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The early-fourteenth-century St Gall Passion Play comes from the Central Rhineland. Unfortunately its music (over one hundred Latin and German chants) is given in the manuscript only as brief incipits, without any musical notation. This interdisciplinary study reconstructs the musical stratum of the play. It is the first full-scale musical reconstruction of a large German Passion play in recent times, using the latest available scholarly data in drama, liturgy and music. It draws conclusions about performance practice and forces, and offers a sound basis for an authentic performance of the play. The study applies musical and liturgical data to the problem of localizing the play (the first time this has been systematically attempted), and assesses how applicable this might be to other plays. It presents a detailed study of the distinctive medieval liturgical uses of three German dioceses, Mainz, Speyer and Worms. The comparative approach suggests how the music of other plays might be reconstructed and understood, and shows that a better understanding of the music of medieval drama has much to teach us about other aspects of the genre. The book should be of interest to literary scholars, theatre historians, musicologists, liturgical scholars, and those involved in the performance of early drama.
In this first comprehensive study of the Latin Passion play, Professor Sticca examines the medieval liturgical ceremonies commemorating the events in Christ's Passion and traces their gradual change in character from the contemplative to the dramatic. The author shows that while Christ's Passion became increasingly popular as one of the sacred mysteries beginning in the tenth century, new forces that allowed a more eloquent and humane visualization and description of Christ's anguish first appeared in the eleventh and twelfth centuries. Professor Sticca analyzes the earliest extant Latin Passion play, the twelfth-century Montecassino codex, and compares it with other Latin and vernacular Passion plays. He refutes the traditional view that the Planctus Mariae is the germinal point of the Latin Passion play and then offers a new theory of its inception. As a literary form, the Latin Passion play appears to Professor Sticca as a creation of the Montecassino monastic circle which was inspired by the liturgical services of Good Friday and the Gospel accounts. Particularly influential also were three themes that developed in the eleventh century: in liturgy, a concentration on Christocentric piety; in art, a more humanistic treatment of Christ; and in literature, a consideration of the scenes of the Passion as dramatic and human episodes. In the course of this investigation, Professor Sticca also reappraises traditional views of the origin of the medieval liturgical drama, indicating that it should not be traced exclusively to the tropes from the schools of St. Gall and St. Martial of Limoges, but rather to a number of sources.
It is commonly held that medieval Christians viewed medieval Jews in exclusively negative terms. This is certainly the dominant opinion in much twentieth-century scholarship, and it is not wholly without justification. It is, however, an opinion that does not accurately reflect the breadth of medieval German Christian thinking about medieval German Jews. Drawing on Passion plays, hagiographical narratives and didactic literature, this monograph reveals a hitherto largely unacknowledged diversity in medieval German representations of Jews. In many of the best-attested texts from the late medieval and early modern periods, Jews appear in German literature as sympathetic, even morally exemplary figures.
An encyclopedia covering the political, social, intellectual, religious and cultural history of the German- and Dutch-speaking medieval world, between 500 and 1500. Entries cover individuals and their deeds as well as broader historical topics.
First published in 2001, Medieval Germany: An Encyclopedia provides a comprehensive guide to the German and Dutch-speaking world in the Middle Ages, from approximately C.E. 500 to 1500. It offers detailed accounts of a wide variety of aspects of medieval Germany, including language, literature, architecture, politics, warfare, medicine, philosophy and religion. In addition, this reference work includes bibliographies and citations to aid further study. This A-Z encyclopedia, featuring over 500 entries written by expert contributors, will be of key interest to students and scholars, as well as general readers.
"This anthology of Tanenbaum's most influential writings underscores his major contributions in the areas of civil and human rights, international affairs, and, above all, the development of Jewish-Christian understanding and mutual respect. The thirty-four selections, organized chronologically, track close to thirty years of vigorous, wise, and passionate advocacy."--BOOK JACKET.
Betrifft die Handschrift Cod. 264 der Burgerbibliothek Bern (S. 144-146 und 303).
Verse and drama have provided outlets for emotive expression and the creative impulse for centuries. Poignant, inspiring, and thought-provoking, plays and poems spoken or written in any language help reinterpret reality and evoke some of humanity’s most profound truths. The terms culled in this volume describe many of the most potent elements of language—those that venture beyond the realm of prose and invoke the power of cadence, lyricism, and drama to recount all aspects of the human condition.
This translation and introduction is intended to fill a crucial void in German literary and linguistic scholarship by 1) making the play available to an English-speaking audience; 2) examining its origins, development, staging, and unique contributions to the genre; and 3) providing a companion text for students of late Middle High German. The Alsfeld Passion Play represents the culmination, and perhaps the most complex stage of development of the German Passion Play tradition. The Alsfeld play was a three-day play, with performances in 1501, 1511, and 1517. With roles for 188 players it was presented on the open market square, and was conspicuous for its extensive devils' scenes, portrayal of Mary Magdalene before her conversion, and lengthy disputation scenes. At present there are no known translations of the Alsfeld play, in modern German or in English. The original manuscript, preserved at the Landesbibliothek in Kassel, contains 8095 lines of dialogue along with incipits, stage directions, and a rich variety of liturgical songs. Text and translations appear on facing pages. This book is available at a special text price. Call (716) 754-2788 for information on text orders.