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Tapati, the daughter of Surya, catches the site of the mortal Samvarana and falls in love with him. She appears before him in the forest and he is so enchanted by her, he swoons and falls on the ground. Tapati and Samvarana had a son named Kuru, the ancestors of the Pandavas and the Kauravas. The field of Kurukshetra upon which the battle takes place is also named after Kuru.
A hundred sons, the sages say, are a hundred blessings. Gandhari's hundred Kaurava sons, however, were more of a curse. Did they become evil by some divine plan or was it because she was proudly blind to their faults? Helpless as they heaped dishonour on the family, she was furious with Lord Krishna for abetting in her son's eventual slaughter. Unfortunately, her grief was overpowering, and threatened to wreak further havoc...
The demon, Vajranabha, performs severe penance. Pleased, Brahma grants him the city of Vajra, and says that not even air will enter the city, unless Vajranabha wants it to. Now, powerful in his impregnable city, Vajranabha turns his sights on Indra's kingdom. Indra goes to Krishna for help. What Vajranabha does not realise is that his daughter, Prabhavati, has set her heart on marrying Pradyumna, the son of Krishna.
In the kingdom of Hemangada, a treacherous minister named Kattiyangaran, decides to usurp the throne, and kill the entire royal family. Queen Vijaya escapes the slaughter. In a dark cremation ground, unhappy and alone, she gives birth to a child and puts his father's royal ring upon his finger. The child grows up to be Prince Jivaka. Jivaka has many adventures but the core of the book becomes apparent in the end when a weary Jivaka decides to renounce his kingdom and become a Jain monk.
Purushottam Dev, the Prince of Kalinga is a staunch devotee of Lord Jagannath of Puri. During a ride in a forest he meets and falls in love with Princess Padmavati of Kanchi. According to tradition, Purushottam Dev sweeps the chariot of Jagannath during the Car Festival. Padmavati's father is furious when he hears of this and refuses to marry his daughter to one who wields a broom. He humiliates Purushottam Dev who vows to take revenge despite his love for the princess. Padmavati despairs and is ready to end her life. But things suddenly take a turn for the better after Lord Jagannath himself assures Purushottam of his support.This Amar Chitra Katha is based on a legend from Orissa.
Intrigue and suspense, coincidence and adventure blend happily together to join a handmaiden and a king in blessed matrimony. Kalidasa, the greatest of Sanskrit poets, wove a tale that caters to every reader's taste. Warring cousins, wily courtiers, jealous wives, disguised princesses, all play their part in his play, which continues to thrill centuries after it was first written.
When Kama, the god of love, dares to disturb Shiva, he is burnt to ashes by the angry god in the presence of his horrified wife, Rati. Desperate in her sorrow, Rati prepares to immolate herself when she is stopped by a voice that tells her that Kama will be restored to her when he is reborn. Kama is reborn as Pradyumna, the son of Krishna and Rukmini, who is prophesied to destroy the demon, Shambara. Aware of the prophecy, Shambara decides to steal the baby from Krishna's palace and kill him while he is still helpless. But he has not counted on the fact that Rati, warned by Narada, is watching over Pradyumna as a maid in the demon's own palace.
Kadambari is one of the best known Sanskrit romantic novels. It was written by Banabhatta, the court poet of King Harshavardhana, in the early 7th Century AD. It is said that after Banabhatta died, leaving the long text unfinished, his son Bhushanabhatta completed it. The original has a hugely complex plot, with Kadambari herself appearing only half-way through. The story is a popular one – a version can be found in the Kathasaritsagara, amongst many other ancient favourites. It continues to be translated into various Indian languages. Kadambari is often said to be one of the first novels – and the word kadambari has come to mean a novel in many Indian languages today.