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This classic astrology text, revered by beginners and professional astrologers alike, is now available in a Weiser Classics edition. “The most important single contribution of twentieth-century astrology is that astrology is not a map of one’s fixed destiny but is a potential map of the unfolding of the authentic, higher self.” —Robert Hand, from the foreword Saturn’s darker persona is recognized universally in myth and fairytale. In this classic astrology text, renowned astrologer and Jungian analyst Liz Greene offers a fresh perspective on how to handle the influence of this much-maligned astrological symbol. In Saturn, Greene shows us how the frustrating experiences connected to this planet can be turned into opportunities for greater insight and meaning in our lives. Saturn, she says, symbolizes a psychic process—one that allows us to utilize the experience of pain for self-discovery and a more fulfilling and complete life. Greene retraces Saturn’s character through sign, house, aspect, and synastry in a brilliant analysis that reveals his other face: that of the initiator who, for the price of our honesty with ourselves, offers us greater consciousness, self-understanding, and, eventually, freedom.
'From Satan to Saturn' has the distinction of being the first of John O'Loughlin's cyclical works of aphoristic philosophy (superphilosophy and/or theosophy); that is, a volume in which numbered aphorisms are recycled over and over as the text centripetally advances through several spirals in an ascending momentum that takes it to new heights of truthful or metaphysical insight and certitude, heights that will be overhauled in due textural course as the struggle for philosophical verity (or theosophical perfection) continues with what could be called a badgeful - as opposed to ringful - vengeance.
This 280-page book brings back a long lost space opera by two of the best SF authors of the days when Argosy serialized the finest of SF and adventure, Satans On Saturn. In addition, Richard A. Lupoff, who collected and introduces these stories, provides two tales by Price called "Web of Wizardry" and "Selene Slays by Night" as well as an important novelette from Kline, "The Man from the Moon." The cover art is by Allan Koszowski and is reminiscent of the demon in 1957's Curse of the Demon with Dana Andrews, isn't it?
: A new age began December 21, 2020. The Great Conjunction-a meeting in the sky of the planets Jupiter and Saturn-heralded the Age of Aquarius, a new golden age ruled by Saturn, the old god who once reigned over a world of peace and plenty.It's a lie.In the latest groundbreaking book from author and researcher Derek P. Gilbert, you will discover:? Powerful people believe the stars have aligned to bring back the old god Saturn? Occult symbols embedded in the United States Capitol that point to the return of Saturn's reign? Why Lucifer is Saturn, not Satan? Evidence that Saturn was the leader of the rebellious "sons of God"? The many names of Saturn over the last 6,000 years? New research that traces this fallen angel's cult back to Ararat-where Noah's ark came to rest? The identity of Apollyon, the angel of the bottomless pit? The connection between Mount Hermon, where the Watchers rebelled, and the Mount of Olives? Why this fallen angel may have been the high priest in Eden? Modern cults that venerate Saturn and work to create a new golden age of humans commingling with gods? Hidden Bible prophecies of God's final judgment on Saturn and the WatchersDeep in the earth, this dark god plots and waits. A day is coming when he will be released from his chains. He and his minions will loose literal hell on earth-a time when people will long to die, but death will not come.This is the true "Golden Age" dreamed of for thousands of years-the return of Saturn's reign.
Analysis of the current interest in supernatural experiences and a strategy for combatting the forces of evil.
Liber Lucifer is another gem from 616 and the beginning of the fourth of the six trilogies in total. It was the original text from which all the others sprang. It consists of songs, aphorisms, rituals, mudras and images of The Light-Bringer and/or The Divine Androgyne. It is highly personal yet paradoxically open to all who identify themselves as Luciferians, Satanists and/or Setians (those who follow the Left-Hand Path of Lucifer, Satan or Set). All 616's texts are obviously inter-textual but do stand alone by themselves. Any of the finished books can act as a door-way into The Black Tradition Trilogies as a whole and Liber Lucifer is certainly no exception!
The crew of the Copernicus are sent to investigate Bestla, one of the remote moons of Saturn. Bestla has always been an oddball, orbiting Saturn in the wrong direction and at a distance of thirty million kilometers, so far away Saturn appears smaller than Earth's moon in the night sky. Bestla hides a secret. When mapped by an unmanned probe, Bestla awoke and began transmitting a message, only it's a message no one wants to hear: “I want to live and die for you, Satan.”
The most in-depth work in English on the most influential secret magic group of 20th-century Germany, the Fraternitas Saturni, or Brotherhood of Saturn • Explores the history of the Order from its founding the late 1960s • Transcribes many rituals and practices in such detail that readers will be able to undertake their own experiential work • Examines the Order’s teachings on cosmology, the Kabbalah, the Saturnian Sacraments, electrical magic, and sexual mysticism--the Yoga of the Dark Light • Includes biographies of prominent members, including founder Gregor A. Gregorius, Karl Spiesberger (Frater Eratus), and Albin Grau (Master Pacitius) The most influential magical group in Germany during the 20th century, the Fraternitas Saturni, or Brotherhood of Saturn, is still the most active and important magical society in Germany today. But from its formal beginnings in 1926 in Weimar Berlin until around 1970 it was almost totally secret. Most of what is known about the Order in the English-speaking world is fragmentary and focuses exclusively on the sensational sex-magic practices and Luciferian tendencies of this magical lodge. Presenting the most in-depth work in English on the Fraternitas Saturni, Stephen Flowers examines the history of the Order from the mid-1920s to the late 1960s when the Order was fundamentally reformed. He details their path of initiation, secret doctrines, ritual practices, and magical formulas and offers biographies of the Order’s most prominent members, including founder Gregor A. Gregorius, Karl Spiesberger (Frater Eratus), Albin Grau (Master Pacitius), and Franz Saettler (Dr. Musallam). Exploring the Brotherhood’s guiding principles, he shows that at the heart of Saturnian ideology is the idea of Saturn-Gnosis: the interplay of opposing forces in the universe leading to the realization of the individual self as a god-like entity. He examines the Order’s teachings on cosmology, the Kabbalah, the Saturnian Sacraments, electrical magic, sexo-cosmology, sex-magic rites, and sexual mysticism--the Yoga of the Dark Light--and transcribes many of their actual rituals and practices, including the highly controversial Gradus Pentalphae, in such detail that readers will be able to undertake their own experiential work. Explaining the meanings of all 33 grades of the Order, the author also looks at the infamous Freemasonic Order of the Golden Centurium, the cult of Adonism, the links between Thelema and the Fraternitas Saturni, and the rare teachings of Master Pacitius (Albin Grau), the visual genius behind the film Nosferatu. He also includes rare reports by Aleister Crowley concerning his interaction with some of the forerunners to the Order and letters from the Order’s founder, Gregor A. Gregorius, to the “Great Beast.”
2017 Esoteric Book of the Year As voted by the membership of the Occult of Personality’s Chamber of Reflection Dr. Joscelyn Godwin, Colgate University, emeritus “Besides gratifying the bibliophile, the contents follow scholarly principles, and the notes and documentation are as thorough as one could wish .... Even if only partially provable, The Game of Saturn opens a new and darker vista on the pagan Renaissance. No student of that current should ignore it” Renaissance Quarterly Volume LXXI, No. 2 Niketas Siniossoglou. National Hellenic Research Foundation, Athens “The Game of Saturn by Peter Mark Adams is a fascinating read. The author calls it “a literary detective story”, but this may well be an understatement ... Adams decodes astral, alchemical, and sexual associations that are plausible, and shows how they may have been redeployed into visual format ... The Game of Saturn is a stimulating read, and it is difficult to put it down. It will appeal to all scholars of Renaissance intellectual history, esotericism, and Plethon. Published by Scarlet Imprint, the book is a rare example of fine printmaking, featuring beautiful reproductions of the Sola-Busca deck.” Aries - Journal for the Study of Western Esotericism 18 (2018) 287–304. The Game of Saturn is the first full length, scholarly study of the enigmatic Renaissance masterwork known as the Sola-Busca tarot. It reveals the existence of a pagan liturgical and ritual tradition active amongst members of the Renaissance elite and encoded within the deck. Beneath its beautifully decorated surface, its imagery ranges from the obscure to the grotesque; we encounter scenes of homoeroticism, wounding, immolation and decapitation redolent of hidden meanings, violent transformations and obscure rites. For the first time in over five hundred years, the clues embedded within the cards reveal a dark Gnostic grimoire replete with pagan theurgical and astral magical rites. Careful analysis demonstrates that the presiding deity of this ‘cult object’ is none other than the Gnostic demiurge in its most archaic and violent form: the Afro-Levantine serpent-dragon, Ba’al Hammon, also known as Kronos and Saturn, though more notoriously as the biblical Moloch, the devourer of children. Conveyed from Constantinople to Italy in the dying years of the Byzantine Empire, the pagan Platonist George Gemistos Plethon sought to ensure the survival of the living essence of Neoplatonic theurgy by transplanting it to the elite families of the Italian Renaissance. Within that violent and sorcerous milieu, Plethon’s vision of a theurgically enlightened elite mutated into its dark shadow – a Saturnian brotherhood, operating within a cosmology of predation, which sought to channel the draconian current to preserve elite wealth, power and control. This development marks the birth of an ‘illumined elite’ over three centuries before Adam Weishaupt’s ‘Illuminati.’ The deck captures the essence of this magical tradition and constitutes a Western terma whose talismanic properties may serve to establish an initiatory link with the current. This work fully explores the historical context for the deck’s creation against the background of tense Ferrarese-Venetian diplomatic intrigue and espionage. The recovery of the deck’s encoded narratives constitutes a significant contribution to Renaissance scholarship, art history, tarot studies and the history of Western esotericism.