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Victor Hugo spent years in political exile off the coast of Normandy. While there, he produced his masterpiece, Les Misérables--but that wasn't all: he also wrote a book-length poem, La Fin de Satan, left unfinished and not published until after his death. Satan and his Daughter, the Angel Liberty, drawn from this larger poem, tells the story of Satan and his daughter, the angel created by God from a feather left behind following his banishment. Hugo details Satan's fall, and through a despairing soliloquy, reveals him intent on revenge, yet desiring God's forgiveness. The angel Liberty, meanwhile, is presented by Hugo as the embodiment of good, working to convince her father to return to Heaven. This new translation by Richard Skinner presents Hugo's verse in a unique prose approach to the poet's poignant work, and is accompanied by the Symbolist artist Odilon Redon's haunting illustrations. No adventurous reader will want to miss this beautiful mingling of the epic and familial, religious and political.
The time is the Beginning. The place is Heaven. The story is the Revolt of the Angels—a war of magic, corruption and intrigue that could destroy the universe. To Reign in Hell was Stephen Brust's second novel, and it's a thrilling retelling of the revolt of the angels, through the lens of epic fantasy. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
If we are to believe sensationalist media coverage, Satanism is, at its most benign, the purview of people who dress in black, adorn themselves with skull and pentagram paraphernalia, and listen to heavy metal. At its most sinister, its adherents are worshippers of evil incarnate and engage in violent and perverse secret rituals, the details of which mainstream society imagines with a fascination verging on the obscene. Children of Lucifer debunks these facile characterizations by exploring the historical origins of modern Satanism. Ruben van Luijk traces the movement's development from a concept invented by a Christian church eager to demonize its internal and external competitors to a positive (anti-)religious identity embraced by various groups in the modern West. Van Luijk offers a comprehensive intellectual history of this long and unpredictable trajectory. This story involves Romantic poets, radical anarchists, eccentric esotericists, Decadent writers, and schismatic exorcists, among others, and culminates in the establishment of the Church of Satan by carnival entertainer Anton Szandor LaVey. Yet it is more than a collection of colorful characters and unlikely historical episodes. The emergence of new attitudes toward Satan proves to be intimately linked to the ideological struggle for emancipation that transformed the West and is epitomized by the American and French Revolutions. It is also closely connected to secularization, that other exceptional historical process which saw Western culture spontaneously renounce its traditional gods and enter into a self-imposed state of religious indecision. Children of Lucifer makes the case that the emergence of Satanism presents a shadow history of the evolution of modern civilization as we know it. Offering the most comprehensive account of this history yet written, van Luijk proves that, in the case of Satanism, the facts are much more interesting than the fiction.
Is God changeable? Does He have different gospels for different people? The story of redemption takes you behind the scenes in the struggle between God and Satan. It explains how the conflict began, what the issues are, and how the outcome is already assured. It traces the theme of God's relationship with man from the garden of Edan to the return of Christ and beyond.
John Milton put a twist on the story of Adam and Eve--in the process he created what some have called one of the greatest literary works in the English Language. It has inspired music, art, film, and even video games. But it's hundreds of years old and reading it today sometimes is a little tough. BookCaps is here to help! BookCaps puts a fresh spin on Milton’s classic by using language modern readers won't struggle to make sense of. The original English text is also presented in the book, along with a comparable version of both text. We all need refreshers every now and then. Whether you are a student trying to cram for that big final, or someone just trying to understand a book more, BookCapsTM can help. We are a small, but growing company, and are adding titles every month.
Discover the fascinating history and culture of Satanism through the ages and learn why many Satanists today stand up for free inquiry and personal liberty. Satanism is too often misunderstood as a religion that makes blood sacrifices to an evil, horned Prince of Darkness. In reality, modern Satanists are nonviolent and nontheistic, and consider the Devil to be a meaningful metaphor for the pursuit of knowledge, reason, and justice. The Little Book of Satanism details the “mark of the beast” in cultural and historic movements over the centuries, which have informed the sincerely held beliefs and practices of Satanists today. Written by award-winning alternative culture journalist and blogger La Carmina, this comprehensive guide includes: A foreword from Lucien Greaves, activist, spokesperson, and cofounder of The Satanic Temple Information on Satan’s biblical origins, and his various names, appearances, and symbols Details on his age-old role as a scapegoat, from medieval witch trials to the 1980s Satanic Panic An overview of modern philosophy and practices, focusing on The Church of Satan, The Satanic Bible, and The Satanic Temple Examples of the Devil’s influence on art, literature, music, and films—from Paradise Lost to Rosemary’s Baby This accessible book explains how Satanism developed in the context of social history while debunking lurid conspiracy theories about serial killers and ritual abuse. It includes a primer on various Satanic practices such as social activism, rituals, and holidays. In the spirit of the fallen angel Lucifer, be inspired by Satanism’s affirmative values that courageously oppose arbitrary authority and champion nonconformity.
A Newbery Award-winning author tackles Milton's astonishing poem in this beautifully illustrated prose adaptation that faithfully captures his vivid imagery and cinematic flourish of his magnificent epic of the war between Heaven and Hell. Full color.
The Devil, Satan, Lucifer, Mephistopheles - throughout history the Prince of Darkness, the Western world's most powerful symbol of evil, has taken many names and shapes. Jeffrey Burton Russell here chronicles the remarkable story of the Devil from antiquity to the present. While recounting how past generations have personified evil, he deepens our understanding of the ways in which people have dealt with the enduring problem of radical evil.After a compelling essay on the nature of evil, Russell uncovers the origins of the concept of the Devil in various early cultures and then traces its evolution in Western thought from the time of the ancient Hebrews through the first centuries of the Christian era. Next he turns to the medieval view of the Devil, focusing on images found in folklore, scholastic thought, art, literature, mysticism, and witchcraft. Finally, he follows the Devil into our own era, where he draws on examples from theology, philosophy, art, literature, and popular culture to describe the great changes in this traditional notion of evil brought about by the intellectual and cultural developments of modern times.Is the Devil an outmoded superstition, as most educated people today believe? Or do the horrors of the twentieth century and the specter of nuclear war make all too clear the continuing need for some vital symbol of radical evil? A single-volume distillation of Russell's epic tetralogy on the nature and personifcation of evil from ancient times to the present (published by Cornell University Press between 1977 and 1986), The Prince of Darkness invites readers to confront these and other critical questions as they explore the past faces of that figure who has been called the second most famous personage in Christianity.
Recording the history of the belief in the existence of Satan, this book draws from the Bible, the poetry of Dante and Milton, the legend of Faust, and from modern novels and plays such as the works of Mark Twain and G.B. Shaw, and the spiritual writing of C. S. Lewis. Fintan Lyons O.S.B. chronicles the decline of that belief through the centuries as well as the attempts to treat the problem of evil philosophically, using the insights of thinkers such as Karl Barth. At the heart of this book is the attempt to synthesise or reconcile traditional belief with contemporary concern or even alarm regarding evil in the world. Lyons argues that evidence for the persistence of evil has been striking in modern times in wars and atrocities, while phenomena such as Satanic Cults and possible or real diabolical possession have continued to increase. The Catholic Church reacted to this situation in 1998 with a revision of the 1614 Rite of Exorcism, analysed in this book from both theological and psychological standpoints. By arguing that the transition from belief in Satan to personification of evil in historical regimes and characters brings contemporary culture into sharp focus, this book chronicles the history of humanity's attempt to understand the disturbing and mysterious reality of evil.