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The first biography of the Jewish poet and polemicist Sarra Copia Sulam situates her in the tradition of women's writing in Venice and explores her rise and fall as a public intellectual in the tumultuous world of the city's presses.
The first Jewish woman to leave her mark as a writer and intellectual, Sarra Copia Sulam (1600?–41) was doubly tainted in the eyes of early modern society by her religion and her gender. This remarkable woman, who until now has been relatively neglected by modern scholarship, was a unique figure in Italian cultural life, opening her home, in the Venetian ghetto, to Jews and Christians alike as a literary salon. For this bilingual edition, Don Harrán has collected all of Sulam’s previously scattered writings—letters, sonnets, a Manifesto—into a single volume. Harrán has also assembled all extant correspondence and poetry that was addressed to Sulam, as well as all known contemporary references to her, making them available to Anglophone readers for the first time. Featuring rich biographical and historical notes that place Sulam in her cultural context, this volume will provide readers with insight into the thought and creativity of a woman who dared to express herself in the male-dominated, overwhelmingly Catholic Venice of her time.
The enduring "black legend" of the Italian Counter-Reformation, which has held sway in both scholarly and popular culture, maintains that the Council of Trent ushered in a cultural dark age in Italy, snuffing out the spectacular creative production of the Renaissance. As a result, the decades following Trent have been mostly overlooked in Italian literary studies, in particular. The thirteen essays of Innovation in the Italian Counter-Reformation present a radical reconsideration of literary production in post-Tridentine Italy. With particular attention to the much-maligned tradition of spiritual literature, the volume’s contributors weave literary analysis together with religion, theater, art, music, science, and gender to demonstrate that the literature of this period not only merits study but is positively innovative. Contributors include such renowned critics as Virginia Cox and Amadeo Quondam, two of the leading scholars on the Italian Counter-Reformation. Distributed for UNIVERSITY OF DELAWARE PRESS
In 1543, Nicolaus Copernicus publicly defended his hypothesis that the earth is a planet and the sun a body resting near the center of a finite universe. But why did Copernicus make this bold proposal? And why did it matter? The Copernican Question reframes this pivotal moment in the history of science, centering the story on a conflict over the credibility of astrology that erupted in Italy just as Copernicus arrived in 1496. Copernicus engendered enormous resistance when he sought to protect astrology by reconstituting its astronomical foundations. Robert S. Westman shows that efforts to answer the astrological skeptics became a crucial unifying theme of the early modern scientific movement. His interpretation of this long sixteenth century, from the 1490s to the 1610s, offers a new framework for understanding the great transformations in natural philosophy in the century that followed.
In Praise of Fragments is a collection of various and inter-related works, including a sequence of poems written about Venetian Jewish poet Sarra Copia Sulam (1592-1641), lyric essays about Venice, a suite of poems about Hyderabad, where Alexander lived for many years, and a series of brief sketches of memoir about her childhood in Kerala, the subject of her groundbreaking memoir Fault Lines. The writings are accompanied by a series of sumi ink drawings by Alexander and an afterword by Leah Suffrant.
Exploring the fascinating cross-cultural influences between Jews and Christians in Italy from the Renaissance to the twentieth century, Acculturation and Its Discontents assembles essays by leading historians, literary scholars, and musicologists to present a well-rounded history of Italian Jewry. The contributors offer rich portraits of the many vibrant forms of cultural and artistic expression that Italian Jews contributed to, but this volume also pays close attention to the ways in which Italian Jews - both freely and under pressure - creatively adapted to the social, cultural, and legal norms of the surrounding society. Tracing both the triumphs and tragedies of Jewish communities within Italy over a broad span of time, Acculturation and Its Discontents challenges conventional assumptions about assimilation and state intervention and, in the process, charts the complex process of cultural exchange that left such a distinctive imprint not only on Italian Jewry, but also on Italian society itself. This collection of rigorous and thought-provoking essays makes a major contribution to both the history of Italian culture and the cultural influence and significance of European Jews.
A gifted poet, a women's rights activist, and an expert on moral and natural philosophy, Lucrezia Marinella (1571-1653) was known throughout Italy as the leading female intellectual of her age. Born into a family of Venetian physicians, she was encouraged to study, and, fortunately, she did not share the fate of many of her female contemporaries, who were forced to join convents or were pressured to marry early. Marinella enjoyed a long literary career, writing mainly religious, epic, and pastoral poetry, and biographies of famous women in both verse and prose. Marinella's masterpiece, The Nobility and Excellence of Women, and the Defects and Vices of Men was first published in 1600, composed at a furious pace in answer to Giusepe Passi's diatribe about women's alleged defects. This polemic displays Marinella's vast knowledge of the Italian poetic tradition and demonstrates her ability to argue against authors of the misogynist tradition from Boccaccio to Torquato Tasso. Trying to effect real social change, Marinella argued that morally, intellectually, and in many other ways, women are superior to men.
Women's vibrant presence in the Italian Renaissance has long been overlooked, with attention focused mainly on the artistic and intellectual achievements of their male counterparts. During this period, however, Italian women excelled especially as writers, and nowhere were they more expressive than in their letters. In A Corresponding Renaissance: Letters Written by Italian Women, 1375-1650 Lisa Kaborycha considers the lives and cultural contributions revealed by these women in their own words, through their correspondence. By turns highly personal, didactic, or devotional, these letters expose the daily realities of women's lives and their feelings, ideas, and reactions to the complex world in which they lived. Through their letters women emerge not merely as bystanders, but as true cultural protagonists in the Italian Renaissance. A Corresponding Renaissance is divided into eight thematic chapters, featuring fifty-five letters that are newly translated into English-many for the first time ever. Each of the letters is annotated and includes a brief biographical introduction and bibliographic references. The women come from all walks of life--saints, poets, courtesans and countesses--and from every geographic area of Italy; chronologically they span the entire Renaissance, with the majority representing the sixteenth century. Approximately one third of the selections are well-known letters, such as those of Catherine of Siena, Veronica Franco, and Isabella d'Este; the rest are lesser known, previously un-translated, or otherwise inaccessible.
In The Monstrous Regiment of Women , Sharon Jansen explores the case for and against female rule by examining the arguments made by theorists from Sir John Fortescue (1461) through Bishop Bossuet (1680) interweaving their arguments with references to the most well-known early modern queens. The 'story' of early modern European political history looks very different if, instead of focusing on kings and their sons, we see successive generations of powerful women and the shifting political alliances of the period from a very different, and revealing, perspective.