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The author Willard F. Clark was a printmaker and artist who greatly shaped the way the rst of the world views old-time Santa Fe, New Mexico. Born in 1910 in Boston, he grew up in Argentina and studied art during the summers in New York City at Grand Central Station Art School and the Hawthorn Art Academy. In 1928, on his way to California, he stopped in Santa Fe, New Mexico and fell in love with the majestic landscape of the American Southwest. There he started a small print shop and taught himself the craft of printing, cutting his own wood-blocks, setting type, and binding small books. Willard Clark developed a graphic style that came to represent early-twentieth-century Santa Fe to many around the world.
Recipes from the original "In Harvey Service" column in the Santa Fe Railroad magazine and the employee magazine "Hospitality" published in the 1940s and 1950s intersperced with the history of the restaurants.
A celebration of Santa Fe's unique holiday traditions. Christmas in Santa Fe and northern New Mexico is full of enchantment, a rich cultural feast of Spanish, Anglo and Pueblo traditions. Susan Topp Weber chronicles the best of what the region has to offer during the long holiday season and combines them with intriguing stories and gorgeous photos. Susan Topp Weber has participated in the many events of Christmas in northern New Mexico for more than forty years. She has owned and operated Susan's Christmas Shop, just off the Plaza in Santa Fe, for more than thirty years. She is frequently asked to lecture about New Mexico Christmas traditions.
"Red Dirt Memories is a tribute to a way of life that has almost disappeared as quickly as it began, taking you beyond pastures dotted with herds of cattle, past the hatchery, the feed mill, and then to the foot of Swift Hill, where a red dirt road winds down then up again for two miles. Then as now, a car raises a cloud of red dust to signal a visitor, where only a clearing is left of the pine shack it once held, with the smokehouse and the outhouse beyond long decayed and torn down. Wild honeysuckle has taken over the chimney remnants, and all the ghosts simply wait for the right moment to conjure their old memories in this timeless collection that reminds us of our similarities, rather than the differences that divide us."--Distributor's website
Jerry West: The Alchemy of Memory is the long-awaited, richly deserved retrospective of one of Santa Fe and New Mexico's most prominent artists. West was born in 1933 before the war that brought New Mexico into the modern century. His father Harold E. ("Hal") West, a WPA artist, anchored his son in the rugged world of ranch life and an abiding respect for American regionalism, with a deep affinity for family, the ease of friendships, and the loneliness of the Dust Bowl prairie. West's paintings explore the complex psychology of his dreams and the vividness of memories mixed in with his experiences and perceptions being a child of a world scarred by wars and the atomic bomb. All of this produces rich, complex, often challenging paintings of metaphor and allegory that speak powerfully to the beauty, mystery, and magnificence of the human condition that West examines in his work.
Few of the great overland highways of America have known such a wealth of color and romance as that which surrounded the Santa Fé Trail. For over four centuries the dust-gray and muddy-red trail felt the moccasined tread of Comanches, Apaches, Cheyennes, and Arapahoes. These soft footfalls were replaced by the bold harsh clang of the armored conqueror, Coronado, and by a host of Spanish explorers and soldiers seeking the gold of fabled Quivira. Black and brown-robed priests, armed only with the cross, were followed in turn by bearded buckskin-clad fur traders and mountain men, by canny Indian traders, and lean, weather-beaten drovers with great herds of long-horned cattle. [...] The story dictated in such vivid detail by Marian Sloan Russell is a unique and valuable eyewitness account by a sensitive, intelligent girl who grew to maturity on the kaleidoscopic Santa Fé Trail. “Maid Marian,” as she was known by the freighters and soldiers, made five round-trip crossings of the trail before settling down to live her adult life along its deeply rutted traces. —From Foreword “When it was first published in 1954, Marian Russell’s Land of Enchantment was praised as an outstanding memoir of life on the Santa Fe Trail...Now readers everywhere can enjoy Mrs. Russell’s recollections,... And those readers will discover that Mrs. Russell described much more than just life on the Trail. Indeed her memoirs cover virtually every aspect of life in the West...—Southwest Review “These memoirs reveal a strong, energetic woman whose perceptions of old Santa Fe and pioneer life on the trail paint a vivid picture of the nineteenth-century West. The unusual and exact details which Marian Russell recalls make her story enthrallingly real.”—American West
Shaping a new understanding of Latina identity formation
The interviews collected in this book preserve the old Santa Fe, the one people are still looking for. The interviewees represent a cross-section of Santa Fe during the best of times: native Santa Feans, both Spanish American and Anglo, artists, immigrants, those who came by accident, those who came intending to stay, those who fought to preserve the older cultures' traditions and values.
Like lightning flashing across the desert sky, the Chief streaks by, resplendent in its ""warbonnet"" livery. This splendid illustrated history of the Santa Fe Railroad's flagship passenger trains carries readers back to an era of luxury travel on America's rails - when movie stars and moguls booked their places on the Chief for the 40-hour trip from Chicago to Los Angeles - faster even than Amtrak's Southwest Chief today. The story of America's most celebrated passenger train, the nation's first diesel-poweed streamliner - from its first run in 1936 to its takeover by Amtrak in 1971 - also includes cocverage of the Santa Fe's other Chiefs, including the Texas and San Francisco.