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Sarah devises a secret plan to make her parents more punctual.
A thought-provoking, binge-worthy new collection of essays, stories, and musings from Douglas Coupland, Bit Rot explores the different ways in which twentieth-century notions of the future are being shredded, and it is a literary gem of the digital age. "Bit rot" is a term used in digital archiving to describe the way digital files can spontaneously and quickly decompose. As Douglas Coupland writes, "Bit rot also describes the way my brain has been feeling since 2000, as I shed older and weaker neurons and connections and enhance new and unexpected ones." Bit Rot the book is a fascinating meditation on the ways in which humanity tries to make sense of our shifting consciousness. Coupland, just like the Internet, mixes forms to achieve his ends. Short fiction is interspersed with essays on all aspects of modern life. The result is addictively satisfying for Coupland's established fanbase hungry for his observations about our world, and a revelation to new readers of his work. For almost three decades, his unique pattern recognition has powered his fiction, his phrase-making, and his visual art. Every page of Bit Rot is full of wit, surprise, and delight. Reading Bit Rot feels a lot like bingeing on Netflix... you can't stop with just one.
An American journalist researches the notorious roundup of Parisian Jews and uncovers her French family's war-era secrets.
"Queer, dirty, insightful, and so funny" (Andrea Lawlor), this coyly revolutionary debut story collection imagines new origins and futures for its cast of unforgettable protagonists—almost all of whom are named Sarah. FINALIST FOR THE GOLDEN POPPY AWARD FOR FICTION NAMED A MOST ANTICIPATED BOOK OF 2021 BY THE MILLIONS * OPRAH MAGAZINE * LAMBDA LITERARY * ELECTRIC LITERATURE * REFINERY29 * COSMO * THE ADVOCATE * ALMA * PAPERBACK PARIS * WRITE OR DIE TRIBE * READS RAINBOW In Sarahland, Sam Cohen brilliantly and often hilariously explores the ways in which traditional stories have failed us, both demanding and thrillingly providing for its cast of Sarahs new origin stories, new ways to love the planet and those inhabiting it, and new possibilities for life itself. In one story, a Jewish college Sarah passively consents to a form-life in pursuit of an MRS degree and is swept into a culture of normalized sexual violence. Another reveals a version of Sarah finding pleasure—and a new set of problems—by playing dead for a wealthy necrophiliac. A Buffy-loving Sarah uses fan fiction to work through romantic obsession. As the collection progresses, Cohen explodes this search for self, insisting that we have more to resist and repair than our own personal narratives. Readers witness as the ever-evolving "Sarah" gets recast: as a bible-era trans woman, an aging lesbian literally growing roots, a being who transcends the earth as we know it. While Cohen presents a world that will clearly someday end, "Sarah" will continue. In each Sarah's refusal to adhere to a single narrative, she potentially builds a better home for us all, a place to live that demands no fixity of self, no plague of consumerism, no bodily compromise, a place called Sarahland.
BOOKER PRIZE WINNER • NATIONAL BESTSELLER • A novel that follows a middle-aged man as he contends with a past he never much thought about—until his closest childhood friends return with a vengeance: one of them from the grave, another maddeningly present. A novel so compelling that it begs to be read in a single setting, The Sense of an Ending has the psychological and emotional depth and sophistication of Henry James at his best, and is a stunning achievement in Julian Barnes's oeuvre. Tony Webster thought he left his past behind as he built a life for himself, and his career has provided him with a secure retirement and an amicable relationship with his ex-wife and daughter, who now has a family of her own. But when he is presented with a mysterious legacy, he is forced to revise his estimation of his own nature and place in the world.
Sugar and spice and everything nice. At sixteen, Sarah Trestle has a lot going for her. She's cute, funny, and a terrific alto. She's also great behind the wheel, which is why she drives the getaway car. But Sarah T doesn't complain; she loves being part of the best clique in Kalamazoo: The Sarahs. Sarahs Aberdeen, Babbitt, Cody, and Trestle aren't out to hurt anyone -- they're simply honing their craft. They start off their summer the usual way: interspersing petty crimes with nature walks, crushes, and volunteer work. Of course, everyone knows that a band of criminals is only as strong as its weakest link. When Sarah T botches a shoplifting attempt, her fate in The Sarahs is seriously called into question. And she's willing to do just about anything to prove that she's worthy....
In this charming contemporary romance, a P.I.’s search for a missing woman leads him to a beautiful chef. Private investigator Carson Ford specializes in finding people. Yet his latest case has him stumped—he’s looking for a mystery woman who’s supposed to be his wealthy, widowed father’s “second great love.” But the pragmatic single dad knows that’s not how love works! This is an elaborate swindle . . . and it starts with the fortune-teller’s daughter. All chef Olivia Mack can do is confirm that her late mother’s predictions were usually true. What she won’t admit is that she might know who the mystery woman is—or that she’s finding herself falling for the handsome, cynical Carson, not to mention his adorable son. She has always limited her “family gift” to her cooking. Now she just must hope that her magic secret ingredient will lead to love . . .
An Amish midwife hopes to earn her community's trust and bring the joy of new life to Pleasant Valley in the third novel in this heartfelt series. After years in a disappointing childless marriage, and now widowed at only twenty-six, Amish midwife Sarah Mast moves to Pleasant Valley for a fresh start. But unpleasant surprises beset Sarah when she joins her aging aunt’s dwindling midwife practice. Signs of her aunt’s decline suggest that she may no longer be capable of the rigorous demands of her work. With Sarah’s last dollar now invested in the birthing center, can she help her aunt face the truth and run the center alone? Aaron Miller, Sarah’s neighbor, counts himself among the skeptics until he witnesses the dedication and love she has for her patients. But when an English doctor files a complaint against Sarah, Aaron’s misgivings resurface—just as his own sister faces a birthing crisis. In the midst of such tribulations, Sarah prays for the strength to defend her practice, care for her patients, and win the hearts of the community she has grown to love.
The Sunday Times top ten bestseller... You're not going home. You're not going anywhere. You're mine now. Growing up in a deeply troubled family, 15-year-old Anna felt lost and alone in the world. So when a friendly taxi driver befriended her, Anna welcomed the attention, and agreed to go home with him to meet his family. She wouldn't escape for over a decade. Held captive by a sadistic paedophile, Anna was subjected to despicable levels of sexual abuse and torture. The unrelenting violence and degradation resulted in numerous miscarriages, and the birth of four babies... each one stolen away from Anna at birth. Her salvation arrived thirteen years too late, but despite her shattered mind and body, Anna finally managed to flee. This is her harrowing, yet uplifting, true story of survival.
For fans of Gillian Flynn, Caroline Cooney, and R.L. Stine comes Whispers from the Dead from four-time Edgar Allen Poe Young Adult Mystery Award winner Joan Lowery Nixon. Only Sarah senses the horror. The minute she steps through the doorway of her family’s new home, Sarah feels a smothering cold mist, and hears the echo of a scream and a heartbreaking whisper in Spanish, “Help me!” Sarah feels compelled to find out who is trying to reach her. But can she uncover the mysteries of the past before terror strikes again? “A master at creating compelling suspense novels, Nixon has written yet another carefully plotted, subtly terrifying thriller.” –Publishers Weekly