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A biography of Scottish poet Hugh MacDiarmid (1892-1978). Examines not only his literary career in both Scots and English verse, but also his political work as a communist, cofounder of the Scottish National Party, and frequent candidate for Parliament. Annotation copyright Book News, Inc. Portland,
The most wide-ranging anthology of twentieth-century poetry in English and Scots available.
A selection from 300 recently discovered poems by Hugh MacDiarmid, who 25 years after his death is still a dissenting voice, are presented in this collection. The power of derisive laughter and the poetic imagination to combat ignorance, prejudice, and stupidity are celebrated by MacDiarmid in these provocative poems on sexuality and marriage. Many of the poems satirize the hypocrisy of the church and bourgeois complacency and powerfully indict the brutality of imperialism and its consequences for war. Discovered by John Manson in the archives of the National Library of Scotland, this is the first time many of these poems have appeared in print.
The comparative study of the literatures of Ireland and Scotland has emerged as a distinct and buoyant field in recent years. This collection of new essays offers the first sustained comparison of modern Irish and Scottish poetry, featuring close readings of texts within broad historical and political contextualisation. Playing on influences, crossovers, connections, disconnections and differences, the 'affinities' and 'opposites' traced in this book cross both Irish and Scottish poetry in many directions. Contributors include major scholars of the new 'archipelagic' approach, as well as leading Irish and Scottish poets providing important insights into current creative practice. Poets discussed include W. B. Yeats, Hugh MacDiarmid, Sorley MacLean, Louis MacNeice, Edwin Morgan, Douglas Dunn, Seamus Heaney, Ian Hamilton Finlay, Michael Longley, Medbh McGuckian, Nuala ni Dhomhnaill, Don Paterson and Kathleen Jamie. This book is a major contribution to our understanding of poetry from these islands in the twentieth and twenty-first centuries.
Christopher Grieve, writing under the name of Hugh MacDiarmid, was a major modern poet and founder of the Scottish literary Renaissance. In this study of his poetry, John Baglow eliminates what has been a stumbling block for most MacDiarmid scholars by showing the very real thematic and psycological consistency which underlines MacDiarmid's work. He demonstrates the extent to which the work was dominated by a desire to find a faith that could justify his desire to write poetry, a desire continually thwarted by a critical intellect which destroyed whatever faith he was able to construct. This constant search without a successful conclusion is at the heart of the work of many major modernist writers; MacDiarmid's poetry can be seen as embracing this tradition and making it explicit.
In the twentieth century more people spoke English and more people wrote poetry than in the whole of previous history, and this Companion strives to make sense of this crowded poetical era. The original contributions by leading international scholars and practising poets were written as the contributors adjusted to the idea that the possibilities of twentieth-century poetry were exhausted and finite. However, the volume also looks forward to the poetry and readings that the new century will bring. The Companion embraces the extraordinary development of poetry over the century in twenty English-speaking countries; a century which began with a bipolar transatlantic connection in modernism and ended with the decentred heterogeneity of post-colonialism. Representation of the 'canonical' and the 'marginal' is therefore balanced, including the full integration of women poets and feminist approaches and the in-depth treatment of post-colonial poets from various national traditions. Discussion of context, intertextualities and formal approaches illustrates the increasing self-consciousness and self-reflexivity of the period, whilst a 'Readings' section offers new readings of key selected texts. The volume as a whole offers critical and contextual coverage of the full range of English-language poetry in the last century.
A concise history and guide to poetry, with short biographies of approximately 250 poets from Homer to Heaney and Dickinson to Dylan. Starting with a history of poetry and discussions of poets and their work in the context of their times, and overviews of such topics as verse forms and genres, this book goes on to review an extensive list of individual poets, with biographical information and notes on their best works. In addition, a variety of photos and a glossary are included. A delight for anyone interested in poetry, The Pocket Guide to Poets & Poetry is also useful for those who want to discover new favorites. Those featured include: Sylvia Plath * Sappho * Geoffrey Chaucer * the Beowulf poet * John Dunne * John Milton * Andrew Marvell * Percy Bysshe Shelley * Edgar Allan Poe * Emily Bronte * Edward Lear * W.B. Yeats * Hilaire Belloc * Marianne Moore * Dylan Thomas * Joseph Brodsky * and many more
This innovative book proposes the expansion of the existing idea of an interwar Scottish Renaissance movement to include its international significance as a Scottish literary modernism interacting with the intellectual and artistic ideas of European modernism as well as responding to the challenges of the Scottish cultural and political context. Topics range from the revitalisation of the Scots vernacular as an avant-garde literary language in the 1920s and the interaction of literature and politics in the 1930s to the fictional re-imagining of the Highlands, the response of women writers to a changing modern world and the manifestations of a late modernism in the 1940s and 1950s. Writers featured include Hugh MacDiarmid, Lewis Grassic Gibbon, Neil M. Gunn, Edwin and Willa Muir, Catherine Carswell, Sydney Goodsir Smith and Sorley MacLean.