families Association grew. Over the next twelve months, Marian struggled with the tragedy's endless ripple effects, from the minute and deeply personal—she wonders who will play Star Wars with her son, Aidan, and carry him on his shoulders; to the collective: she works to get families and widows necessary information about the recovery effort and attends private meetings with Governor Pataki, Mayor Giuliani, Senator Clinton, and Mayor Bloomberg. Through it all, Marian's irrepressible humor is her best armor, as well as evidence of her buoyant strength. Written with great heart and humanity, A Widow's Walk is a timely opportunity for remembrance and a timeless testament to love's loss and the resilience of the human spirit.
Unlike anything Joyce Carol Oates has written before, A Widow’s Story is the universally acclaimed author’s poignant, intimate memoir about the unexpected death of Raymond Smith, her husband of forty-six years, and its wrenching, surprising aftermath. A recent recipient of National Book Critics Circle Ivan Sandrof Lifetime Achievement Award, Oates, whose novels (Blonde, The Gravedigger’s Daughter, Little Bird of Heaven, etc.) rank among the very finest in contemporary American fiction, offers an achingly personal story of love and loss. A Widow’s Story is a literary memoir on a par with The Year of Magical Thinking by Joan Didion and Calvin Trillin’s About Alice.
“The Widows kept me on the edge of my seat. Montgomery is a masterful storyteller.” —Lee Martin, author of Pulitzer Prize-Finalist The Bright Forever Inspired by the true story of Ohio’s first female sheriff, Jess Montgomery’s powerful, lyrical debut is the story of two women who take on murder and corruption at the heart of their community. Kinship, Ohio, 1924: When Lily Ross learns that her husband, Daniel, the town’s widely respected sheriff, has been killed while transporting a prisoner in an apparent accident, she vows to seek the truth about his death. Hours after his funeral, a stranger appears at her door. Marvena Whitcomb, a coal miner’s widow, is unaware that Daniel has died and begs to speak with him about her missing daughter. From miles away but worlds apart, Lily’s and Marvena’s lives collide as they realize that Daniel was perhaps not the man that either of them believed him to be. *BONUS CONTENT: This edition of The Widows includes a new introduction from the author and a discussion guide "The Widows is a gripping, beautifully written novel about two women avenging the murder of the man they both loved."—Hallie Ephron, New York Times bestselling author of You'll Never Know, Dear "Jess Montgomery's gorgeous writing can be just as dark and terrifying as a subterranean cave when the candle is snuffed out, but her prose can just as easily lead you to the surface for a gasp of air and a glimpse of blinding, beautiful sunlight. This is a powerful novel: a tale of loss, greed, and violence, and the story of two powerful women who refuse to stand down."—Wiley Cash, New York Times bestselling author of The Last Ballad, A Land More Kind than Home, and This Dark Road to Mercy "[A] flinty, heartfelt mystery that sings of hawks and history, of coal mines and the urgent fight for social justice."—Julia Keller, Pulitzer Prize-winning author of Bone on Bone