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Potters and collectors alike are captivated by the distinctive surface qualities of salt glaze. Its revival amongst studio potters has produced some beautiful and exciting work. In a rich and authoritative text, the author shares her own fascination with salt glaze, bringing together her practical experience and skills. Lavish illustrations throughout show the textures and colors that characterize old and contemporary salt glaze. Whether you wish to become involved in salt glaze by making and firing pots, or to gain a wider appreciation with an insight into the process, there is a wealth of information to enjoy within the chapters of this book.
"Covers the history of salt glazing and the technical considerations--particularly kilns--that set this form of glazing apart from all others ... also showcases the work of leading salt glaze artists"--Front flap of jacket.
This well-researched work features the appealing and popular blue and white plus green and cream, brown, and mixed colors. Nearly 700 full-color photos represent well-known companies such as Brush-McCoy, Uhl, and Red Wing.
"Salt-glazed Stoneware in Early Americachronicles the traditions of stoneware imported from England and Germany as well as the often overlooked work of American potters during the eighteenth century. Drawing on archaeological and documentary sources and featuring objects from Colonial Williamsburg's holdings as well as from more than forty-five public and private collections, the book provides an invaluable overview of the goods found in early America." "More than 300 photos present a wide range of stoneware, whether robustly potted in brown or gray or delicately fashioned in white. The book's broad scope makes Salt-glazed Stoneware in Early America an essential reference for archaeologists, curators, and collectors, and its accessible style will appeal to specialists and nonspecialists alike." --Book Jacket.
An essential handbook for studio potters working towards achieving a fantastic spectrum of colourful glazes. Colour in Glazes teaches you all the methods for achieving colour in glazes, focusing on colouring oxides in detail, including the newly available rare earth oxides. Find out about the types of base glazes and the fluxes used to make them in relation to colour response as well as using colouring oxides to achieve depth and variety of colour, rather than resorting to commercial ceramic stains. Discover the practical aspects of mixing, applying, testing and adjusting glazes, and explore a large section of test tiles and glaze recipes for use on white earthenware, stoneware and porcelain fired in electric, gas and salt kilns. This new edition, fully updated and revised, contains advances in technology and new discoveries in the Periodic Table. It is an infallible handbook to achieving the colour you want, and to help you broaden your palette.
A comprehensive detailed, artistic approach to the art and technique of soda firing in contemporary ceramics.
Ash Glazes has been designed as an introduction and practical handbook to this glazing technique, covering the history of ash glazes and the practicalities of collecting and testing wood ashes and transforming them into glazes. It will provide inspiration for working potters and delight all those interested in contemporary ceramics.
Soda glazing is the environmentally safe alternative to firing a salt kin.
According to Ceramics Monthly, most potters glaze their pieces at mid-range temperatures--and this complete studio guide eliminates the guesswork from the popular process. Along with hundreds of recipes, it explores mixing, application, specific firing and cooling cycles, and much more. See how to boost colors, achieve results that equal high-fire glazing, and stretch your boundaries with new techniques.