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This volume explores how Sardinians and Sardinia have been portrayed in Italian cinema from the beginning of the 20th century until now, starting from the examination of Sardinian tropes in a wide range of texts – travel writing, fictional sources, essays and academic works. The purpose is to shed light on the cultural construction of the Sardinian character and to reveal the ideology that is behind this process. Hence the volume challenges topics such as the dynamics between verbal and visual imagery, and the intertwining between discourse, images and audience. It addresses the following questions: how was the Sardinian character translated from texts into films? Which strategies were developed to define Sardinian images on screen? For whom were these images intended? Which ideology lies behind the images? Focusing on cultural images within film and literature, this volume is of interest to those working in imagology, comparative, cultural and Italian studies.
Includes section: Notes and reviews.
"At last, a grand companion to the mysterious and enchanting island of Sardinia. Known to most travelers for its beaches, Sardinia's complex archeological heritage extends back to Neolithic times. Written with verve and love, In Sardinia is the book I'll be taking on future trips." -Frances Mayes, New York Times bestselling author of Under the Tuscan Sun Award-winning historian Jeff Biggers opens a new window into the hidden treasures of Sardinia in a groundbreaking travel narrative that crisscrosses one of the most enigmatic places in Italy After three decades of living and traveling in Italy, Jeff Biggers finally crossed over to Sardinia, uncovering a treasury of stories amid major archaeological discoveries rewriting the history of the Mediterranean. Based in the bewitching port of Alghero, guided through the island’s rich and largely untranslated literature, he embarked on a rare journey around the island to experience its famed cuisine, wine, traditional rituals and thriving cultural movements. “Sardinia is something else. Enchanting spaces and distances to travel,” D. H. Lawrence wrote in 1921. On the 100th anniversary of Lawrence’s visit, Biggers opens a new window into the history of the island, chronicling how new archaeological findings have placed the island as one of the cradles of the Bronze Age. From the Neolithic array of Stonehenge-like dolmens and menhir stone formations to the thousands of Bronze Age "nuraghe" towers and burial tombs, the vastness of the uninterrupted cycles of civilizations and their architectural marvels have turned Sardinia into the Mediterranean's "open museum." Beyond its fabled beaches, reconsidering how its unique history and ways have shaped Italy and Europe today, Biggers explores how travelers must first understand Sardinia and its ancient and modern history to truly understand the rest of Italy. In the tradition of Mark Kurlansky’s Basque History of the World, Peter Hessler’s Oracle Bones: A Journey Through in China, and Frances Mayes’ and Tim Parks’ narratives on Italy, In Sardinia is a major new addition to travel writing and literature in Italy.
This landmark volume combines classic and revisionist essays to explore the historiography of Sardinia’s exceptional transition from an island of the Byzantine empire to the rise of its own autonomous rulers, the iudikes, by the 1000s. In addition to Sardinia’s contacts with the Byzantines, Muslim North Africa and Spain, Lombard Italy, Genoa, Pisa, and the papacy, recent and older evidence is analysed through Latin, Greek and Arabic sources, vernacular charters and cartularies, the testimony of coinage, seals, onomastics and epigraphy as well as the Sardinia’s early medieval churches, arts, architecture and archaeology. The result is an important new critique of state formation at the margins of Byzantium, Islam, and the Latin West with the creation of lasting cultural, political and linguistic frontiers in the western Mediterranean. Contributors are Hervin Fernández-Aceves, Luciano Gallinari, Rossana Martorelli, Attilio Mastino, Alex Metcalfe, Marco Muresu, Michele Orrù, Andrea Pala, Giulio Paulis, Giovanni Strinna, Alberto Virdis, Maurizio Virdis, and Corrado Zedda.
Popular and Visual Culture: Design, Circulation and Consumption is a transnational project that fosters a dialogue with multiple origins, both in geographical and academic terms. From the onset, this book questions the concepts of visual and popular culture, terms which are currently applied both to describe scientific fields, as operative concepts in theoretical discourse, and to characterize specific cultural contexts. The book’s analysis and categorization of visual and popular culture pursues discourses and practices which mark different historical eras and shape social orders. Because popular iconic and written productions are the outcome of a network of political, economic, ideological and social circumstances that are often hardly detectable and too taken for granted to be critically recognized, even by those who draw, paint or write (and live) under their influence. That is why visual figurations of popular culture should be studied as the support of a deeply motivated symbolic discourse on the values shared by a community. This book deals, in a way or another, with how popular and visual artefacts and sceneries are socially built, preserved and/or contested. The volume brings together, not only different disciplinary perspectives, but also diverse empirical phenomena, while approaching the wide subject of visuality and popular culture.