Download Free Sacred Disobedience Book in PDF and EPUB Free Download. You can read online Sacred Disobedience and write the review.

Sacred Disobedience: A Jungian Analysis of the Saga of Pan and the Devil traces the ancient Greek God Pan, who became distorted into the image of the Devil in early Christianity. When Pan was demonized, the powerful qualities he represented became repressed, as Pan’s visage twisted into the model of the Devil. This book follows a Jungian analysis of this development. In ancient Greek religion, Pan was worshipped as an honored deity, corresponding to an inner psycho-spiritual condition in which the primitive qualities he represented were fully integrated into consciousness, and these qualities were valued and affirmed as holy. But in the era of early Christianity Pan “dies,” and the Devil is born, a twisted inflation, possibly due to an underlying repression. In the Jungian system, repressed psychic contents do not disappear, as proponents of the new order tacitly assume, but distort and grow more powerful, or “inflate,” to cripple the psyche that refuses to incorporate these split-off elements. Repressed contents will expand to explosive force as the repressed elements eventually return regressively from below. It becomes important then, to understand what qualities the primitive Goat God carried, to appreciate what was repressed in the Western psycho-spiritual system, and what subsequently needs reintegration.
Dr. Rabey's profound critical study of David Rudkin's drama constitutes an in-depth evaluation of this unique dramatist, re-assessed in the light of his bi-sexuality and Anglo-Irish origins. This key study includes insights from noted performers of Rudkin's work, including Ian Hogg, Peter McEnery, Ian McDiarmid, Gerard Murphy, and Charlotte Cornwell. It is a fully authorized study with exclusive reference to archival material which includes some frank and urgent interview contributions from the dramatist himself, who is usually deemed reclusive. It is enhanced by Dr. Rabey's own experience of Wales, Ireland, and the English Black Country for his exposition of Rudkin's mythic sense of Celtic and Mercian history.
Authoritative in its reference to all Rudkin's work for theatre, cinema, radio and television, this profound critical study aims to prompt a reappraisal of his work in current dramatic, theoretical, and sexual contexts.
Disobedience has been practiced and considered since time immemorial. The aim of this edited collection is to explore the concept and practice of disobedience through the prism of contemporary ideas and events. Past writings on disobedience represented it as a largely political practice that revealed the limits of government or law. It was not, for example, thought of as a subjective exigency and its discussion in relation to law and politics was tied to an unduly narrow conception of these terms. Disobedience: Concept and Practice reveals the multivalent, multidisciplinary and poly-local nature of disobedience. The essays in this volume demonstrate how disobedience operates in various terrains, and may be articulated in relation to textuality, aesthetics and subjectivity, as well as politics and law. A rich and useful guide to current legal, political and social possibilities, this book provides a fresh perspective on a subject that is of both historical importance and contemporary relevance.
Dorothy Day has been described as the most significant, interesting, and influential person in the history of American Catholicism." Outside The Catholic Worker (which she edited from 1933 to her death), Day wrote for no other publication so often and over such an extended period - covering six decades - as the independent Catholic journal of opinion, Commonweal. Gathered here for the first time are Day's complete Commonweal pieces, including articles, reviews, and published letters-to-the-editor. They range from the personal to the polemical; from youthful enthusiasm to the gratitude of an aged warrior; sketches from works in progress; portraits of prisoners and dissidents; and a gifted reporter's dispatches from the flash points of mid-twentieth-century social and economic conflict. Day's writing offers readers not only an overview of her fascinating life but a compendium of her prophetic insights, spiritual depth, and unforgettable prose. Chapters are *The Brother and the Rooster, - *Guadalupe, - *Letter From Mexico City, - *Spring Festival in Mexico, - *Bed, - *Now We Are Home Again, - *Notes From Florida, - *East Twelfth Street, - *Review: Saint Elizabeth by Elizabeth von Schmidt-Pali, - *Real Revolutionists, - *Review: The Catholic Anthology by Thomas Walsh, - *For the Truly Poor, - *Saint John of the Cross, - *Houses of Hospitality, - *The House on Mott Street, - *Tale of Two Capitals, - *Letter: 'In the Name of the Staff,'- *King, Ramsey and Connor, - *It Was a Good Dinner, - *About Mary, - *Tobacco Road, - *Review: In the Steps of Moses by Louis Golding, - *Review: Our Lady of the Birds by Louis J.A. Mercier, - *Peter and Women, - *Letter: 'Things Worth Fighting For?'- *The Scandal of the Works of Mercy, - *Traveling by Bus, - *Letter: 'Blood, Sweat and Tears,'- *The Story of Steve Hergenhan, - *Priest of the Immediate, - *We Plead Guilty, - *Letter: 'From Dorothy Day,'- *Pilgrimage to Mexico, - *In Memory of Ed Willock, - *Southern Pilgrimage, - *A.J., - *On Hope, - and *A Reminiscence at 75. - Patrick Jordan, managing editor of Commonweal, is a former managing editor of The Catholic Worker. He resides in Staten Island, New York. "
Allow the Water combines an introduction to nonviolence with a deeper exploration into some of its dimensions. Though its style is mainly that of storytelling, there are also as many helpful references as possible. The book is 500 pages long, but photos and drawings make up almost half the volume. This is an exploration of the spirituality and practice of the force of love we inadequately call "nonviolence." Nonviolence is people and their stories before it is idea - a way of living and acting, not just a way of thinking. This book is one contribution to an urgently needed conversation. It is not meant to be "complete." There are questions, observations and convictions. Hopefully, in their thoroughness and simplicity, the contribute to our common search.
The first academic volume to theorize and historicize contemporary artistic practices and culture from Chile in the English language, Dismantling the Nation takes as its point of departure a radical criticism against the nation-state of Chile and its colonial, capitalist, heteronormative, and extractivist rule, proposing otherwise forms of inhabiting, creating, and relating in a more fluid, contingent, ecocritical, feminist, and caring worlds. From the case of Chile, the book expands the scholarly discussion around decolonial methodologies, attending to artistic practices and discourses from distinct and distant locations-from Arica and the Atacama Desert to Wallmapu and Tierra del Fuego, and from the Central Valley, the Pacific coast, and the Andes to territories beyond the nation's modern geographical borders. Analyzing how these practices refer to issues such as the environmental and cultural impact of extractivism, as well as memory, trauma, collectivity, and resistance towards neoliberal totality, the volume contributes to the fields of art history and visual culture, memory, ethnic, gender, and Indigenous studies, filmmaking, critical geography, and literature in Chile, Latin America, and other regions of the world, envisioning art history and visual culture from a transnational and transdisciplinary perspective.
“About the subtlest, most sane-making book on contemporary spirituality that I’ve read in years. It’s also the funniest.”—Joanna Macy, author of Active Hope Deciding that her life was insufficiently grounded in real-world experience, Mary Rose O’Reilley, a Quaker reared as a Catholic, embarked on a year of tending sheep. In this decidedly down-to-earth, often-hilarious book, O’Reilley describes her work in an agricultural barn and her extended visit to a Buddhist monastery in France, where she studied with Thich Nhat Hanh. She seeks, in both barn and monastery, a spirituality based not in “climbing out of the body” but rather in existing fully in the world. “O'Reilley has obviously mastered the craft of writing. Her rich, allusive prose draws on Catholicism, Quakerism, Buddhism, monastic tradition, Shakespeare and the Bible. Her short vignettes are luminous with faith matters, yet full of the earthy details of animal husbandry, resulting in a style that's a cross between Kathleen Norris and James Herriot.”—Publishers Weekly “This enjoyable book offers lingering pleasure.”—Library Journal