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This is a new release of the original 1930 edition.
A Companion to Ancient Egyptian Art presents a comprehensive collection of original essays exploring key concepts, critical discourses, and theories that shape the discipline of ancient Egyptian art. • Winner of the 2016 PROSE Award for Single Volume Reference in the Humanities & Social Sciences • Features contributions from top scholars in their respective fields of expertise relating to ancient Egyptian art • Provides overviews of past and present scholarship and suggests new avenues to stimulate debate and allow for critical readings of individual art works • Explores themes and topics such as methodological approaches, transmission of Egyptian art and its connections with other cultures, ancient reception, technology and interpretation, • Provides a comprehensive synthesis on a discipline that has diversified to the extent that it now incorporates subjects ranging from gender theory to ‘X-ray fluorescence’ and ‘image-based interpretations systems’
Sir John Soane's Greatest Treasure describes one of the most important antiquities ever found in Egypt - the beautiful calcite sarcophagus of the pharaoh Seti I. Discovered in 1817 in the tomb of Seti I in the Valley of the Kings by the flamboyant explorer Giovanni Belzoni, the sarcophagus now resides in John Soane's Museum in London's Lincoln's Inn Fields. Leading Egyptologist John H. Taylor outlines the life of Seti I, the background to the creation of the sarcophagus, the excitement surrounding its discovery and the fascinating story of its journey to London and its acquisition by John Soane. At the heart of the book is a fully illustrated interpretation of the complex imagery and hieroglyphic inscriptions which cover the delicately carved surfaces of the sarcophagus. The book also includes an essay by Helen Dorey on the celebrations held at the Museum to welcome the arrival of the sarcophagus of Seti I in 1825. John Soane's Greatest Treasure is published to mark the 200th anniversary of the discovery of the sarcophagus in 1817, and to accompany a major exhibition at John Soane's Museum, opening in October 2017.
An investigation of how Moses was deceived and murdered by his father-in-law, Reuel • Shows how the magician Reuel staged the Burning Bush that spoke to Moses and assumed Moses’ identity after his murder • Explains how early scribes edited the Exodus story to cover Moses’ assassination and replacement and fabricated Moses’ origin story • Builds upon the Moses research of Goethe, Christopher Marlowe, and Sigmund Freud--who spent the last 40 years of his life obsessed with solving Moses’ murder The life of Moses, the greatest prophet of the Old Testament, has always been shrouded in mystery. The Bible mentions no witnesses to Moses’ death, no funeral, and no indication of his burial place, and the story of Exodus paints a very contradictory picture of this man so important to both Judaism and Christianity. At times, he is depicted as a meek, stuttering figure and at others his tyrannical commands and fits of rage terrorize the children of Israel. And, for the last years of his life, he chose to hide behind a veil. What is the explanation for these extreme shifts in character? Was Moses mentally ill? As Rand and Rose Flem-Ath reveal, the evidence points to something much more sinister: Moses was murdered and replaced by an impostor. The result of a decade-long investigation, this book continues and builds upon the research of Goethe, Christopher Marlowe, and Sigmund Freud--who spent the last 40 years of his life obsessed with solving Moses’ murder--and reaches a startling but well-evidenced conclusion that Moses was deceived and murdered by his father-in-law, Reuel. The authors show how Reuel was a skilled magician trained at Egypt’s prestigious House of Life and they reveal his motive: He was the son of Esau, from whom Jacob stole his birthright, the leadership of the Hebrew people, a role that Moses was now assuming. The authors explain how the magician Reuel used his sophisticated skills of manipulation and illusion to fake the Burning Bush that spoke to Moses as well as conceal his assumption of Moses’ identity after the murder. They reveal how the early scribes of the Old Testament inserted lags of time into the Exodus story to cover Moses’ assassination and replacement, fabricated Moses’ origin story, and changed the location of the “Mountain of God” from Edom, where Reuel was a prince, to Sinai. Unveiling the enigma of Moses’ real story--and his murder and replacement--the Flem-Aths dramatically challenge the time line and details of biblical history, exposing a cover-up at the very origins of Western religion.
Due to a lack of artifacts, certain aspects of ancient life remain mysterious to us. Luckily, many ancient cultures left behind treasure troves designed to stand the test of time: tombs for the most elite among them. This exciting volume reveals how archaeologists discovered the tombs of King Tutankhamen, Qin Shi Huang, the Lord of Sipán, and many more. Through full-color photographs, maps, and text that answers common questions, the book provides a comprehensive look at how these discoveries provide critical information about the lives, art, health, and religious beliefs of people who lived thousands of years ago.
This comprehensive inventory of all known sarcophagi from the Jewish catacombs of Rome, is the first specialized treatment of this subject in monograph form. It describes and analyses each sarcophagus and provides full reference material which it critically examines. This work thus fills a lacuna in the literature on this field, which has up to now been confined to the treatment of early Christian and pagan sarcophagi of the period. �We have here a complete overview of the Jewish sarcophagi of ancient Rome, all of them illustrated by photographs and provided with extensive bibliographies. This work thus fills a lacuna in the literature on this field.� Journal for the Study of Judaism �Until this book, however, no one has attempted to assemble all of the Jewish sarcophagi separately in one place and to provide relevant information in the form of a well-ordered catalogue. For this reason, Konikoff's book provides a welcome resource for anyone interested in the material evidence of ancient Judaism and forms a good beginning for study of the sarcophagi, especially from a bibliographic point of view.� Gnomon .
This is a survey of the history of art and architecture of Western civilizations. The textbook extends from the age of Prehistory until the end of the Gothic period. The textbook includes illustrations, graphs, and reconstruction images curated from Creative Commons material. The textbook includes original text not protected intellectual property.