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From USA Today bestselling author Ava Harrison comes a gritty, twisted standalone romance. Matteo Amante. Dangerous. Deadly. And most of all, devastating. He's the king of the city. Running the mafia and ruling the East Coast. He's at war with his cousin, and I am the casualty. There is nothing Matteo won't do to win. He'll burn everything down to the ground, my hopes and dreams included. He's no hero. He's the handsome devil who will probably kill me in the end. Falling in love with the enemy can destroy me, especially when he is my husband . . .
I was born a princess among criminals. An untouchable among thieves. Heiress to a life others have killed for, and one I'd do anything to escape. I vowed not to leave without Diego, my first love and best friend, but if his ruthless brother has his way, I won't leave at all.Cristiano de la Rosa is a man as big and bold as his legend. Once upon a time, he was our cartel's best soldier . . . until he became my family's worst enemy. And a man like Cristiano will bend fate to his will to get what he wants-even if it means tearing me from another's arms.Because in the de la Rosa family, old grudges run deeper than loyalty, and betrayal is a three-letter word: war. But this feud isn't between enemies-it's between brothers. And I'm the prize.
"Seeing that we possess no historical account of one of the most remarkable dependencies ever held by the British Crown, I have endeavoured (however unworthily) to fill what appeared to me to be a vacancy upon the book-shelf of our colonial histories. It has been my object to chronicle faithfully the events with which Gibraltar has been connected since its first occupation by the Moors in 711, and to sketch the influence which this coveted stronghold has exercised over the political state of Europe, more especially during the last two centuries. The records of its early history under Mohammedan rule, which I have collected from the works of Gayangos, Conde, Ayala, Montero, and others, are necessarily but crude and disjointed chronicles, almost impossible to connect in the form of a continuous narrative"--Preface (p. [v]).
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1961.
A “wide-ranging, vivid” narrative history of one of the most coveted and complex regions of the world: the Caribbean (The Observer). Ever since Christopher Columbus stepped off the Santa Maria and announced that he had arrived in the Orient, the Caribbean has been a stage for projected fantasies and competition between world powers. In Empire’s Crossroads, British American historian Carrie Gibson offers a panoramic view of the region from the northern rim of South America up to Cuba and its rich, important history. After that fateful landing in 1492, the British, French, Spanish, Portuguese, Dutch, Danish, and even the Swedes, Scots, and Germans sought their fortunes in the islands for the next two centuries. These fraught years gave way to a booming age of sugar, horrendous slavery, and extravagant wealth, as well as the Haitian Revolution and the long struggles for independence that ushered in the modern era. Gibson tells not only of imperial expansion—European and American—but also of life as it is lived in the islands, from before Columbus through the tumultuous twentieth century. Told “in fluid, colorful prose peppered with telling anecdotes,” Empire’s Crossroads provides an essential account of five centuries of history (Foreign Affairs). “Judicious, readable and extremely well-informed . . . Too many people know the Caribbean only as a tourist destination; [Gibson] takes us, instead, into its fascinating, complex and often tragic past. No vacation there will ever feel quite the same again.” —Adam Hochschild, author of To End All Wars and King Leopold’s Ghost
The Language of the Lens explores the expressive power of the camera lens and the storytelling contributions that this critical tool can make to a film project. This book offers a unique approach to learning how lenses can produce aesthetically and narratively compelling images in movies, through a close examination of the various ways lens techniques control the look of space, movement, focus, flares, distortion, and the "optical personality" of your story’s visual landscape. Loaded with vivid examples from commercial, independent, and world cinema, The Language of the Lens presents dozens of insightful case studies examining their conceptual, narrative, and technical approaches to reveal how master filmmakers have harnessed the power of lenses to express the entire range of emotions, themes, tone, atmosphere, subtexts, moods, and abstract concepts. The Language of the Lens provides filmmakers, at any level or experience, with a wealth of knowledge to unleash the full expressive power of any lens at their disposal, whether they are shooting with state-of-the-art cinema lenses or a smartphone, and everything in between.