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Music and Temple Ritual in South India: Performing for Śiva documents the musical practices of the periya mēḷam, a South Indian instrumental ensemble of professional musicians who perform during the rituals and festivals of high-caste (Brahmanical) Tamil Hindu temples dedicated to the Pan-Indian god Śiva – an important patron of music since at least the tenth century. It explores the ways in which music and ritual are mutually constitutive, illuminating the cultural logics whereby performing and listening are integral to the kinetic, sensory and affective experiences that enable, shape and stimulate ritual communication in present-day devotional Hinduism. More than a rich and vivid ethnographic description of a local tradition, the book also develops a comprehensive and original analytical model, in which music is understood as both a situated and creative activity, and where the fluid relationship between humans and non-humans, in this case divine beings, is truly taken into consideration.
At the beginning of the nineteenth century South Indian composers were still influenced by traditional religious concepts such as: temple rituals, pilgrimage and personal devotion. Tyāgarāja, Muttusvāmi Dīkṣitar and Śyāma Śāstri, the three prominent composers from the Tanjore district, used the kīrtana, a congregational song in praise of a deity, as a standard musical form. The compositions selected from the works of these composers show the various aspects of Hindu devotionalism. The detailed Western music notation of the editor, based on actual performances, will help the music student to understand the characteristic ornate South Indian melodic style. The introductory chapters contain general cultural information, biographical details as well as the original song texts with an English translation. With a unique MP3-CD containing all the kīrtana compositions.
A multi-faceted portrait of Lakshmi, Hindu goddess of wealth and prosperity. Includes translations of verses used to invoke this goddess.
This book is a printed edition of the Special Issue Religious Experience in the Hindu Tradition that was published in Religions
The considerable interest currently being expressed in women and religion has thrown down an important challenge; the need to see women not merely as the passive victims of an oppressive ideology but also perhaps primarily as the active agents of their own positive constructs. This book therefore aims to fill a notable gap in the literature. Twelve contributors study the role of women in Hindu religion by examining textual studies of the part played by women in a variety of religion rituals, both past and present, by exploring the socio-religious context of their various communites; and by using specialist material to draw on cross-cultural conclusions.
Music, whether performed or heard, has been seen as therapeutic in the history of many cultures. How have its therapeutic properties been conceptualized and explained? Which cultures have used music therapy? What were their aims and techniques, and how much continuity is there between ancient, medieval and modern practice? These are the questions addressed by the essays in this volume. They focus on the place of music therapy in European intellectual, medical and musical traditions, from their classical roots to the development of the music therapy profession since the Second World War. Chapters covering the Judaic, Islamic, Indian and South-East Asian traditions add global, comparative perspectives. Music as Medicine is the first book to establish the whole shape of the history of music therapy in a systematic and scholarly way. It addresses the problem of defining what music therapy has meant in different cultures and periods, and sets the agenda for future research in the subject. It will appeal to a diverse readership of historians, musicologists, anthropologists, and practitioners.
Recent scholarship has begun to unveil the culturally rich and dynamic landscape of southwest Iran during the first half of the first millennium BCE (aka the Neo-Elamite period) and its significance as the incubation ground for the Persian Empire. In Profiling Death. Neo-Elamite Mortuary Practices, Afterlife Beliefs, and Entanglements with Ancestors, Yasmina Wicks continues the investigation of this critical epoch from the perspective of the mortuary record, bringing forth fascinating clues as to the ritual practices, beliefs, social structures and individual identities of Elam’s lowland and highland inhabitants. Enmeshed with its neighbours, yet in many ways culturally distinct, Elam receives its due treatment here as a core component of the ancient Near East. “This is an important contribution to the study of Neo-Elamite culture.” -Lester L. Grabbe, Journal for the Study of the Old Testament 44.5 (2020)
Four, Like Its Predecessor Volumes One, Two And Three, Encompasses Selections From The Lifework Of Ten Mystic Poet-Saints Of India. The Mystic Poet-Sages Include'D In This R Volume Lived Between The 8Th And 20Th C Centuries And Came From Such Diverse Regions Of India.Jike Kashmir, Kerala, Bengal, Tamil Nadu, Karnataka, Maharashtra, Punjab And Andhra Pradesh. They Are: Sundarar (Also Known As Sundara- Murthy), One Of The Great Nayanmars, Nammalular, The Doyen Of Alwars, Basavanna, The Founder Of Veerasaivism-A Movement Pledged To An Egalitarian Society Devoted To God, Ijad Ded Or Ijalla Yogeswari, The Kashmiri Saivite Yogin, Bihva Mangal Immortalised By His Poem Krishnakarnamritam, Chandidas, The Vaishn Vite Rebel Of Bengal Who Spear- Headed The Sahaja Movement Ofbhakti, Guru Nanak, The Founder Of Sikhism, A'Knath, The Maharcishtra Saint, Kshetrajna, The Telugu Composer Whose Sensual Images Sought To Seek Spiriulal Uplift And Suddhananda Bharati, Th~ Mystic Yogi, Who Poured Out His Heart- Felt Love For God In Mellifluous Poetry. The Sang In Different Languages: Kashmiri, Kannada, Sanskrit, Punja Bi, Telugu, Marathi, Bmgali And Tamil But All Of Them Sang Of The Glory Of God, With Whom Each Had An Intimate, Spiritual Communion. This Precious Spiritual Legacy Bequeathed By The Mystics Of India Will Be A Perennial Source Of Inspiration For All Scholars Of Indology And A Limitless Repertoire For All Artistes In The Fields Of Music, Dance, Drama And Ballet.