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In this mesmerizing debut collection, chosen by Mary Oliver for the National Poetry Series, we’re witness to an expansive travelogue of the human spirit that moves throughtfully through multiples ages, cultures, and beings. Each poem explores in depth, through pensive, evocative images, aspects of the human condition and their place within the rich continuum of animal existence. W.B. Keckler presents these poems in a fugal form, uniting the individual works in what he describes as a “holistic formalism” that reveals the poems’ powerful collective meaning. Lives and afterlives are explored with equal care as Keckler attempts to restore the concept of “spirit” in a modern world often overwhelmed by materialistic priorities. “Readers will find these poems lively and pleasurable. They are deft and rich in language, grounded in the actual—even the ordinary—yet admitting into their brief structures a deeper existence of strangeness, or mystery. Which is to say, that they have entered the true realm of the poetry. In a literary age pleached with sameness, this book is a bright and swirling original.”—Mary Oliver
Did you ever want to learn Body Parts in Sanskrit? When you recite kavacha stotras ( armour hymns of gods and goddesses) in Sanskrit, you will find prayers prayer the god/ goddess for protecting each body part. When you do anga pooja rituals, you have mantras or shlokas referring each body part of the god/ goddess Did you ever want to learn and understand those words so that you can pray and visualize while chanting the kavachas, and do the anga pooja by offering flowers to the correct body part of the deity with the mantra? If that's what you always wanted then this book is designed just for you. learning and understanding Sanskrit body parts will be easier with this book In this book you will find the following Sanskrit Body Parts Names. Colorful Pictures of Body Parts. English Body Parts Names.
Science and Society in the Sanskrit World contains seventeen essays that cover a kaleidoscopic array of classical Sanskrit scientific disciplines, such as the astral sciences, grammar, jurisprudence, theology, and hermeneutics.
Sanskrit Non-Translatables is a path-breaking and audacious attempt at Sanskritizing the English language and enriching it with powerful Sanskrit words. It continues the original and innovative idea of nontranslatability of Sanskrit, first introduced in the book, Being Different. For English readers, this should be the starting point of the movement to resist the digestion of Sanskrit into English, by introducing loanwords into their English vocabulary without translation. The book presents a thorough mechanism of the process of digestion and examines the loss of adhikara for Sanskrit because of translating its core ideas into English. The movement launched by this book will resist this and stop the programs that seek to turn Sanskrit into a dead language by translating all its treasures to render it redundant. It discusses fifty-four non-translatables across various genres that are being commonly mistranslated. It empowers English speakers with the knowledge and arguments to introduce these Sanskrit words into their daily speech with confidence. Every lover of India’s sanskriti will benefit from the book and become a cultural ambassador propagating it through routine communications.
Love is a many-headed snake in Nisha Ramayya's debut poetry collection, twisting its way through devotion, sacrifice, and bliss. Seeking a way home, Ramayya discovers that homecoming - the impossible return - is a process of make-believe and magical thinking across Britain, India, and the infinite expanse. Ramayya's visionary poetry traces an opalescent, treacherous world by way of heritage, ritual, and myth. Thousand-petalled lotuses bloom inside skulls, goddesses with dirty feet charm honeybees, strains of jazz standards bleed into anti-national anthems. Meditating on diasporic identity and relationships, her writing roams the Indo-European language family, finds consolation in genealogies of decolonial and anti-racist resistance, and roots itself in the movements between ancient Sanskrit texts and contemporary feminist prose poems. In Ramayya's hands, the body assumes many forms as love produces many states: attraction and repulsion, excitement and exhaustion, selfishness and the dissolution of self. Desire, eroticism, and care contain the possibilities of shame, fury, and destruction. Moving towards and away from love, being translated and transformed by love, suffering under love and refusing its power - the poems in this book never leave love's hold.