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Renowned photographer A. J. Meek takes the novitiate on an inspired visual journey with eighty-eight color photographs of the interiors of churches and synagogues located in south Louisiana, mostly along the lower Mississippi River valley. Tourists may crowd the famous European cathedrals such as Notre Dame in Paris and Westminster Abbey in London. Yet the splendors of local churches in America all too often remain cloistered and unheralded. Meek's beautiful photographs correct this oversight for Louisiana, a state that features a great many beautiful and long-standing holy places. Often incorporating long exposures and select framing, the images in the first section of Sacred Light encompass altars, chancels, and sanctuaries. The second section contains photographs of statues representing deities, angels, madonnas, and saints, often seen with intense color derived from stained-glass windows or artificial light. Light itself is the subject of the third and last section. In several photographs, light is transformed by a window into a kaleidoscope of color on a wooden pew or pulpit chair. Other times the light seems to radiate a living presence of its own. Additionally, the book includes an essay by Louisiana State University art historian and liturgical space consultant, Marchita B. Mauck. Sacred Light also contains photographs of some of the church and synagogue restoration projects after Hurricane Katrina. Meek relates that the now-famous storm of August 2005 was the shadow he was looking for that defines blessed light. He places emphasis on restoration, not destruction, as a testimony to the resilience of the human spirit.
Few American spiritual teachers of recent years have inspired others as lovingly as Ron Roth. After serving the Roman Catholic Church as a priest for twenty-five years, Roth left to pursue a more universal spirituality, teaching the possibility of a one-to-one relationship with Divinity as well as the belief that healing and enlightenment are available to all people. Speaking from the cornerstone teachings that have inspired his ministry, Roth journals his reflections on his personal realizations in The Sacred Light of Healing. He reflects on the Holy Spirit, the original teachings of Jesus, and the inner way of the ancient monks known as the Therapeutae. Roth also discusses his late-life journey to India and an awakening to his own work for global peace. As related to and written by Roger Montgomery, this first-person account is Roth's moving true story of how we all can move into a closer relationship of Oneness with God.
One of the great visionaries and pioneers of modern architecture, Le Corbusier was a master of light, declaring it both a fundamental basis of architecture and the key to personal well-being. In this portfolio of 160 photographs taken over 40 years, Henry Plummer captures Le Corbusier's inspired use of natural light in three of his greatest achievements: the small pilgrimage chapel at Ronchamp, the Dominican monastery of Sainte Marie de La Tourette, and the parish church of Saint-Pierre in Firminy-Vert, all in France. In these modest religious works Le Corbusier deploys light to create enchanted, emotionally charged spaces wedded to the cosmic rhythm of sunlight and season. Cosmos of Light reveals how the artist reimagined sacred space and charted new ways that buildings can both reveal and inhabit the universe around them.
When college students Elliot Fleming and Vesta Lloyd agree to join English Professor Rydar Colson’s production of Shakespeare’s Henry IV Part 1 and Part 2, they do not know what to expect. Sacred Shadows and Latent Light follows Elliot and Vesta as they prepare for what they assume will be little more than an enriching extracurricular challenge. However, when student reporter Ermine Jackson goes beyond his journalism professor’s instruction to lobby the university for a second director, he initiates a campaign to cancel the plays and remove Shakespeare from the university curriculum—and Colson from campus. Between Colson’s production and Jackson’s crusade, the campus steadily divides, leading to unexpected allegiances, betrayals, questionable accusations, and threats of physical violence. Throughout their time admiring, questioning, resenting, and defending Colson and his production, the characters discover when and how to stand up for their convictions, all the while examining different views on the extent of free speech, the place of the canon in higher academia, the safety and representation of women in society, the growth of “cancel culture” on a changing university campus, and how much is truly involved in what and how one reads.
Provides dozens of spiritual and magical spells, rituals, and exercises.
This book addresses a variety of topics within the growing discipline of Archaeoastronomy, focusing especially on Archaeoastronomy in Sicily and the Mediterranean and Cultural Astronomy. A further priority is discussion of the astronomical and statistical methods used today to ascertain the degree of reliability of the chronological and cultural definition of sites and artifacts of archaeoastronomical interest. The contributions were all delivered at the XVth Congress of the Italian Society of Archaeoastronomy (SIA), held under the rubric "The Light, the Stones and the Sacred" – a theme inspired by the International Year of Light 2015, organized by UNESCO. The full meaning of many ancient monuments can only be understood by examining their relation to light, given the effects that light radiation produces in “interacting” with lithic structures. Moreover, in addition to manifestations of the sacred through the medium of light (hierophanies), there are many ties between temples, tombs, megalithic structures, and the architecture of almost all ages and cultures and our star, the Sun. Readers will find the book to be a source of fascinating insights based on synergies between the disciplines of archaeology and astronomy.
"There is a new language of Light that is to come on to the planet. It is an organization of Light particles that is encoded in the vibrations you are bringing through your glyphs. Your glyphs are emanating frequencies into the Light fields of the planet.... You are of the House of the Masters. ...you were sent to earth...to create the language of the masters here on earth." (From a reading by Judith Moore, Oracle for the Records of Creation). The symbols in this manual and Jean Logan's first manual, "Unlocking the Power of Glyphs" are given to help ease the suffering and prepare humankind for the changing energies that are to come."--Publisher information.
Surveys the history of the mosque lamp and its numerous variants and the deep significance of light and the lamp in religion.