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Ever since Captain Cook came to Botany Bay over two hundred years ago, an old, wild, and hairy nut lady has refused to speak. As a frightened Sarah Banksia sits on a cobbie branch of a banksia tree that leans out dangerously over the sea, she recalls the moment when she first heard the voices of the terrible square peoplethe ones who changed her life forever. Meanwhile, a girl is visited by a large black crow who stands on her chest and tells her that she is a naughty and square girl. Moments later, little Margaret finds comfort with a kindly moth. But when the determined crow returns and proclaims she is a heartless piece of wood, Margaret worries what is to become of her. But what she does not know is that this is just the beginning of an unforgettable journey through a wonderful and magical world where the answers may just lie within Sarahs tree. In this delightful fairy tale adventure for children, a frightened old lady and a little girl are brought together in a magical world to find truth, happiness, and unconditional love. Sarah Banksia is the culmination of Jeans extraordinarily perceptive and inspirational writing and illustrations. Once again, she breaks new ground, introducing young readers to the evolution of lifein particular, the preciously unique plants and animals of Australia (Kathryn McConnochie). Edith Jean Walkers classic Australian fairy tale is about deep time. Like some intense storm or a sublime passage of light in landscape it shakes your foundation and shifts your perspective (Richard Leplastrier).
The banksia is quintessentially Australian. Known and loved for its brush-like flowers and sweet honey nectar, the plant embodies both the beauty and harshness of the Australian landscape. Little Books of Banksias features poems and extracts by some of Australia¿s greatest poets, including Dorothy Hewett, Archie Weller and Douglas Stewart. The artists represented in the publication include Marian Ellis Rowan, Marrianne Collinson Campell, Adam Forster and Ebenezer Edward Gostelow.
"During the century 1850-1950 Vancouver Island attracted Imperial officers and other Imperials from India, the British Isles, and elsewhere in the Empire. Victoria was the main British port on the north-west Pacific Coast for forty years before the city of Vancouver was founded in 1886 to be the coastal terminus of the Canadian Pacific Railway. These two coastal cities were historically and geographically different. The Island joined Canada in 1871 and thirty-five years later the Royal Navy withdrew from Esquimalt, but Island communities did not lose their Imperial character until the 1950s."--P. [4] of cover.
A handsome full-colour book pairing unique items from the Tasmanian Museum and Art Gallery with selections of original writing about the southern island. Indigenous dispossession, a cruel penal history, gay-rights battles; exceptional landscapes, unusual wildlife, environmental activism; colonial architecture, arts and crafts, a thriving creative scene—all are part of the story of Tasmania. And they find their expression in the unparalleled collection of Hobart’s TMAG. In Island Story, Ralph Crane and Danielle Wood select almost sixty representative TMAG objects: from shell necklaces to a convict cowl, colonial scrimshaw to a thylacine pincushion, contemporary photography to a film star’s travelling case. Each is matched to texts old and new, by writers as diverse as Anthony Trollope, Marie Bjelke-Petersen, Helene Chung, Jim Everett, Heather Rose and Ben Walter. This is the perfect gift for anyone interested in the island everyone is talking about. Ralph Crane is the author or editor of more than twenty academic books. He lives in Hobart and is Professor of English at the University of Tasmania. Danielle Wood is the author of The Alphabet of Light and Dark, Rosie Little’s Cautionary Tales for Girls, Mothers Grimm and two non-fiction books on Marjorie Bligh, and co-author of the Angelica Banks series. She lives in Hobart and teaches at the University of Tasmania. ‘While the twenty-four stories in this beautiful anthology range from colonial to contemporary times, they have a common theme—a pervading sense of the landscape.’ Age on Deep South ‘The collection is strong...The editors pull no punches.’ Sun-Herald on Deep South ‘Offers readers a glimpse into the imagery and symbolism that has come to shape how outsiders perceive the island.’ Australian on Deep South
In the tradition of Downtown Abbey comes a vivid story of life in the servant's quarters. Waratah House, a beautiful mansion in the Southern Highlands of New South Wales, is the only home Marina has ever known. Orphaned at a young age, Marina finds a new family in the colourful characters that occupy the bustling servants' quarters of this stately house. But not every resident of Waratah House has Marina's best interests at heart and she finds herself forced into exile. Years later, Marina's daughter Emily discovers the past has a way of repeating itself. She must fight for her chance at happiness – a chance that some will do anything to prevent . . . Beautifully written with wonderful period detail, Waratah House takes you into the lives of an unforgettable cast of characters who will touch your heart. Praise for the bestselling Australia Street 'Whitehead shows us the texture and the spirit of the working-class culture of those times . . . An engaging yarn with a rich historical texture.' The Age 'An evocative exploration of the lot of women in inner-city Sydney during the 1940s.' Who Weekly