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For More Than 150 Years The Monuments Of Sanchi, Because Of Their Architectural Grandeur And Sculptural Profusion, Have Been A Center Of Attraction For Casual Visitors As Well As Serious Scholars, Bothindian And Foreign. Sanchi Monuments Are The Most Imposing And The Best Preserved Of All The Monuments That Early Buddhism Has Bequeathed To India. The Four Gateways Of The Great Stupa, The Only Gateway Of The Stupa 3 And The Ground Rail-Pillars Of The Stupa 2 Preserve In Their Bas-Reliefs An Encyclopaedia Of Sights And Scenes Depicting The Culture And Civilization Of The Time. The Depiction Of Sanchi Art Is Numerious As Well As Various. Within The Buddhist Framework The Artists Portrayed The Panorama Of Life In The Expressive Language Of The Buddhist And Non-Buddhist Motifs. Sanchi Art Ranks High As One Of The Earliest Attempts To Represent The Contemporary Life In Its Entirety. The Present Work Life In Sanchi Sculptures By Dr. A.L. Srivastava Is An Attempt For The First Time To Represent A Complete And Comprehensive Socio-Cultural Picture Of Indian Life Between The Second Century B.C. And First Century A.D. As Revealed In Sanchi Bas-Reliefs. Men And Women, Princes And Commoners, Hunters And Hermits, Soldiers And Servants, Arms And Armour, Dress And Ornaments, Coiffures And Cosmetics, Conveyances And Recreations Life In A Thousand Aspects Both Rural And Urban Have Been Minutely Revealed Through This Work. The Book Life In Sanchi Sculptures Is Like A Film Screening War In Progress, Advancing And Fleeing Armies, Fortifications, Dwellings And Shrines, Royal Processions, Kings In Court And People Enjoying Picnic, Drinking, Joy-Riding And Participating In Water-Sports, Dance And Music. Dr. Srivastva Deals With Various Aspects Of The Life And Culture As Gleaned From The Sanchi Panels. His Critical Studies Are Solid Contributions, Graphically Illustrated. The Author Has Made A Good Many Scintillating Contributions On Sri-Lakshmi, Iha-Mrigas, Kinnaras, Symbols And Motifs. He Has Actually Interpreted The Contemporary Culture And Civilization And Human Life In All Its Exuberance Duly Supported By Ancient Archaeological Evidence. 82 Photographic Plates And 436 Line Drawings Enhance The Value Of The Book. These Line Drawings, Which Particularly Illustrate The Objects And Articles Of Daily Use, Fashions In Dress And Drapery, Ornaments And Jewellery, Are A Valuable Aid To The Understanding Of Sanchi Civilization. An Important Feature Is The Appendix Providing A List Of Sanchi Sculptures In Different India And Foreign Museums.The Presentation Is Throughout Critical, Lucid And Comprehensive.
Sanchi, a historic site lies in the modern Madhya Pradesh, India.
Illustrations: 247 b/w illustrations Description: This book deals with crucial though controversial questions in Buddhist art: the origin of the Buddha image and the iconography of the Buddha images. The earliest Buddhist art of Sanchi and Bharhut is aniconic : The Buddha is represented in symbols only. In the later Buddhist art of Gandhara and Mathura, the Buddha is represented in human form: he is the principal subject of sculptural art. The book seeks to explore the geographical area in which the image of the Buddha first emerged and whether the Buddhist doctrines-Hinayana or Mahayana-had anything to do with this transformation. The Buddha image, as developed eventually at Sarnath, became the model for the Buddha images in whole of Asia, south-east, central and eastern Asia. The iconographic features of the Buddha image are superficially an aberration, being in apparent conflict with the doctrine. The Buddha had cut off his hair at the time of his renunciation; the rules of the order enjoin that a monk must be tonsured and must discard and eschew all riches. However, in his images, the Buddha has hair on his head; later he is also endowed with a crown and jewels. After an exhaustive examination of the views of various scholars, the book answers these questions and resolves the controversies on the basis of literary, numismatic and epigraphic sources. More importantly it makes use of the valuable evidence from the contemporaneous Jaina art : Aniconism of early Jaina art and the iconographic features of Jaina images. The implications of this study are also important : Does India owe idolatry to Buddhism? Was this of foreign inspiration? Was the Buddha image fashioned after the Vedic Brahma and whether the Buddha's usnisa and Buddhist art motifs are rooted in the Vedic tradition? The book is profusely illustrated and provides rich and stimulating fare to students of Indian art in general and of Buddhist art in particular.
Born in Choubis Pargana in 1875, he belonged to a Bengali Brahmin family, who had later decided to follow the Christian faith, being disenchanted by the caste system as it prevailed then. His father, Babu Amarnath Ghosal was Secretary to the Municipality of Mirzapur, in the United Provinces and enjoyed a position of repute in society. He received his master's degree in English Literature from Allahabad University and was a gold medallist. His academic record was distinguished, as he later earned distinctions in the advanced specialised courses MRAS and FSA from London. Bipin Ghosal began his career as a professor of English in Bhopal. Later, he took charge of the King Edward Museum, Bhopal State. He was also the Chief Librarian of the prestigious Hamidiya Library. Since he was an archaeologist, he developed a special interest in the Sanchi Stupas, which later turned into a passion. Bipin Ghosal was also instrumental in drawing the attention of Sir John Marshall, Director General, Archaeological Survey of India towards the magnificent Sanchi Stupas, who later took up the restoration work of the monument in 1912. It would be worthy to note that Sanchi got a railway station only through his persistent requests to the British. In acknowledgement of his commitment, hard work, knowledge and documentation skills, he was later given the charge of the Sanchi Museum. Not only the British rulers, but many royal dignitaries from other countries and intellectual personalities of his time had high appreciation for his work on Sanchi. This book is truly a tribute to Sanchi.
UNIT – I Archaeology & Ancient India 1. The Story of the First Cities : Harappan Archaeology, 2. Political and Economic History from the Mauryan to Gupta Period, 3. Social History : With Special Reference to Mahabharata, 4. History of Ancient Indian Religions with Special Reference to Buddhism and Sanchi Stupa, UNIT – II Medieval India 5. The Ain-i-Akbari : Agrarian Relations, 6. The Mughal Court : Reconstructing History through Chronical, 7. Architecture of Hampi (Vijaynagar), 8. Religious History : The Bhakti-Sufi Tradition, 9. Medieval Society through Foreign Travellers Accounts, UNIT- III Modern India 10. Colonialism and Rural Society : Evidence from Official Report, 11. ‘1857’ A Review, 12. Colonial Cities—Urbanisation, Planning and Architecture, 13. Mahatma Gandhi through Contemporary Eyes and his Role in the Indian Politics, 14. Partition of India and its Study through Oral Sources, 15. Making of the Indian Constitution.