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" Salvator Rosa (1615–1673) was a colorful and controversial Italian painter, talented musician, a notable comic actor, a prolific correspondent, and a successful satirist and poet. His paintings, especially his rugged landscapes and their evocation of the sublime, appealed to Romantic writers, and his work was highly influential on several generations of European writers. James S. Patty analyzes Rosa’s tremendous influence on French writers, chiefly those of the nineteenth century, such as Stendhal, Honoré de Balzac, Victor Hugo, George Sand, and Théophile Gautier. Arranged in chronological order, with numerous quotations from French fiction, poetry, drama, art criticism, art history, literary history, and reference works, Salvator Rosa in French Literature forms a narrative account of the reception of Rosa’s life and work in the world of French letters. James S. Patty, professor emeritus of French at Vanderbilt University, is the author of Dürer in French Letters . He lives in Nashville, Tennessee.
"Rosa's works began entering major French collections during his lifetime, and many of the passages at the heart of Salvator Rosa in French Literature describe, evaluate, and interpret paintings displayed in the Louvre. Recently, a large hall in the Louvre was named for Salvator Rosa; the painter, once dubbed "bizarre" by some critics in the seventeenth and eighteenth centuries, now holds a very visible place among the great artists enshrined in one of the world's great museums. Salvator Rosa in French Literature provides a comprehensive interpretation of Rosa's work and a clear evaluation of his mark on French literature."--BOOK JACKET.
As dusk fell on a misty evening in 1521, Martin Luther - hiding from his enemies at Wartburg Castle - found himself seemingly tormented by demons hurling walnuts at his bedroom window. In a fit of rage, the great reformer threw at the Devil the inkwell from which he was preparing his colossal translation of the Bible. A belief - like Luther's - in the supernatural, and in black magic, has been central to European cultural life for 3000 years. From the Salem witch trials to the macabre novels of Dennis Wheatley; from the sadistic persecution of eccentric village women to the seductive sorceresses of TV's Charmed; and from Derek Jarman's punk film Jubilee to Ken Russell's The Devils, John Callow brings the twilight world of the witch, mage and necromancer to vivid and fascinating life. He takes us into a shadowy landscape where, in an age before modern drugs, the onset of sudden illness was readily explained by malevolent spellcasting. And where dark, winding country lanes could terrify by night, as the hoot of an owl or shriek of a fox became the desolate cries of unseen spirits.Witchcraft has profoundly shaped the western imagination, and endures in the forms of modern-day Wicca and paganism. Embracing the Darkness is an enthralling account of this fascinating aspect of the western cultural experience.
Even as Romantic-period authors asserted the importance of telling the unvarnished truth, novelists were deploying narrative glossing in particularly sophisticated forms. The author examines the artistic craft and political engagement of three major women novelists-Elizabeth Hamilton, Maria Edgeworth, and Sydney Owenson-whose self-conscious use of glosses facilitated their critiques of politics and society. All three writers employed devices such as prefaces and editorial notes, as well as alternative media, especially painting and drama, to comment on the narrative. The effect of these disparate media, the author argues, is to call the reader's attention away from the narrative itself. That is, such glossing or 'varnishing' creates narrative ruptures that offer the reader a glimpse of the process of fictional structuring and often reveal the novel's indebtedness to a particular historical moment. In spite, or perhaps because, of their being gendered feminine in eighteenth-century rhetorical commentary, therefore, these glosses allow women writers to participate in 'masculine' discussions outside the conventional domestic sphere. Informed by a wide range of archival texts and examples from the visual arts, and highlighting the 1798 Irish Rebellion as a major event in Irish and British Romantic writing, the author's study offers a new interdisciplinary reading of gendered and political responses to key events in the history of Romanticism.
The promotion of classicism in the visual arts in late eighteenth and nineteenth-century Latin America and the need to “revive” buen gusto (good taste) are the themes of this collection of essays. The contributors provide new insights into neoclassicism and buen gusto as cultural, not just visual, phenomena in the late colonial and early national periods and promote new approaches to the study of Latin American art history and visual culture. The essays examine neoclassical visual culture from assorted perspectives. They consider how classicism was imposed, promoted, adapted, negotiated, and contested in myriad social, political, economic, cultural, and temporal situations. Case studies show such motivations as the desire to impose imperial authority, to fashion the nationalist self, and to form and maintain new social and cultural ideologies. The adaptation of classicism and buen gusto in the Americas was further shaped by local factors, including the realities of place and the influence of established visual and material traditions.
The Greatest Works of French Literature: 100+ Novels, Short Stories, Poetry Collections & Plays' represents a comprehensive exploration into the heart and soul of French literary brilliance, spanning several centuries of intellectual and creative thought. This anthology encapsulates the diversity and depth of French literature, covering a gamut of genres from the tragic to the comedic, the romantic to the realist. Significant for its inclusion of a variety of literary styles, this collection brings together the monumental works of renowned authors like Voltaire, Marcel Proust, and Gustave Flaubert, among others, offering readers an unparalleled mosaic of French literary heritage. Each piece, carefully selected for its historical and cultural significance, invites readers into the complexities and beauties of human experience as seen through a distinctly French lens. The contributing authors and editors, hailing from varied backgrounds, epochs, and philosophical inclinations, collectively define and expand the contours of French literature. From the pioneering essays of Jean-Jacques Rousseau to the intricate psychological novels of Marcel Proust, and from the critical social commentaries of Émile Zola to the lyrical beauty of Charles Baudelaire's poetry, this anthology is steeped in the contributions of figures who have been instrumental in inspiring literary and cultural movements such as the Enlightenment, Romanticism, Realism, and the Existentialist movement. The collection stands as a testament to the dynamic dialogues and intersections across different periods, showcasing how these varied voices contribute to a richer, more nuanced understanding of themes such as identity, power, love, and societal change. 'The Greatest Works of French Literature: 100+ Novels, Short Stories, Poetry Collections & Plays' is an indispensable collection for anyone seeking to delve into the vast expanse of French literary tradition. It offers readers a unique opportunity to explore a rich tapestry of thematic and stylistic expressions, fostering a deeper appreciation of the classics while engaging with the evolution of French thought and storytelling. This anthology is not merely an academic resource but a portal to the luminous world of French literature, inviting readers to confront and ponder the universal questions that have perennially captivated the human spirit, all through the distinct and powerful medium of French literary art.
This unique collection of the greatest French classics is meticulously formatted for your eReader:_x000D_ A History of French Literature_x000D_ François Rabelais:_x000D_ Gargantua and Pantagruel_x000D_ Molière:_x000D_ Tartuffe or the Hypocrite_x000D_ The Misanthrope_x000D_ The Miser_x000D_ The Imaginary Invalid_x000D_ The Impostures of Scapin…_x000D_ Jean Racine:_x000D_ Phaedra_x000D_ Pierre Corneille:_x000D_ The Cid_x000D_ Voltaire:_x000D_ Candide_x000D_ Zadig_x000D_ Micromegas_x000D_ The Huron_x000D_ A Philosophical Dictionary…_x000D_ Jean-Jacques Rousseau:_x000D_ Confessions_x000D_ Emile_x000D_ The Social Contract_x000D_ De Laclos:_x000D_ Dangerous Liaisons _x000D_ Stendhal