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Preliminary material -- INTRODUCTION -- THE HELLENISTIC ICONOGRAPHY OF SARAPIS -- SARAPIS AND PLUTO -- SARAPIS AND OSIRIS -- SARAPIS AND DIONYSUS -- SARAPIS AND THE APIS BULL -- SARAPIS AND APIS THE KING -- SARAPIS AND ASCLEPIUS -- LATER HELLENISTIC IDENTIFICATIONS -- CONCLUSION -- Plates I-IV.
In Isis Pelagia: Images, Names and Cults of a Goddess of the Seas, Laurent Bricault, one of the principal scholars of the cults of Isis, presents a new interpretation of the multiple sources that present Isis as a goddess of the seas. Bricault discusses a wealth of relatively unknown archaeological and textual data, drawing on a profound knowledge of their historical context. After decades of scholarly study, Bricault offers an important contribution and a new phase in the debate on understanding the “diffusion” as well as the “reception” of the cults of Isis in the Graeco-Roman world. This book, the first English-language monograph by the leading French scholar in the field, underlines the importance of Isis Studies for broader debates in the study of ancient religion.
Isis and Sarapis in the Roman World deals with the integration of the cult of Isis among Roman cults, the subsequent transformation of Isis and Sarapis into gods of the Roman state, and the epigraphic employment of the names of these two deities independent from their cultic context. The myth that the guardians of tradition and Roman religion tried to curb the cult of Isis in order to rid Rome and the imperium from this decadent cult will be dispelled. A closer look at inscriptions from the Rhine and Danubian provinces shows that most dedicators were not Isiac cult initiates and that women did not outnumber men as dedicators. Inscriptions that mention the two deities in connection with a wish for the well-being of the emperor and the imperial family are of special significance.
Presenting a large body of evidence for the first time, this book offers a comprehensive treatment of Nubian architecture, sculpture, and minor arts in the period between 300 BC-AD 250. It focuses primarily on the Nubian response to the traditional pharaonic, Hellenistic/Roman, Hellenizing, and “hybrid” elements of Ptolemaic and Roman Egyptian culture. The author begins with a history of Nubian art and a critical survey of the literature on Ptolemaic and Roman Egyptian art. Special chapters are then devoted to the discussion of the Egyptian-Greek interaction in the arts of Ptolemaic Egypt, the place of Egyptian Hellenistic and Hellenizing art within the oikumene, the pluralistic visual world of Ptolemaic and Roman Egypt, as well as on the specific genre of terracotta sculpture. Utilizing examples from Meroe City and Musawwarat es Sufra, the author argues that cultural transfer from Ptolemaic and Roman Egypt to Nubia resulted in an inward-focused adaptation. Therefore, the resulting Nubian art from this period expresses only those aspects of Egyptian and Greek art that are compatible with indigenous Nubian goals.
Preliminary material -- INTRODUCTION -- OVERVIEW OF THE EVIDENCE -- THE NILE WATER CRYPTS -- OTHER TYPES OF FIXED NILE WATER CONTAINERS -- WHY NILE WATER? 1. EVIDENCE FROM THE CRYPTS -- WHY NILE WATER? 2. EVIDENCE FROM OUTSIDE THE CULT -- WHY NILE WATER? 3. THE OSIRIS EVIDENCE -- ABLUTION FACILITIES AND RITUALS -- EGYPTIANIZING THE CULT OF THE EGYPTIAN GODS -- SURVEY OF THE SITES -- OTHER TYPES OF CRYPTS ASSOCIATED WITH THE CULT -- NOTES -- INDICES -- LIST OF PLATES -- PLATES I-XXX AND MAP.
"The Greek magical papyri" is a collection of magical spells and formulas, hymns, and rituals from Greco-Roman Egypt, dating from the second century B.C. to the fifth century A.D. Containing a fresh translation of the Greek papyri, as well as Coptic and Demotic texts, this new translation has been brought up to date and is now the most comprehensive collection of this literature, and the first ever in English. The Greek Magical Papyri in Transition is an invaluable resource for scholars in a wide variety of fields, from the history of religions to the classical languages and literatures, and it will fascinate those with a general interest in the occult and the history of magic. "One of the major achievements of classical and related scholarship over the last decade."—Ioan P. Culianu, Journal for the Study of Judaism "The enormous value of this new volume lies in the fact that these texts will now be available to a much wider audience of readers, including historians or religion, anthropologists, and psychologists."—John G. Gager, Journal of Religion "[This book] shows care, skill and zest. . . . Any worker in the field will welcome this sterling performance."—Peter Parsons, Times Literary Supplement
The Ptolemaic period in Egypt (332-30 BC) is one of the most well-documented periods of the Hellenistic age: in addition to the papyrological record there are more than 600 surviving Greek and Greek/Egyptian bilingual and trilingual inscriptions, ranging from massive public monuments, such as the Rosetta Stone, to small private dedications, funerary plaques, and metrical epigrams for the deceased. This volume offers a series of detailed studies of the historical and cultural contexts of these important inscriptions and is intended to complement the multi-volume Corpus of Ptolemaic Inscriptions edition, in which the Greek and Egyptian texts will be presented together for the first time. The subjects discussed in the twelve chapters range widely across a variety of sub-disciplines, from advances in new technologies of image-capture, the juxtaposition of Greek and Egyptian elements in the layout and iconography of the monuments, and the palaeography of the Greek texts, to the history of the acquisition and study of the great bilingual decrees voted by the priests of the indigenous Egyptian cults, the introduction of Greek civic administration and communal associations in the cities and villages, and the role of the military in monumental commemoration. Particular attention is given to the role of indigenous and Greek religious institutions in Alexandria and the towns and villages of the Nile Delta and Valley, in which commemorative dedications to divinities of temples and statues by the monarchs and by private individuals are numerous and prominent. In a period shaped by the interplay between Egyptian and Greek culture, the existence of public and private inscribed monuments was a vital element of dynastic control. The unique insights offered by this thorough examination of the epigraphical landscape of Ptolemaic Egypt are invaluable to understanding the ways in which the Greek immigrant rulers and population established and reinforced their social and cultural dominance of an indigenous population which had its own long-established and traditional written and iconographic mode of public and private communication.
The Fitzwilliam Museum has arguably one of the finest collections of antiquities in the United Kingdom. Assembled mainly through bequests and gifts, it is a stunning exhibition of connoisseurship. This splendidly illustrated book presents sixty-four images of the finest examples of Greek, Etruscan, Cypriot, and Roman art dating from the Bronze Age to the late Roman Period, and ranging from the monumental to the decorative. The concise text provides an introduction to the art, technology, and history for the layman, as well as new insights for the expert. Many of the objects are published here for the first time. Greek and Roman Art was given a commendation in the Best Museum Publication category awarded by the Museums Association, Gulbenkian Awards for Museums and Galleries 1998.
A new interpretation of Nemrud Dağ, a key Hellenistic monument which encompasses both Greek and Persian elements.
Sir Thomas Fairfax, not Oliver Cromwell, was creator and commander of Parliament's New Model Army from 1645 to1650. Although Fairfax emerged as England's most successful commander of the 1640s, this book challenges the orthodoxy that he was purely a military figure, showing how he was not apolitical or disinterested in politics. The book combines narrative and thematic approaches to explore the wider issues of popular allegiance, puritan religion, concepts of honour, image, reputation, memory, gender, literature, and Fairfax's relationship with Cromwell. 'Black Tom' delivers a groundbreaking examination of the transformative experience of the English revolution from the viewpoint of one of its leading, yet most neglected, participants. It is the first modern academic study of Fairfax, making it essential reading for university students as well as historians of the seventeenth century. Its accessible style will appeal to a wider audience of those interested in the civil wars and interregnum more generally.