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Learn how to create a one-of-a-kind travel journal that documents your adventures using drawing, painting, lettering, ephemera, and more. Travel journaling is a fun, creative way to record the sights, sounds, smells, and flavors of life on the road. In The Art of the Travel Journal, you’ll find techniques, ideas, and inspiration for creating a lasting record of your travels that you’ll treasure for years to come. No experience is necessary, and you can bring your signature style or develop new ones as you discover exciting new artistic opportunities. You’ll discover how to make your journal pages come to life with easy techniques for sketching the big picture or small details, adding simple lettering, creating stunning color palettes, and decorating pages with fun mementos that travelers love to collect, such as tickets, packaging, maps, and more. Also find tips on how to work in transit and how to plan and pack for maximum efficiency and enjoyment. Best of all, the techniques also work for documenting life right where you are, and beginners can dive in and create with confidence. Author Abbey Sy (Instagram: @abbeysy) is a veteran traveler who has created her own travel journals for years, sharing the records of her global escapades on her social media platforms. In addition to filling this book with step-by-step instructions for a variety of techniques, she takes a holistic approach to journaling by including information on the benefits of journaling, how to hone a creative habit, and how to develop a unique style. Other features of the book: All facets of journaling are covered, from start to finish: pre-trip planning, setting intentions, gathering supplies, staying motivated, and how to archive completed journals. Not sure which supplies to take? Sometimes less is more—get a rundown on how to build the best compact traveling art kit. Explore special sections on making a travel zine and sending artful postcards, enriching the experience of being on the road. Learn composition tips for creating stunning journal pages and spreads. Get great ideas for storing ephemera and other bits travelers collect. Discover journal spread ideas for a variety of themes, such as architecture, museums and galleries, plants and nature, and food and drink. Find creative ideas for documenting short trips and staycations. Tickets? Check. Passport? Check. Travel journal? Check! Let The Art of the Travel Journal make every trip satisfyingly creative.
As a commitment to witness, stimulate and record humanityÕs co-creation of paradise on earth, Jasmuheen shares her experiences and insights on this as she travels the globe during 2006 to 2012. From Russia and the Eastern Bloc countries, through Europe to the jungles of Colombia and India, Jasmuheen reports on her work with many open hearted groups that gather with her. In this journal the reader gains insight on what life is like for someone who is in full time service with this Ôparadise co-creationÕ agenda. Spending nearly half of each year on the road, living in hotel rooms, airports and seminar halls, constantly adjusting to continually changing weather patterns, all the while being nourished only by prana, Jasmuheen manages to keep herself healthy and happy regardless of the many challenges she faces for despite all of this she grows and learns and thoroughly enjoys meeting with all the beautiful light filled people that she now constantly meets in this world.
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The First Kamchatka Expedition is a classic among the voyages of discovery, being famous for the discovery of the Bering Strait between Asia and North America. Chaplin's journal holds a special place among the documents of the expedition. It is the only official document that preserves its history in detail, day by day, from the author's departure from St. Petersburg on 24 January 1725 until his return to the Russian capital on 1 March 1730. The publication includes introductory articles and commentary by leading specialists, a glossary, indexes, and maps.
Following the success of the Journeys of a Lifetime series, National Geographic delivers this large-format, lavishly illustrated travel planner, packed with more than 250 big, colorful images, 110 original, detailed maps, and evocative text.
Heinrich Schliemann (1822-1890), a shrewd trader and later in life one of the best known archaeologists of the 19th century, made many travels around the world. He recorded his experiences in several diaries. This publication is a transcription and translation of Schliemann's first travel diary: his European journey in the winter of 1846/47. This journey was his first as a commercial trader and through the diary he kept we get to know Heinrich Schliemann more as a tourist and human being than as a trader. From his new residence in Moscow he travelled to London and Paris and via Berlin back to St. Petersburg. He writes with admiration and amazement about buildings and the emerging industrialization, while indirectly he offers us a glimpse of the poverty and filthiness of that time. He describes his visits to amongst others the theatre, the British Museum, the Champs Elysées, and the Louvre. Besides the many pleasant experiences, he also mentions negative aspects such as the theft of his hat and the seasickness that plagued him during every one of his sea voyages. The original diary was written in English and French and for a small part in Italian. "Without having seen the Queen" comprises an introduction to the diary, a transcription of the diary, and a full English translation with annotations. This publication unlocks Schliemann's first travelogue and presents a unique view of his life before rising to fame as the discoverer of Troy.
This new study introduces the reader into Lou Andreas-Salomé's critical and creative engagement with modern thought. Through detailed explorations of some of her major texts, Brinker-Gabler examines Andreas-Salomé's unique perspective within contemporary discourses attentive to meaning, perception, memory and the unconscious. Making use of conceptual frameworks of Irigaray and Benjamin, Freud and Kristeva, among others, Brinker-Gabler argues that Andreas-Salome displaces dominant visions of gender and sexuality, culture, religion, and creativity with multifaceted revisions through the female lens of a creative thinker. With her aesthetics of the "in-visible," as Brinker-Gabler calls it, Andreas-Salomé seeks to retrieve the multilayered past that is embedded in the present and to give positive accounts of sexual and cultural difference, experience, narcissism, and becoming.