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Her love is his salvation . . . and greatest danger. Only a tough woman can survive in a town filled with cut-throat men, and Charlotte Phillips is no exception. She’s willful, fiery, and does as she wishes, yet nothing could prepare her for the consequences of saving a man from certain death. Her heart may be in the right place, but now her days are numbered. Avery Samms made an innocent mistake and pays with the flesh on his back. With the doctor out of town, he’s sure an agonizing death is his fate. Until a beautiful angel shocks everyone—especially Avery—by taking him home to heal. One blissful moment under the cover of night lures them to forbidden desire . . . But beneath a savage sun, they must fight for their love . . . and their lives. Reader Advisory: This book contains an incomparable hero and a spirited heroine, pistol slinging, knife wielding, bad guys, bad language, and smokin’ hot love scenes. PUBLISHER NOTE: M/F Interracial Historical Romance. HEA. 35,000 words.
Forty years ago the world was shocked by the news that Auca Indians had martyred Jim Elliot and four other American missionaries in the jungles of Ecuador. That was the first chapter of one of the most breathtaking stories of the 20th century. This book tells the story in text and pictures of Elisabeth Elliot's venture into Auca territory to live with the same Indians who had killed her husband.
It would seem unlikely that one could discover tolerant religious attitudes in Spain, Portugal, and the New World colonies during the era of the Inquisition, when enforcement of Catholic orthodoxy was widespread and brutal. Yet this groundbreaking book does exactly that. Drawing on an enormous body of historical evidence—including records of the Inquisition itself—the historian Stuart Schwartz investigates the idea of religious tolerance and its evolution in the Hispanic world from 1500 to 1820. Focusing on the attitudes and beliefs of common people rather than those of intellectual elites, the author finds that no small segment of the population believed in freedom of conscience and rejected the exclusive validity of the Church. The book explores various sources of tolerant attitudes, the challenges that the New World presented to religious orthodoxy, the complex relations between “popular” and “learned” culture, and many related topics. The volume concludes with a discussion of the relativist ideas that were taking hold elsewhere in Europe during this era.
Under the brutal sun of the nuke-ravaged Texas desert, Ryan Cawdor and the others face a no-win situation: fry in the heat or become a rogue baron's sec force for an oil refinery targeted by saboteurs. The task: catch the raiders and win their freedom. Or fail--and face death. (June)
This book seeks to develop a novel approach to literature beyond the conventional divide between realism/formalism and history/aestheticism. It accomplishes this not only through a radical reassessment of the specificity of literature in distinction from one of its others--namely, philosophy--but above all by taking critical issue with the venerable concept of the "text" and its association with the artisanal techniques of weaving and interlacing. This conception of the text as an artisanal fabric is, the author holds, the unreflected presupposition of both realist, or historicist, and reflective, or "deconstructive," criticism. Gasch argues that "the scenes of production" within literary works, created by their authors yet independent of those authors' intentions, stage a work's own production in virtual fashion and thus accomplish for those works a certain ideal ontological status that allows for both historical endurance and creative interpretation. In Gasch 's construction of these scenes, in which literary works render visible within their own fabric the invisible conditions of their autonomous existence, certain images prevail: the fold, the star, the veil. By showing that these literary images are not simply the opposites of concepts, he not only puts into question the common opposition between literature and philosophy but shows that literary works perform a way of "argumentation" that, in spite of all its difference from philosophical conceptuality, is on a par with it. The argument progresses through close readings of literary works by Lautr amont, Nerval, de l'Isle Adam, Huysman, Flaubert, Artaud, Blanchot, Defoe, and Melville.
This book looks at how poems work, showing how they speak to historical, ethical, and aesthetic questions. It also demonstrates how to read poetry—how to go beyond an elementary approach, to recover the sheer pleasure of good poems.
"A compelling and definitive history...of racist preconceptions in white behavior toward native Americans."—Leo Marx, The New York Times Book Review Columbus called them "Indians" because his geography was faulty. But that name and, more important, the images it has come to suggest have endured for five centuries, not only obscuring the true identity of the original Americans but serving as an ideological weapon in their subjugation. Now, in this brilliant and deeply disturbing reinterpretation of the American past, Robert Berkhofer has written an impressively documented account of the self-serving stereotypes Europeans and white Americans have concocted about the "Indian": Noble Savage or bloodthirsty redskin, he was deemed inferior in the light of western, Christian civilization and manipulated to its benefit. A thought-provoking and revelatory study of the absolute, seemingly ineradicable pervasiveness of white racism, The White Man's Indian is a truly important book which penetrates to the very heart of our understanding of ourselves. "A splendid inquiry into, and analysis of, the process whereby white adventurers and the white middle class fabricated the Indian to their own advantage. It deserves a wide and thoughtful readership."—Chronicle of Higher Education
n a world on the brink of chaos, passion and vengeance collide … After six months in hell, Julian Castille has returned to the world a changed man. No longer the calm, powerful CEO, but a shifter fully embraced by the blood of his clan. Julian has one goal: find the key to the portal that stands between the human realm and unprecedented darkness—and win back the pieces of his soul. The last thing he needs is a distraction like the beautiful, enigmatic Jaden DaCosta. Three years ago, a forbidden night of passion left Jaden forever altered: mated to Julian Castille–bound to a man who despises her. But the temptation to trust this darker, more savage—and more captivating—Julian is overwhelming. And as they fight for their immortal souls, their insatiable desire for each other may prove their fatal undoing…
Winner of the 2018 Award for Excellence in the Study of Religion in Textual Studies, presented by the American Academy of Religion 2018 Outstanding Academic Title, given by Choice Magazine A new perspective on the role of religion in the work of Langston Hughes Langston's Salvation offers a fascinating exploration into the religious thought of Langston Hughes. Known for his poetry, plays, and social activism, the importance of religion in Hughes’ work has historically been ignored or dismissed. This book puts this aspect of Hughes work front and center, placing it into the wider context of twentieth-century American and African American religious cultures. Best brings to life the religious orientation of Hughes work, illuminating how this powerful figure helped to expand the definition of African American religion during this time. Best argues that contrary to popular perception, Hughes was neither an avowed atheist nor unconcerned with religious matters. He demonstrates that Hughes’ religious writing helps to situate him and other black writers as important participants in a broader national discussion about race and religion in America. Through a rigorous analysis that includes attention to Hughes’s unpublished religious poems, Langston’s Salvation reveals new insights into Hughes’s body of work, and demonstrates that while Hughes is seen as one of the most important voices of the Harlem Renaissance, his writing also needs to be understood within the context of twentieth-century American religious liberalism and of the larger modernist movement. Combining historical and literary analyses with biographical explorations of Langston Hughes as a writer and individual, Langston’s Salvation opens a space to read Langston Hughes’ writing religiously, in order to fully understand the writer and the world he inhabited.