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Sarah Stanley Grimke, best known as the mother of Angelina Weld Grimke and wife of Archibald Grimke, is revealed here as an author of New Thought texts of the late nineteenth century.
Sarah Stanley Grimké's works, originally published in 1884, 1886, and 1900, are collected here with biographical introductions for each text by editor K. Paul Johnson. The book includes an appendix on her connections to the Hermetic Brotherhood of Luxor by Patrick D. Bowen, and extensive annotations drawing on correspondence newly coedited by Bowen and Johnson and published as Letters to the Sage: Selected Correspondence of Thomas Moore Johnson.
Centered around the themes of death, women as objects of desire, lost love, motherhood, and children, the poems in this selection offer insight into the work of this well-known abolitionist and advocate of women's rights. Including Grimke's prose and drama, which often focus on lynching, this volume sheds new light on a perspective characterized by the African-American experience of racial pride and the reaction against racists acts.
The Harlem Renaissance was a watershed moment for racial uplift, poetic innovation, sexual liberation, and female empowerment. Aphrodite’s Daughters introduces us to three amazing women who were at the forefront of all these developments, poetic iconoclasts who pioneered new and candidly erotic forms of female self-expression. Maureen Honey paints a vivid portrait of three African American women—Angelina Weld Grimké, Gwendolyn B. Bennett, and Mae V. Cowdery—who came from very different backgrounds but converged in late 1920s Harlem to leave a major mark on the literary landscape. She examines the varied ways these poets articulated female sexual desire, ranging from Grimké’s invocation of a Sapphic goddess figure to Cowdery’s frank depiction of bisexual erotics to Bennett’s risky exploration of the borders between sexual pleasure and pain. Yet Honey also considers how they were united in their commitment to the female body as a primary source of meaning, strength, and transcendence. The product of extensive archival research, Aphrodite’s Daughters draws from Grimké, Bennett, and Cowdery’s published and unpublished poetry, along with rare periodicals and biographical materials, to immerse us in the lives of these remarkable women and the world in which they lived. It thus not only shows us how their artistic contributions and cultural interventions were vital to their own era, but also demonstrates how the poetic heart of their work keeps on beating.
At the end of the 1830s the abolitionist sisters Sarah and Angelina Grimké, along with Angelina’s new husband, Theodore Weld, begin collecting first-hand accounts of the horrors of slavery and publishing them in American Slavery as It Is. The success of the book helps to move northern opinion against slavery. But the birth of children and the challenges of domestic lives mean the sisters set aside their public roles as voices against slavery and for women’s rights. Turning inward sets the sisters into painful conflict with each other. Teens Archibald and Francis Grimké, sons of Angelina and Sarah’s brother, Henry Grimké and his colored mistress, Nancy Weston, have barely survived the unspeakable hardships of slavery. They make their way to freedom in the North, but education proves elusive. Eventually their excellence as students at Lincoln University leads to their surprising revelation to their abolitionist aunts. At Harvard Law and at Princeton Theological, the young men embark on difficult but illustrious careers. But the end of Reconstruction means a renewed struggle for African American freedom and rights. The romantic and domestic heartbreaks of Archie and Frank are intertwined with their lifelong struggle for the survival and equal rights of their people.
A breathtaking achievement, this Concise Companion is a suitable crown to the astonishing production in African American literature and criticism that has swept over American literary studies in the last two decades. It offers an enormous range of writers-from Sojourner Truth to Frederick Douglass, from Zora Neale Hurston to Ralph Ellison, and from Toni Morrison to August Wilson. It contains entries on major works (including synopses of novels), such as Harriet Jacobs's Incidents in the Life of a Slave Girl, Richard Wright's Native Son, and Lorraine Hansberry's A Raisin in the Sun. It also incorporates information on literary characters such as Bigger Thomas, Coffin Ed Johnson, Kunta Kinte, Sula Peace, as well as on character types such as Aunt Jemima, Brer Rabbit, John Henry, Stackolee, and the trickster. Icons of black culture are addressed, including vivid details about the lives of Muhammad Ali, John Coltrane, Marcus Garvey, Jackie Robinson, John Brown, and Harriet Tubman. Here, too, are general articles on poetry, fiction, and drama; on autobiography, slave narratives, Sunday School literature, and oratory; as well as on a wide spectrum of related topics. Compact yet thorough, this handy volume gathers works from a vast array of sources--from the black periodical press to women's clubs--making it one of the most substantial guides available on the growing, exciting world of African American literature.
Rooted in extensive archival research and personal interviews, A Queer Capital is the first history of LGBT life in the nation’s capital. Revealing a vibrant past that dates back more than 125 years, the book explores how lesbians, gay men, and bisexuals established spaces of their own before and after World War II, survived some of the harshest anti-gay campaigns in the U.S., and organized to demand equal treatment. Telling the stories of black and white gay communities and individuals, Genny Beemyn shows how race, gender, and class shaped the construction of gay social worlds in a racially segregated city. From the turn of the twentieth century through the 1980s, Beemyn explores the experiences of gay people in Washington, showing how they created their own communities, fought for their rights, and, in the process, helped to change the country. Combining rich personal stories with keen historical analysis, A Queer Capital provides insights into LGBT life, the history of Washington, D.C., and African American life and culture in the twentieth century.
When Angelina Grimké pleads with her brother Henry not to punish a household slave, she does not anticipate her “stony road” ahead as a remarkably effective abolitionist speaker. Leaving behind their illustrious slave-holding family, she and her sister, Sarah, take their northern audiences by storm. Yet the very fact of their speaking in public, as women, doubles the opposition they face and leads them to become among the earliest American voices for women’s rights. As they and their fellow abolitionists experience violent riots and the burning of their lecture hall, they wonder if their efforts have been in vain. Romance and marriage lead them to a less public life, but in the aftermath of Emancipation and the Civil War, a formidable challenge awaits them in the discovery of their unknown nephews. After their father’s death and prior to the war, these promising nephews, children of Henry and his slave mistress, Nancy Weston, are enslaved by their half-brother. Mistreated, abused, and beaten nearly to death, they eventually escape and find their way north, seeking a full education. But will their eventual encounter with their abolitionist aunts redeem the suffering they and their mother experienced at the hands of their southern family?
African American Lives offers up-to-date, authoritative biographies of some 600 noteworthy African Americans. These 1,000-3,000 word biographies, selected from over five thousand entries in the forthcoming eight-volume African American National Biography, illuminate African-American history through the immediacy of individual experience. From Esteban, the earliest known African to set foot in North America in 1528, right up to the continuing careers of Venus and Serena Williams, these stories of the renowned and the near forgotten give us a new view of American history. Our past is revealed from personal perspectives that in turn inspire, move, entertain, and even infuriate the reader. Subjects include slaves and abolitionists, writers, politicians, and business people, musicians and dancers, artists and athletes, victims of injustice and the lawyers, journalists, and civil rights leaders who gave them a voice. Their experiences and accomplishments combine to expose the complexity of race as an overriding issue in America's past and present. African American Lives features frequent cross-references among related entries, over 300 illustrations, and a general index, supplemented by indexes organized by chronology, occupation or area of renown, and winners of particular honors such as the Spingarn Medal, Nobel Prize, and Pulitzer Prize.
First Published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.