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Kitty Eugenio’s life is far from ideal. She has to live with her relatives. Her mother has gone abroad. Her best friends sometimes act weird, and sometimes keep secrets from her. Her classmates persist in pairing her with a boy she doesn’t like, but who just might be able to help in the search for her father. The love of her life doesn’t know she exists. And it’s not just any ordinary year, it’s the year of the Tiger, the year of People Power, the year of Halley’s Comet, the year of upheaval and change.
A collection of stories about some strange but essentially friendly creatures: a homesick anito stuck behind an old aparador; a musical rocking horse carved out of a very special block of wood; a poor kapre blamed by Old Manang for all the misdeeds in Lola’s house; and a shadow man who hosts parties in his shadow world.
NEW YORK TIMES BESTSELLER “America’s favorite poet.”—The Wall Street Journal From the two-term Poet Laureate of the United States Billy Collins comes his first volume of new and selected poems in twelve years. Aimless Love combines fifty new poems with generous selections from his four most recent books—Nine Horses, The Trouble with Poetry, Ballistics, and Horoscopes for the Dead. Collins’s unmistakable voice, which brings together plain speech with imaginative surprise, is clearly heard on every page, reminding us how he has managed to enrich the tapestry of contemporary poetry and greatly expand its audience. His work is featured in top literary magazines such as The New Yorker, Poetry, and The Atlantic, and he sells out reading venues all across the country. Appearing regularly in The Best American Poetry series, his poems appeal to readers and live audiences far and wide and have been translated into more than a dozen languages. By turns playful, ironic, and serious, Collins’s poetry captures the nuances of everyday life while leading the reader into zones of inspired wonder. In the poet’s own words, he hopes that his poems “begin in Kansas and end in Oz.” Touching on the themes of love, loss, joy, and poetry itself, these poems showcase the best work of this “poet of plenitude, irony, and Augustan grace” (The New Yorker). Envoy Go, little book, out of this house and into the world, carriage made of paper rolling toward town bearing a single passenger beyond the reach of this jittery pen and far from the desk and the nosy gooseneck lamp. It is time to decamp, put on a jacket and venture outside, time to be regarded by other eyes, bound to be held in foreign hands. So off you go, infants of the brain, with a wave and some bits of fatherly advice: stay out as late as you like, don’t bother to call or write, and talk to as many strangers as you can. Praise for Aimless Love “[Billy Collins] is able, with precious few words, to make me cry. Or laugh out loud. He is a remarkable artist. To have such power in such an abbreviated form is deeply inspiring.”—J. J. Abrams, The New York Times Book Review “His work is poignant, straightforward, usually funny and imaginative, also nuanced and surprising. It bears repeated reading and reading aloud.”—The Plain Dealer “Collins has earned almost rock-star status. . . . He knows how to write layered, subtly witty poems that anyone can understand and appreciate—even those who don’t normally like poetry. . . . The Collins in these pages is distinctive, evocative, and knows how to make the genre fresh and relevant.”—The Christian Science Monitor “Collins’s new poems contain everything you've come to expect from a Billy Collins poem. They stand solidly on even ground, chiseled and unbreakable. Their phrasing is elegant, the humor is alive, and the speaker continues to stroll at his own pace through the plainness of American life.”—The Daily Beast “[Collins’s] poetry presents simple observations, which create a shared experience between Collins and his readers, while further revealing how he takes life’s everyday humdrum experiences and makes them vibrant.”—The Times Leader
Dulari Devi, who works in the traditional Mithila style of Indian painting, describes her life of poverty until a job working as a domestic for an artist led her to discover her own artistic talent.
No one—not even his silly, overprotective aunt—can stop Enrico from turning his vacation into an adventure. But no one ever told him that an adventure also involved risk, remorse, resourcefulness, and responsibility. No one ever said he had to see through the eyes of a tree or a bird or a little girl before he could find his way, clear and deep, into the heart of all things.
Since Mang Gorio’s cow has turned white, things have turned a little topsy-turvy for Jopi. Suddenly he can talk to a cow and a rat, as well as to strange creatures in the trees and under the ground. Something is amiss in Molles Village, and only Jopi seems to know it has to do with the Mayor and his new drill. Will Jopi know what to do in time to save his village from the dangers he—and only he—has been warned about?
Ina Guinto certainly does not feel welcome in her new home in Laguna, although Biboy and her father like it. While Mr. Guinto goes to work, they are left in the care of Mayang, whom Biboy likes to call “Yaya Maya.” Ina insists she is too old to have a nanny, but no one listens to her, especially when it’s about wanting to go back to Manila. Then some strange things happen: Yaya Maya talks to frogs, Papa’s bookcase turns to splinter and dust, and someone has left a note wanting Ina and her family to go away. Who is Yaya Maya? Who—or what—is behind these events? As Ina finds more answers to her questions, and more questions to her answers, will she still want to go back to the home she left in the city?
The myth of the banana heart inspires 12-year-old Nenita, growing up in a small, impoverished Filippino town. She will appease her family's hunger and win her violent mother’s affection. Touching, funny, elegaic, this is a truly original book that will remain in your mind, and in your senses, long after you read it.
T.S. Eliot and Tennessee Ernie Ford, Buddha and Jesus, Jung and Heidegger. Love, solitude, obliteration, the ocean, and a sad neighbor who feeds pigeons. Metanoia is an aphoristically narrative poem that engages all of these, a book-length meditation on transformation, enlightenment, and on opening one's eyes. McCartney's work evinces that journey, the junket into the self. Sharon McCartney is the author of numerous poetry books. She has an MFA from the University of Iowa's Writers' Workshop and an LLB from the University of Victoria. She lives in Fredericton, New Brunswick, where she works as a legal editor.
Selected as a Best Book of 2018 by NPR, Kirkus Reviews, School Library Journal, and Shelf Awareness! A young Muslim girl spends a busy day wrapped up in her mother’s colorful headscarf in this sweet and fanciful picture book from debut author and illustrator Jamilah Tompkins-Bigelow and Ebony Glenn. A khimar is a flowing scarf that my mommy wears. Before she walks out the door each day, she wraps one around her head. A young girl plays dress up with her mother’s headscarves, feeling her mother’s love with every one she tries on. Charming and vibrant illustrations showcase the beauty of the diverse and welcoming community in this portrait of a young Muslim American girl’s life.