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Samuel Beckett's Poetry is the first book-length study of Beckett's complete poetry, designed for students and scholars of twentieth century poetry and literature, as well as for specialists of Beckett's work. This volume explores how poetry provided Beckett a medium of expression during key moments in his life, from his earliest attempts at securing a reputation as a published writer, to the work of restoring his own speech while suffering aphasia shortly before his death. Often these were moments of desperation and discouragement, when more substantial works were not possible: moments of illness, of personal loss or of public disaster. This volume includes an introduction that contextualizes Beckett as a poet and a chronology of the composition and publication of all his known poems. Essays offer a range of critical perspectives, from translation theory, war poetics and Irish Studies to Beckett's debts to Modernism, Romanticism and the Jazz Age.
A complete edition of Beckett's poetry and verse translations.
This collection gathers together the Nobel Prize-winning writer Samuel Beckett's English poems (including Whoroscope, his first published verse), English translations of poems by Eluard, Rimbaud, Apollinaire, and Chamfort, and poems in French, several of which are presented in translation.
Making available for the first time the entire known corpus of Beckett's poetry and extensive excerpts from the early unpublished prose, the author's study of Beckett's poetry and criticism provides the opening chapter in the story of the evolution of a formidable talent. Originally published in 1970. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
It was as a poet that Samuel Beckett launched himself in the little reviews of 1930s Paris, and as a poet that he ended his career. This new selection, from Whoroscope (1930) to 'what is the word' (1988), describes a lifetime's arc of writing. It was as a poet moreover that Beckett made his first breakthrough into writing in French, and the Selected Poems represents work in both languages, including the sequence of brief but highly crafted mirlitonnades, which did so much to usher in the style of his late prose, and come as close as anything he wrote to honouring the ambition to 'bore one hole after another in language, until what lurks behind it - be it something or nothing - begins to seep through.' Also included are several of Beckett's translations from contemporaries - Apollinaire, Eluard, Michaux, Montale - in versions which count among his own poetic achievements. Edited by David Wheatley
"The present volume consists of those poems written in the English language which the author is willing to have preserved. It also contains a few poems written in French, translated by Beckett himself, together with the original texts" -- Dust jacket.
Franse en Engelse gedichten.
It was as a poet that Samuel Beckett launched himself in the little reviews of 1930s Paris, and as a poet that he ended his career. This new selection, from Whoroscope (1930) to ‘what is the word’ (1988), describes a lifetime’s arc of writing. It was as a poet moreover that Beckett made his first breakthrough into writing in French, and the Selected Poems represents work in both languages, including the sequence of brief but highly crafted mirlitonnades, which did so much to usher in the style of his late prose, and come as close as anything he wrote to honouring the ambition to ‘bore one hole after another in language, until what lurks behind it – be it something or nothing – begins to seep through.’ Also included are several of Beckett’s translations from contemporaries – Apollinaire, Eluard, Michaux, Montale – in versions which count among his own poetic achievements. my way is in the sand flowingbetween the shingle and the dunethe summer rain rains on my lifeon me my life harrying fleeingto its beginning to its end‘The best of it speaks, or rather whispers, to the inner ear . . . Like the prose, with which they have so much else in common, the poems are instantly striking and mysteriously persistent in the mind and even the nerves. Graphic and vivid, they are also intensely musical: theatrical, too, and continuous with the work for stage, radio and other media . . . Not inexpressive, as their author might have wished, but expressive of a rare vision.’ – Derek Mahon
Winner of the Nobel Prize for literature and acknowledged as one of the greatest writers of our time, Samuel Beckett has had a profound impact upon the literary landscape of the twentieth century. In this one-volume collection of his fiction, drama, poetry, and critical writings, we get an unsurpassed look at his work. Included, among others, are: - The complete plays Waiting for Godot, Krapp’s Last Tape, Cascando, Eh Joe, Not I, and That Time - Selections from his novels Murphy, Watt, Mercier and Camier, Molloy, and The Unnamable - The shorter works “Dante and the Lobster,” “The Expelled,” Imagination Dead Imagine, and Lessness - A selection of Beckett’s poetry and critical writings With an indispensable introduction by editor and Beckett intimate Richard Seaver, and featuring a useful select bibliography, I Can’t Go On, I’ll Go On is indeed an invaluable introduction to a writer who has changed the face of modern literature.