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A story about songwriting for everyone. Sammy writes a Song is an innovative and entertaining, new audio book that is suitable for teachers and children who enjoy creative music making (or just a good story). The book and CD are ideal for students with little or no musical skill and teachers wishing to introduce children to music creation.
For almost forty years, Sammy Hagar has been a fixture in rock music. From breaking into the industry with the band Montrose to his multiplatinum solo career to his ride as the front man of Van Halen, Sammy's powerful and unforgettable voice has set the tone for some of the greatest rock anthems ever written—songs like "I Can't Drive 55," "Right Now," and "Why Can't This Be Love." In Red, Sammy tells the outrageous story of his tear through rock 'n' roll. From the decadence of being one of the world's biggest rock stars to the unfiltered story of being forced out of Van Halen, Sammy's account spares no one, least of all himself. His is a tale of a true rock 'n' roller—someone who's spent decades bringing the party with him wherever he goes but always headin' back to Cabo for mÁs tequila.
The True Story of Murder on Music Row through the eyes of the sole survivor, Sammy Sadler. “A story of survival. A story of revival. A story that had to be told. An incredible read that will keep you on the edge of your seat!” - Country Music Star Deborah Allen In 1989, country newcomer Sammy Sadler had already charted several critically-acclaimed singles and was ready to release his first album when he was shot during the assassination of then Cash Box chart-manager, Kevin Hughes, an incident known around the world as the “Murder on Music Row.” The police had no suspects, and even though Sammy suffered a nearly fatal bullet wound, the officers kept him under suspicion during the 13-year investigation. Eventually, the investigation would reveal an elaborate web of corruption, chart-rigging and payola, a clear motive and suspect for the murder. An ending that rocked the music industry for many years to come. In this first-hand account, Sadler recounts his personal and sensational journey from wide-eyed, promising, Top-40 newcomer to “person of interest” and survivor of one of the most infamous killings in the music business. From his struggle to recover from his nearly-fatal injuries to the turmoil endured during the 13-year career-throttling investigation, this autobiographical account is a demonstration of his faith and his resilient passion for music that would allow him to move forward and continue to pursue his dreams. As featured on CMN, FOX 17 WZTV Nashville, FIRST COAST ABC News, Nashville.com, This Week America, WSM 650AM and Good Morning Texas.
Best known for the "dead-ant" theme to the Pink Panther films, Henry Mancini also composed the music to Peter Gunn, Breakfast at Tiffany's, Orson Welles' Touch of Evil, and the Academy Award winning soundtracks to Victor/Victoria and The Days of Wine and Roses. In a career that lasted over thirty years, Mancini amassed twenty Grammy awards and more nominations than any other composer. In his memoir, written with jazz expert Lees, Mancini discusses his close friendships with Blake Edwards, Julie Andrews, and Paul Newman, his professional collaborations with Johnny Mercer, Luciano Pavarotti, and James Galway, and his achievements as a husband, father, and grandfather. A great memoir loaded with equal parts Hollywood glitz and Italian gusto.
YES I CAN is the self-portrait of one of the extraordinary men of our time, who became a figure of controversy because he dared to live his life not as a Negro but as a man. "I've got to be a star like another man has to breathe," write Sammy Davis. "I've got to get so big, so powerful, so famous that the day will come when they'll look at me and see a man, and then somewhere along the way they'll notice he's a Negro." YES I CAN is: "...one of the most candid, engrossing and important American autobiographies of our time," wrote the N.Y. Herald Tribune Book Editor and Critic Maurice Dolbier. "One of the really great autobiographies ever written." Brother Judd . Audible.com
There are few creative acts more mysterious and magical than writing a song. But what if the goal wasn't so mysterious and was actually achievable for anyone who wants to experience more magic and creativity in their life? That's something that anyone will be inspired to do after reading Jeff Tweedy's How to Write One Song. Why one song? Because the difference between one song and many songs isn't a cute semantic trick—it's an important distinction that can simplify a notoriously confusing art form. The idea of becoming a capital-S songwriter can seem daunting, but approached as a focused, self-contained event, the mystery and fear subsides, and songwriting becomes an exciting pursuit. And then there is the energizing, nourishing creativity that can open up. How to Write One Song brings readers into the intimate process of writing one song—lyrics, music, and putting it all together—and accesses the deep sense of wonder that remains at the heart of this curious, yet incredibly fulfilling, artistic act. But it’s equally about the importance of making creativity part of your life every day, and of experiencing the hope, inspiration, and joy available to anyone who’s willing to get started.
Finding the correct or most suitable word, r hyme and rhythm is the hard part of songwriting. Sammy Cahn'' s rhyming dictionary is designed to help anyone with a block in the mind and a song waiting to escape to a greater audie nce. '
Nicknamed Mr. Show Business, Sammy Davis Jr. was a consummate performer who sang, danced, and acted on film, television, radio, and the stage for over six decades. In this uniquely intimate volume, the entertainment legend's story comes to life through rare family photos and a compelling narrative based on conversations between Sammy Davis Jr. and his daughter, Tracey Davis. The story of a future superstar unfolds beginning with his bittersweet childhood days, raised primarily by his grandmother in Harlem. On the stage by age three, he first became a star in vaudeville with the Will Mastin Trio. Davis was already an up-and-coming performer by the time he was recruited into the Army during World War II. As Tracey Davis candidly relates, it was there that her father first learned to use his talent—singing and dancing—as a weapon against racial bigotry. Davis's career took off in the 1940s through his sheer determination, talent, and the support of friends like Frank Sinatra. With tenderness and humor Tracey describes her father's friendship with Sinatra, and how he stood by him when Davis married Tracey's Swedish actress mother. In a time when interracial marriages were forbidden by law in thirty-one states, both bride and groom endured an onslaught of negative press and even death threats. Complete with rare personal and professional photos, Sammy Davis Jr. recounts Davis's adventures through the Rat Pack era, and the extraordinary obstacles he overcame to become a 5'6”, 120-pound legend who across six decades packed in more than forty albums, seven Broadway shows, twenty-three films, and countless nightclub and concert performances. What emerges from the pages of this loving, but utterly frankly written book, is a uniquely personal perspective on one of the greatest pop culture icons of the twentieth century.
Originally published in 1973, when it won the ASCAP Deems Taylor Award , reprinted and revised several times since, They're Playing Our Song is a classic oral history of American popular music. Now further updated with new material and new photographs, this book is indispensable for anyone interested in the Great American Songbook of the 20th Century, original, classic and timeless songs and lyrics as popular today as ever.
Realistisk tidsbillede fra 1930'erne om en barsk skildring af en hensynsløs stræbers kamp for at nå til tops i Hollywoods glitrende filmverden