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Same-Sex Love in India presents a stunning array of writings on same-sex love from over 2000 years of Indian literature. Translated from more than a dozen languages and drawn from Hindu, Buddhist, Muslim, and modern fictional traditions, these writings testify to the presence of same-sex love in various forms since ancient times, without overt persecution. This collection defies both stereotypes of Indian culture and Foucault's definition of homosexuality as a nineteenth-century invention, uncovering instead complex discourses of Indian homosexuality, rich metaphorical traditions to represent it, and the use of names and terms as early as medieval times to distinguish same-sex from cross-sex love. An eminent group of scholars have translated these writings for the first time or have re-translated well-known texts to correctly make evident previously underplayed homoerotic content. Selections range from religious books, legal and erotic treatises, story cycles, medieval histories and biographies, modern novels, short stories, letters, memoirs, plays and poems. From the Rigveda to Vikram Seth, this anthology will become a staple in courses on gender and queer studies, Asian studies, and world literature.
This is the first book to examine the same-sex weddings and same-sex couple suicides reported in India over the last two decades. Ruth Vanita examines these cases in the context of a wide variety of same-sex unions, from Fourteenth-century narratives about co-wives who miraculously produce a child together, to Nineteenth-century depictions of ritualized unions between women, to marriages between gay men and lesbians arranged over the internet. Examining the changing legal, literary, religious and social Indian and Euro-American traditions within which same-sex unions are embedded, she brings a fresh perspective to the gay marriage debate, suggesting that same-sex marriage dwells not at the margins but at the heart of culture. Love's Rites by Ruth Vanita is a finalist for a Lambda Literary Award.
Queering India is the first book to provide an understanding of same-sex love and eroticism in Indian culture and society. The essays focus on pre-colonial, colonial, and post-colonial gay and lesbian life in India to provide a comprehensive look at a much neglected topic. The topics are wide-ranging, considering film, literature, popular culture, historical and religious texts, law and other aspects of life in India. Specifically, the essays cover such issues as Deepa Mehta's recent and controversial film, Fire, which focused on lesbian relationships in India; the Indian penal code which outlaws homosexual acts; a case of same-sex love and murder in colonial India; homophobic fiction and homoerotic advertising in current day India; and lesbian subtext in Hindu scripture. All of the essays are original to the collection. Queering India promises to change the way we understand India as well as gay and lesbian life and sexuality around the world.
In 2009, the Delhi High Court's historic judgment overturning Section 377 as violative of the Indian Constitution referred to Same-Sex Love in India. So did the 2018 Supreme Court decision which upheld that judgment. All the petitions against this anti-sodomy law have cited this landmark book to prove that homosexuality is not a Western import. Same-Sex Love in India is the book that brought to light the long, incontestable history of same-sex love and desire in the Indian subcontinent. Covering over 2000 years, from the Mahabharata to the late twentieth century, the book contains excerpts from stories, poems, letters, biographies and histories in fifteen languages. The editors' introductions to each period and text trace the changing depictions of and debates around same-sex relations, illuminating their social, political and literary contexts. These essays have been called 'outstanding works of scholarship'. Including writings that range from romantic to analytical, playful to thoughtful, this classic work will help you see Indian culture and society with new eyes.
In this carefully researched and finely written work, Jeremy Seabrook deals with subjects rarely discussed in Western narratives about South Asia. Going beyond a straightforward contextualisation of the gatoei (lady-boys) in Thailand and the hijara (eunuchs) of India, he unravels the less familiar and more complex territory of homosexual and homoerotic encounters in general, and asks how valid Western models of sexual identity are in the South Asian context, and how effective they might be in dealing with global issues of sexual health, HIV awareness and gender politics. Much of the book is based on interviews which reveal the extent of the complexity at play: wives who traditionally vacate the marital bed to accommodate their husbands' friends; kotis—"passive" male sex partners of men—many of whom will be married but see their relations with the kotis as fulfilling their destinies as males; the fundamentalist politicians who curse the Western influence of "gay liberation" and continue to justify the punishment of life imprisonment for homosexuality; and the activist groups who are working towards a clearer and more helpful understanding of contemporary issues. The first work of its kind on India, Love in a Different Climate reveals how a traditional shrouding in mystery of sexual difference is slowly but surely giving way to a more open and essentially local celebration of that difference.
Finalist for the 2020 Lambda Literary Award in Gay Memoir/Biography A revelatory memoir about sex, oppression, and the universal struggle for justice. From his time as a child in 1960s India, Siddharth Dube knew that he was different. Reckoning with his femininity and sexuality—and his intellect—would send him on a lifelong journey of discovery: from Harvard classrooms to unsafe cruising sites; from ivory-tower think-tanks to shantytowns; from halls of power at the UN and World Bank to jail cells where sexual outcasts are brutalized. Coming of age in the earliest days of AIDS, Dube was at the frontlines when that disease made rights for gay men and for sex workers a matter of basic survival, pushing to decriminalize same-sex relations and sex work in India, both similarly outlawed under laws dating back to British colonial rule. He became a trenchant critic of the United States’ imposition of its cruel anti-prostitution policies on developing countries—an effort legitimized by leading American feminists and would-be do-gooders—warning that this was a 21st century replay of the moralistic Victorian-era campaigns that had spawned endless persecution of countless women, men, and trans individuals the world over. Profound, ferocious, and luminously written, An Indefinite Sentence is both a personal and political journey, weaving Dube’s own quest for love and self-respect with unforgettable portrayals of the struggles of some of the world’s most oppressed people, those reviled and cast out for their sexuality. Informed by a lifetime of scholarship and introspection, it is essential reading on the global debates over sexuality, gender expression, and of securing human rights and social justice in a world distorted by inequality and right-wing ascendancy.
This volume makes available for the first time in English the work of a significant Indian nationalist author, Pandey Bechan Sharma, better known in India as “Ugra,” meaning “extreme.” His book Chocolate, a 1927 collection of eight stories, was the first work of Hindi fiction to focus on male same-sex relations, and its publication sparked India’s first public debates about homosexuality. Many prominent figures, including Gandhi, weighed in on the debates, which lasted into the 1950s. This edition, translated and with an introduction by Ruth Vanita, includes the full text of Chocolate along with an excerpt from Ugra’s novel Letters of Some Beautiful Ones (also published in 1927). In her introduction, Vanita situates Ugra and his writings in relation to Indian nationalist struggles and Hindi literary movements and feuds, and she analyzes the controversies that surrounded Chocolate. Those outraged by its titillating portrayal of homosexuality labeled the collection obscene. On the other side, although no one explicitly defended homosexuality in public, some justified Ugra’s work by arguing that it was the artist’s job to educate through provocation. The stories depict male homoeroticism in quotidian situations: a man brings a lover to his disapproving friend’s house; a good-looking young man becomes the object of desire at his school. The love never ends well, but the depictions are not always unsympathetic. Although Ugra claimed that the stories were aimed at suppressing homosexuality by exposing it, Vanita highlights the ambivalence of his characterizations. Cosmopolitan, educated, and hedonistic, the Hindu and Muslim men he portrayed quote Hindi and Urdu poetry to express their love, and they justify same-sex desire by drawing on literature, philosophy, and world history. Vanita’s introduction includes anecdotal evidence that Chocolate was enthusiastically received by India’s homosexual communities.
Tritiya-Prakriti: People of the Third Sex is a collection of years of research into a topic seldom discussed or easily found within the Hindu/Vedic scriptural canon. Based entirely upon authentic Sanskrit references and modern concurring facts, the book guides us through the original Hindu concept of a "third sex" (defined as homosexuals, transgenders and the intersexed), how such people were constructively incorporated into ancient Indian society, and how foreign influences eventually eroded away that noble system. It discusses how this concept can be practically applied in today’s modern world, the importance of all-inclusiveness in human society, and the spiritual principle of learning to transcend material designations altogether. Tritiya-Prakriti: People of the Third Sex will be a valuable source of reference for anyone interested in Hindu/LGBTI studies whether they are newcomers to the field or seasoned veterans of Vedic knowledge. It offers a veritable treasure trove of fresh information and ideas that will likely challenge the reader to rediscover and rethink Hinduism’s traditional understanding and treatment of gay, lesbian, and other gender-variant people within its culture. "The recognition of a third sex in ancient India and Hinduism is highly relevant in many ways. Our own modern-day society has only recently begun to understand sexual orientation, transgender identity, and intersex conditions, and our legal and social systems are just beginning to catch up with and accommodate such people in a fair and realistic way . . . yet ancient India had already addressed and previously resolved this issue many thousands of years ago in the course of its own civilization ́s development. Indeed, there is much we can learn from ancient India ́s knowledge regarding the recognition and accommodation of a 'third sex' within society." -Amara Das Wilhelm "In India there is a system where such people (the third sex) have their own society, and whenever there is some good occasion like marriage or childbirth, they go there and pray to God that this child may be very long living." -A.C. Bhaktivedanta Swami Prabhupada "Gay and lesbian people have always been a part of society from Vedic times to our postmodern times. They should be accepted for what they are in terms of their sexual orientation and encouraged like everyone else to pursue spiritual life." -B.V. Tripurari Swami "Initially, I did not really allow myself to go deep in trying to understand the third sex. I figured that this was necessary only for those who are insensitive, arrogant and fundamentalist . . . who think that they are compassionate and tolerant while basically being superficial and even condescending. It is quite amazing how most of us can be so prejudiced about so many things and not even know it . . . .I thank you and several others for your compassion and for your tolerance in making efforts to educate your Godfamily, so that we can be more authentic servants of the servant." -H.H. Bhakti Tirtha Swami
Suryakant Tripathi 'Nirala', the first modern Hindi poet of India, is all of sixteen and not conversant with the Khari Boli Hindi of the litterateurs yet when his father gets him married and sends him off to his in-laws' in Dalmau to fetch his bride. There he meets a strange man called Kulli Bhaat who claims descent from a family of bards and, despite his mother-in-law's reservations about Kulli's sexuality, Nirala finds himself drawn to Kulli. Then an influenza epidemic breaks out, claiming numerous lives, and Nirala's bereavement leaves him without mooring. Adrift on the boat of time, he seeks employment in various places but finds himself unable to stay away from Dalmau for long. Kulli, in the meanwhile, has taken a Muslim wife and become a champion of the untouchables. Set in pre-Independence India, A Life Misspent is as much the account of an unlikely friendship as it is a coming-of-age story. A memoir on the making of one of the greatest poets of all time.
Delhi offers a stunning series of more than 150 full-color documentary photographs and companion first-person texts, which together offer an unprecedented portrait of LGBTQ people's lives in India today. Focusing on Delhi, noted photographers Sunil Gupta and Charan Singh chronicle the halting emergence of networks of men and women living under the shadow of stigma and criminalized behavior—in a country where anti-sodomy laws dating back to the British Empire were recently struck down, only to be reaffirmed in a surging wave of homophobia. The photographs in this lavishly presented volume reflect the photographers' celebrated capacity for entering into lives rarely seen. In Delhi, we are invited into the daily routines, work, homes, and intimate lives of subjects from different backgrounds—from urban professionals to day laborers. A visually arresting document in its own right, Delhi presents American readers with a starting point for understanding the profound struggles for recognition by India's LGBTQ community. Delhi was designed by Emerson, Wajdowicz Studios (EWS).