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Nicknamed Mr. Show Business, Sammy Davis Jr. was a consummate performer who sang, danced, and acted on film, television, radio, and the stage for over six decades. In this uniquely intimate volume, the entertainment legend's story comes to life through rare family photos and a compelling narrative based on conversations between Sammy Davis Jr. and his daughter, Tracey Davis. The story of a future superstar unfolds beginning with his bittersweet childhood days, raised primarily by his grandmother in Harlem. On the stage by age three, he first became a star in vaudeville with the Will Mastin Trio. Davis was already an up-and-coming performer by the time he was recruited into the Army during World War II. As Tracey Davis candidly relates, it was there that her father first learned to use his talent—singing and dancing—as a weapon against racial bigotry. Davis's career took off in the 1940s through his sheer determination, talent, and the support of friends like Frank Sinatra. With tenderness and humor Tracey describes her father's friendship with Sinatra, and how he stood by him when Davis married Tracey's Swedish actress mother. In a time when interracial marriages were forbidden by law in thirty-one states, both bride and groom endured an onslaught of negative press and even death threats. Complete with rare personal and professional photos, Sammy Davis Jr. recounts Davis's adventures through the Rat Pack era, and the extraordinary obstacles he overcame to become a 5'6”, 120-pound legend who across six decades packed in more than forty albums, seven Broadway shows, twenty-three films, and countless nightclub and concert performances. What emerges from the pages of this loving, but utterly frankly written book, is a uniquely personal perspective on one of the greatest pop culture icons of the twentieth century.
A major reappraisal of the life of legendary entertainer Sammy Davis, Jr., Gonna Do Great Things is at once an intimate portrait and an exuberant celebration of a wholly American icon. Through his multifaceted talent and personality, Sammy became one of the most magnetic and contentious figures in modern entertainment history. His outstanding talents as a dancer, singer, actor, impressionist, and comedian, combined with his close association with megastars and his interracial marriage, made him a celebrity in the truest sense. Born in Harlem in 1925, Sammy debuted onstage with Will Mastin's vaudeville troupe when he was only three years old. He was an instant hit, and his talent propelled him into one of the most luminous entertainment careers of his generation. No one could please a crowd like Sammy, whose overwhelming energy and infectious humor exhilarated audiences for sixty years. However, Sammy's life was not without hardship, and his high-spirited attitude often masked a fragile ego. From an impoverished, broken home, he lacked even a single day of formal education, and the rigors of his blossoming show business career denied him the traditional pleasures of childhood. Racism constantly affected his life, particularly when he joined the army in 1943. Because he refused to acknowledge any race-related restrictions, his very existence became a political statement. An active member of the Civil Rights movement and America's first African-American superstar, Sammy paved the way for other black entertainers. As a charter member of the Rat Pack, Sammy spent the 1950s and 1960s basking in an image of "cool" and endearing himself to the public. But by the 1970s he was relying on cocaine and alcohol, flirting with Satanism, indulging in scandalous sexual behavior, and becoming the punchline of jokes on Saturday Night Live. Though his fans still adored him, his performances suffered. A four-pack-a-day smoker, Sammy succumbed to cancer when he was sixty-four, shortly after celebrating six decades in the spotlight. Renowned biographer of Hollywood giants Jimmy Stewart, Burt Lancaster, and Gregory Peck, Gary Fishgall brings an actor's and director's understanding of the entertainment industry to Sammy's complicated existence. Meticulously researched and filled with insights gathered from interviews with those who knew Sammy best, Gonna Do Great Things reveals the fascinating and controversial life of this beloved entertainer.
In 1990, Tommy Davidson burst onto the scene in the Emmy Award-winning show In Living Color, a pioneering sketch comedy show, featuring a multi-racial cast of actors and dancers who spoke to an underrepresented new generation created by Hip Hop Nation. A story of black excellence, in this revealing memoir, Tommy shares his unique perspective on making it in Hollywood, being an integral part of television history, on fame and family, and on living a life that has never been black and white—just funny and true . . . Abandoned as an infant on the streets of Greenville, Mississippi, and rescued by a loving white family, Tommy Davidson spent most of his childhood unaware that he was different from his brother and sister. All that changed as he came of age in a society of racial barriers—ones that he was soon to help break. On a fledgling network, Tommy joined the cast of In Living Color, alongside other relative newcomers including Jim Carrey, Rosie Perez, Jamie Foxx and Jennifer Lopez—all united by an ingenious throng of Wayans siblings (Keenen, Damon, Kim, Shawn, and Marlon), poised to break new ground. Now Tommy gives readers the never-before-told behind-the-scenes story of the first show born of the Hip Hop Nation: from its incredible rise, to his own creation of such unforgettable characters as Sweet Tooth Jones and dead-on impressions of Sammy Davis, Jr., Michael Jackson, M.C. Hammer and Sugar Ray Leonard, and appearing in such classic sketches as “Homie The Clown,” the “Hey Mon, family,” and the unforgettable “Ugly Woman,” through guest-star skirmishes (and black eyes) to backstage tensions and the eventual fall of this pop-culture touchstone. He reveals his own nascent career on the stand-up circuit with Adam Sandler, Jerry Seinfeld, Louie Anderson and performing with Eddie Murphy and Richard Pryor, as well as reflections on working with Spike Lee, Halle Berry, Sam Jackson, Chris Rock and Jada Pinkett Smith. And he also shares his very personal story of living with—and being inspired and empowered by—two distinct family histories. Told with humor and hard-won honesty by a singular voice whose family and friendships help him navigate a life of personal and professional highs and lows, Living in Color is a bracing, illuminating, and remarkable success story. An homage to the groundbreaking series In Living Color was featured in Bruno Mars’s music video for his hit song Finesse, a remixed collaboration with Cardi B. It was a loving tribute that exemplified the sustained cultural impact of the show, and now 90s kids can dig into their nostalgia through this humorous memoir of one of its stars!
YES I CAN is the self-portrait of one of the extraordinary men of our time, who became a figure of controversy because he dared to live his life not as a Negro but as a man. "I've got to be a star like another man has to breathe," write Sammy Davis. "I've got to get so big, so powerful, so famous that the day will come when they'll look at me and see a man, and then somewhere along the way they'll notice he's a Negro." YES I CAN is: "...one of the most candid, engrossing and important American autobiographies of our time," wrote the N.Y. Herald Tribune Book Editor and Critic Maurice Dolbier. "One of the really great autobiographies ever written." Brother Judd . Audible.com
In 1963, at the height of the southern civil rights movement, Cecil Brathwaite (1936–2014), under the pseudonym Cecil Elombe Brath, published a satire of Black leaders entitled Color Us Cullud! The American Negro Leadership Official Coloring Book. The book pillories a variety of Black leaders—from political figures like Adam Clayton Powell and Whitney Young to civil rights activists like Martin Luther King, Bayard Rustin, and John Lewis, and even entertainers like Sammy Davis Jr., Lena Horne, and Dick Gregory—critiquing the inauthenticity of movement leaders while urging a more radical approach to Black activism. Despite the strong illustrations and unique commentary presented in the coloring book, it has virtually disappeared from histories of the movement. The Artistic Activism of Elombe Brath restores the coloring book and its creator to a place of prominence in the historiography of the Black left. It begins with an analysis of Brath’s influences, describing his life and work including his development as a Black nationalist thinker and Black satirist. This volume includes Brath’s early works—illustrations for DownBeat magazine and Beat Jokes, Bop Humor, & Cool Cartoons—as well as the full run of his comic strip “Congressman Carter and Beat Nick Jackson” from the New York Citizen-Call and a complete edition of Color Us Cullud! itself. These illustrations are followed by annotations that frame and contextualize each of the coloring book’s entries. The book closes with selections from Brath’s art and political thinking via archival material and samples of his written work. Ultimately, this volume captures and restores a unique perspective on the civil rights movement often omitted from the historiography but vital to understanding its full scope.
Sammy Davis, Jr. will forever be remembered as one of America's finest entertainers. An all–around performer who could sing, dance, and act, Davis broke racial barriers in the entertainment world and became the only non–white member of the Rat Pack. Only now, however, is Davis's talent as a photographer finally being recognized. In this previously unpublished collection of black and white photography, readers will be fascinated by Davis's portrayals of A–list performers, iconic world leaders, and scenes from everyday life. Davis's subjects include dozens of classic celebrities–such as Frank Sinatra, Marilyn Monroe, Paul Newman, and James Dean–who are often photographed at their most casual and revealing moments. Accompanying the pictures is an assortment of remembrances by Burt Boyar, a longtime friend and traveling companion of Davis who collaborated with the entertainer on both of his autobiographies. Through a series of memorable anecdotes, Boyar reflects on Davis's many achievements as well as the private moments they shared as friends. Along with Davis's candid shots of ordinary life–from a group of children laughing to a baseball game at the Washington Monument–these stories reveal a side of the performer far removed from his Rat Pack persona. The release of this book will also coincide with the release of Burt Boyar's upcoming documentary, Sammy Speaks, created from his extensive archive of taped conversations with the star.
With wit and candor, rage and integrity, Sammy Davis, Jr. reflects on the dark side of his superstardom--his fear of losing his appeal, alcoholism, his million-dollar tax debt, alienation from his family and the black community, and his shaky political af
The untold story of Sammy Davis, Jr.: This incisive biography and sweeping cultural history conjures "the many worlds [Davis, Jr.] traversed, and shows how the issue of race, in his own mind and in the minds of his fans and detractors, shaped his career and life" (The New York Times). For decades one of America’s most recognizable stars, the real Sammy Davis, Jr. has long remained hidden behind the persona the performer so vigorously generated—and so fiercely protected. Here Wil Haygood brings Davis’s life into full relief against the backdrop of an America in the throes of racial change. He made his living entertaining white people but was often denied service in the very venues he played, and in his broad and varied friendships—not to mention his romances—Davis crossed racial lines in ways few others had. In Black and White vividly draws on painstaking research and more than two hundred and fifty interviews to trace Davis, Jr.’s journey from the vaudeville stage to Broadway, Hollywood, and, of course, Las Vegas. It is an important record of a vanished America—and of one of its greatest entertainers.
The Season To Be wary is unique in that it is one of the first examples of Rod Serling publishing stories he created first in narrative form. This collection of three novellas provides poignant insights into the human condition with all its' moral and ethical dilemmas. Of the three, Escape Route and Eyes were included in the pilot for The Night Gallery, with the latter starring Joan Crawford and directed by new comer, Steven Spielberg. Darkly disturbing, these stories remain relevant today.