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Wooden sculptures and relief paintings of saints such as St. Francis, the Blessed Virgin, and Apostles of Christ have for centuries been objects of devotion and worship in the Southwest Catholic culture. This centuries-old heritage is celebrated here through photographs, essay, and literary quotes that beautifully bring the devotion into focus. Crafting saints has always been seen as a high calling. These santeros and santeras (saint makers) created santos—images of saints, Christ, the Trinity, and Holy Family—painting them on wooden panels called retablos. They carved and painted wooden sculptures called bultos. And if they built a home chapel, they carved and painted an altar screen, or altar retablo, called a reredos, that was made up of smaller retablos and sometimes adorned with bultos. John Annerino is the author and photographer of seventeen distinguished photography books and thirty-two single-artist calendars, including The Virgin of Guadalupe (Gibbs Smith), Ancient America, New Mexico Wild & Scenic, Arizona Wild & Scenic, and the awardwinning books Desert Light, Indian Country, Grand Canyon Wild, Canyons of the Southwest, The Wild Country of Mexico, and Roughstock: The Toughest Events in Rodeo (acclaimed by the Rodeo Hall of Fame). He lives in Tucson.
Devotional folk art of the Southwest Wooden sculptures and relief paintings of saints such as St. Francis, the Blessed Virgin, and Apostles of Christ have for centuries been objects of devotion and worship in the Southwest Catholic culture. This centuries-old heritage is celebrated here through photographs, essay, and literary quotes that beautifully bring the devotion into focus. Crafting saints has always been seen as a high calling. These santeros and santeras (saint makers) created santos--images of saints, Christ, the Trinity, and Holy Family--painting them on wooden panels called retablos. They carved and painted wooden sculptures called bultos. And if they built a home chapel, they carved and painted an altar screen, or altar retablo, called a reredos, that was made up of smaller retablos and sometimes adorned with bultos. John Annerino is the author and photographer of seventeen distinguished photography books and thirty-two single-artist calendars, including The Virgin of Guadalupe (Gibbs Smith), Ancient America, New Mexico Wild & Scenic, Arizona Wild & Scenic, and the awardwinning books Desert Light, Indian Country, Grand Canyon Wild, Canyons of the Southwest, The Wild Country of Mexico, and Roughstock: The Toughest Events in Rodeo (acclaimed by the Rodeo Hall of Fame). He lives in Tucson.
Latino folklore comprises a kaleidoscope of cultural traditions. This compelling three-volume work showcases its richness, complexity, and beauty. Latino folklore is a fun and fascinating subject to many Americans, regardless of ethnicity. Interest in—and celebration of—Latin traditions such as Día de los Muertos in the United States is becoming more common outside of Latino populations. Celebrating Latino Folklore: An Encyclopedia of Cultural Traditions provides a broad and comprehensive collection of descriptive information regarding all the genres of Latino folklore in the United States, covering the traditions of Americans who trace their ancestry to Mexico, Spain, or Latin America. The encyclopedia surveys all manner of topics and subject matter related to Latino folklore, covering the oral traditions and cultural heritage of Latin Americans from riddles and dance to food and clothing. It covers the folklore of 21 Latin American countries as these traditions have been transmitted to the United States, documenting how cultures interweave to enrich each other and create a unique tapestry within the melting pot of the United States.
Philanthropy is often associated with wealthy people giving large amounts of money to charitable organizations and indirectly to people they don't personally know. Ethnic philanthropy is almost totally different: it consists primarily of people sharing modest wealth with other people, most of whom the givers know well. Too often communities of color are portrayed as takers rather than givers -- this important study debunks that myth.
A current reference work that reflects the changing times and attitudes of, and towards the indigenous peoples of all the regions of the Americas. --from publisher description.
When European notions about angels and demons were exported to the New World, they underwent remarkable adaptations. Angels and demons came to form an integral part of the Spanish American cosmology, leading to the emergence of colonial urban and rural landscapes set within a strikingly theological framework. Belief in celestial and demonic spirits soon regulated and affected the daily lives of Spanish, Indigenous and Mestizo peoples, while missionary networks circulated these practices to create a widespread and generally accepted system of belief that flourished in seventeenth-century Baroque culture and spirituality. This study of angels and demons opens a particularly illuminating window onto intellectual and cultural developments in the centuries that followed the European encounter with America. The volume will be of interest to scholars and students of religious studies, anthropology of religion, history of ideas, Latin American colonial history and church history.
Mexico is famous for spectacular fiestas that embody its heart and soul. An expression of the cult of the saint, patron saint fiestas are the centerpiece of Mexican popular religion and of great importance to the lives and cultures of people and communities. These fiestas have their own language, objects, belief systems, and practices. They link Mexico's past and present, its indigenous and European populations, and its local and global relations. This work provides a comprehensive study of two intimately linked patron saint fiestas in the state of Guanajuato, near San Miguel de Allende—the fiesta of the village of Cruz del Palmar and that of the town of San Luis de la Paz. These two fiestas are related to one another in very special ways involving both religious practices and their respective pre-Hispanic origins. A mixture of secular and sacred, patron saint fiestas are multi-day affairs that include many events, ritual specialists, and performers, with the participation of the entire community. Fiestas take place in order to honor the saints, and they are the occasion for religious ceremonies, processions, musical performances, dances, and dance dramas. They feature spectacular costumes, enormous puppets, masked and cross-dressed individuals, dazzling fireworks, rodeos, food stands, competitions, and public dances. By encompassing all of these events and performances, this work displays the essence of Mexico, a lens through which this country's complex history, religion, ethnic mix, traditions, and magic can be viewed.