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Then, suddenly, they stand in my cell again. They put a pistol to my temple. Cock the hammer. They play their antics with me. Laughingly. Pretending. Then suddenly they pull the trigger. I flinch. Desperately. I close my eyes in a flash. With fear. My whole body trembles. But they laugh again. You were lucky; they sneer and jeer. There was no bullet in it. This time! "Miguel Oliveira's play is intense. It brings the injustice and brutality of the dictatorship to the stage, giving a voice to the victims of torture and violence who suffered under the regime. It is an unbearable text that shows the hopelessness, the bitter suffering, and the failure of a group of young dissidents who, in the midst of arbitrary rule, find the courage to demand freedom for themselves and their country." Susana de Abreu, former university lecturer in literature
In the 1960's John Dos Passos began calling his novel contemporary chronicles, and to his latest piece of fiction he gave the working title The Thirteenth Chronicle. These letters abd duarues naje a chronicle too.
"A fascinating and beautifully argued interpretation of how the American war in Southeast Asia affected Chicano communities. The author provides the most complete and well-documented study to date of this important chapter in U.S. history and its impact on an ethnic group with long-standing traditions of military service, assimilation, and resistance to injustice. Oropeza's book is what students of the Chicano Movement, especially the Mexican American role in antiwar activities during the Vietnam War period, have been waiting for."—George Mariscal, author of Aztlán and Viet Nam: Chicano and Chicana Experiences of the War "¡Raza Sí! ¡Guerra No! is a superb first book. Maintaining a balance between national context and the activism in the every day, Lorena Oropeza seeks to understand and contextualize antiwar activism among a generation of Mexican American youth. Bolstered with an array of archival sources and oral interviews, she carefully delineates the nature of political organizing among Mexican Americans across the Southwest. To her credit, Oropeza avoids a narrative of solidarity as she interrogates the internal messiness and contradictions of movement politics and the result is a finely nuanced interpretation of Chicano youth rebellion, one rooted firmly in ‘the politics of confrontation.’ I highly recommend it!"—Vicki L. Ruiz, University of California, Irvine "With this important study, Lorena Oropeza grapples with some of the central questions in the history of ethnic Mexicans in the United States. Although the central thrust of the work is an exploration of the evolution, political trajectory, and eventual implosion of the Chicano mobilization against war in Viet Nam, the study is ultimately a meditation on much larger questions involving Mexican American's political and cultural orientations, loyalties, and sense of status and place in American society. In these unsettled times, Oropeza's analysis of the relationship between war, citizenship, and masculinity should also contribute a much-needed reassessment of these important issues in contemporary American and Mexican life."—David G. Gutiérrez, author of Walls and Mirrors: Mexican Americans, Mexican Immigrants, and the Politics of Ethnicity
¡Mi Raza Primero! is the first book to examine the Chicano movement's development in one locale—in this case Los Angeles, home of the largest population of people of Mexican descent outside of Mexico City. Ernesto Chávez focuses on four organizations that constituted the heart of the movement: The Brown Berets, the Chicano Moratorium Committee, La Raza Unida Party, and the Centro de Acción Social Autónomo, commonly known as CASA. Chávez examines and chronicles the ideas and tactics of the insurgency's leaders and their followers who, while differing in their goals and tactics, nonetheless came together as Chicanos and reformers. Deftly combining personal recollection and interviews of movement participants with an array of archival, newspaper, and secondary sources, Chávez provides an absorbing account of the events that constituted the Los Angeles-based Chicano movement. At the same time he offers insights into the emergence and the fate of the movement elsewhere. He presents a critical analysis of the concept of Chicano nationalism, an idea shared by all leaders of the insurgency, and places it within a larger global and comparative framework. Examining such variables as gender, class, age, and power relationships, this book offers a sophisticated consideration of how ethnic nationalism and identity functioned in the United States during the 1960s and 1970s.
The dazzling story of a girl navigating friendship, family, and growing up, an Are You There God, It's Me Margaret? for the modern day, from debut author Aida Salazar. ****Four starred reviews!***** "A worthy successor to Are You There God? It's Me, Margaret set in present-day Oakland." -- Kirkus Reviews, starred reviewCeli Rivera's life swirls with questions. About her changing body. Her first attraction to a boy. And her best friend's exploration of what it means to be genderfluid.But most of all, her mother's insistence she have a moon ceremony when her first period arrives. It's an ancestral Mexica ritual that Mima and her community have reclaimed, but Celi promises she will NOT be participating. Can she find the power within herself to take a stand for who she wants to be?A dazzling story told with the sensitivity, humor, and brilliant verse of debut talent Aida Salazar.
This book brings together a diverse range of international voices from academia, policymaking and civil society to address the failure to connect historical dialogue with atrocity prevention discourse and provide insight into how conflict histories and historical memory act as dynamic forces, actively facilitating or deterring current and future conflict. Established on a variety of international case studies combining theoretical and practical points of view, the book envisions an integrated understanding of how historical dialogue can inform policy, education, and the practice of atrocity prevention. In doing so, it provides a vital basis for the development of preventive policies sensitive to the importance of conflict histories and for further academic study on the topic. It will be of interest to all scholars and students of history, psychology, peace studies, international relations and political science.
Set in a not-too-distant future, and moving between Rome and Amsterdam, God's Dog is a detective novel unlike any you have read before. It is the eve of Pope Benedict XVIII's canonisation and Domingo Salazar, a Haitian orphan and now a Vatican secret agent, is hellbent on defeating the Angels of Death, pro-abortion and pro-euthanasia dissidents who are undermining the Pope's authority. But as Salazar closes in on the cell he finds his life turned upside down. Suddenly it is Salazar and his closest friend Guntur who are under suspicion of sabotaging the administration. Their concept for a globalised religion called Bible-Koranism has upset the Church and they are in grave danger, as is Guntur's infamous Swahili-speaking chimpanzee Django. God's Dog is a spoof on the absurdities of institutionalised religion that will delight aficionados of thrillers and detective novels as well as fans of Diego Marani.
This encyclopedia provides a comprehensive overview of the evolution of Hispanic Americans engaged in U.S. politics, from increased visibility as governors and other lawmakers at the local, state, and federal levels to their growing importance as a voting constituency. This encyclopedia comprehensively surveys the evolution of Latina/o engagement in US politics as voters, candidates, lawmakers, and public officials. It is an authoritative resource for public library patrons, high school students, and undergraduates in a variety of curricular studies, including political science, civics, American history, and Latino studies. The set's A–Z entries were carefully selected and crafted to ensure thorough coverage of all of the individuals, organizations, cultural forces, political issues, and legal decisions that have combined to elevate the role of Latinos at the polls, on the campaign trail, in Washington, and in mayors' offices, city councils, school boards, and statehouses all across the country. In-depth essays on the rising prominence of Latino Americans as voters, candidates, public officials, lawmakers, and opinion leaders will provide further context for understanding their impact on modern U.S. political processes and institutions from the perspective of liberals and conservatives alike.
In 1968, ten thousand students marched in protest over the terrible conditions prevalent in the high schools of East Los Angeles, the largest Mexican community in the United States. Chanting Chicano Power, the young insurgents not only demanded change but heralded a new racial politics. Frustrated with the previous generation's efforts to win equal treatment by portraying themselves as racially white, the Chicano protesters demanded justice as proud members of a brown race. The legacy of this fundamental shift continues to this day. Ian Haney Lopez tells the compelling story of the Chicano movement in Los Angeles by following two criminal trials, including one arising from the student walkouts. He demonstrates how racial prejudice led to police brutality and judicial discrimination that in turn spurred Chicano militancy. He also shows that legal violence helped to convince Chicano activists that they were nonwhite, thereby encouraging their use of racial ideas to redefine their aspirations, culture, and selves. In a groundbreaking advance that further connects legal racism and racial politics, Haney Lopez describes how race functions as common sense, a set of ideas that we take for granted in our daily lives. This racial common sense, Haney Lopez argues, largely explains why racism and racial affiliation persist today. By tracing the fluid position of Mexican Americans on the divide between white and nonwhite, describing the role of legal violence in producing racial identities, and detailing the commonsense nature of race, Haney Lopez offers a much needed, potentially liberating way to rethink race in the United States.
Journalists have often put themselves in danger to convey crucial information to the public. Many journalists have even died doing their jobs, investigating crimes or traveling to battle zones--and sometimes documenting events in their own communities. Recently, reporters have been assaulted, mocked and silenced, their reports dubbed "fake news" and them, "enemies of the people." A free press is one of the country's most reliable foundations for ensuring a democracy for current and future generations. With a focus on American journalism, this book tackles issues affecting today's news through profiling journalists killed on the job, whether from violent conspiracy, terrorism or mass shootings.