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There's a marvelous revival of poetry underway in Rutherford, NJ, home of the influential American poet William Carlos Williams. A Symposium on WIlliams has led to a poetry cooperative, several websites, two ongoing workshops, and a monthly reading. The RUTHERFORD RED WHEELBARROW POETS ANTHOLOGY is the living proof of the great vortex of poetic energy that has been created. The book features an unpublished poem by WIlliams and also poets like JOHN BARRALE, CELINE BEAULIEU, SONDRA SINGER BEAULIEU, GEORGE DE GREGORIO, MARK FOGARTY, JIM KLEIN, LOREN KLEINMAN, ZORIDA MOHAMMAD, DEBORAH SCHANTZ, CLAUDIA SEREA and many more!
WCW, I Wanted to Write a Poem. Williams discusses the procedure of poetry.
The Red Wheelbarrow Poets have staked a claim to one of the most valuable pieces of poetic ground in the country, Rutherford, NJ and the legacy of Rutherford's poet/physician William Carlos Williams. Each year for the past eight the group has produced an annual collection of the best poetry (and prose) from this lively and vibrant community. This year's Featured poet is Don Zirilli, who has also contributed four essays on Williams he has delivered at RWP readings in the past year.
The Red Wheelbarrow 9 continues the tradition of poetic excellence associated with Rutherford, NJ, hometown of major American poet William Carlos Williams. The Red Wheelbarrow Poets continue to attract the best of local poets and others drawn to the flame of modern 21st Century versifying. The RWP runs an ongoing weekly poetry workshop (it has been ongoing for ten years now) and monthly readings at both the Williams Center and GainVille Cafe in Rutherford. Participants in those three events are eligible for inclusion in the anthology, and this year we have nearly 50 poets and writers in a book that is bursting at the seams with poetry, prose and art. May the tribe increase!
The Autobiography is an unpretentious book; it reads much as Williams talked—spontaneously and often with a special kind of salty humor. But it is a very human story, glowing with warmth and sensitivity. It brings us close to a rare man and lets us share his affectionate concern for the people to whom he ministered, body and soul, through a long rich life as physician and writer. William Carlos Williams’s medical practice and his literary career formed an undivided life. For forty years he was a busy doctor in the town of Rutherford, New Jersey, and yet he was able to write more than thirty books. One of the finest chapters in the Autobiography tells how each of his two roles stimulated and supported the other.
This simple nonfiction picture book about the beloved American poet William Carlos Williams is also about how being mindful can result in the creation of a great poem like "The Red Wheelbarrow"--which is only sixteen words long. "Look out the window. What do you see? If you are Dr. William Carlos Williams, you see a wheelbarrow. A drizzle of rain. Chickens scratching in the damp earth." The wheelbarrow belongs to Thaddeus Marshall, a street vendor, who every day goes to work selling vegetables on the streets of Rutherford, New Jersey. That simple action inspires poet and doctor Williams to pick up some of his own tools--a pen and paper--and write his most famous poem. In this lovely picture book, young listeners will see how paying attention to the simplest everyday things can inspire the greatest art, as they learn about a great American poet.
Spring and All (1923) is a book of poems by William Carlos Williams. Predominately known as a poet, Williams frequently pushed the limits of prose style throughout his works, often comprised of a seamless blend of both forms of writing. In Spring and All, the closest thing to a manifesto he wrote, Williams addresses the nature of his modern poetics which not only pursues a particularly American idiom, but attempts to capture the relationship between language and the world it describes. Part essay, part poem, Spring and All is a landmark of American literature from a poet whose daring search for the outer limits of life both redefined and expanded the meaning of language itself. “There is a constant barrier between the reader and his consciousness of immediate contact with the world. If there is an ocean it is here.” In Spring and All, Williams identifies the incomprehensible nature of consciousness as the single most important subject of poetry. Accused of being “heartless” and “cruel,” of producing “positively repellant” works of art in order to “make fun of humanity,” Williams doesn’t so much defend himself as dig in his heels. His poetry is addressed “[t]o the imagination” itself; it seeks to break down the “the barrier between sense and the vaporous fringe which distracts the attention from its agonized approaches to the moment.” When he states that “so much depends / upon // a red wheel / barrow,” he refers to the need to understand the nature of language, which keeps us in touch with the world. With a beautifully designed cover and professionally typeset manuscript, this edition of William Carlos Williams’ Spring and All is a classic of American literature reimagined for modern readers.
Poetry. Framed by a retelling of the Biblical story of Lot's wife, who looked back on the destruction of her city and was transformed into a monument of its destruction, Laura Eve Engel's muscular poems enact a long, unblinking look at symbols of American progress--trains, buildings, the vast American west--to strain against the notion of looking as passive. These poems suggest a constant and powerful movement forward as an antidote to the current moment, and to the heart's timeless struggles with itself. This ambitious debut wrestles with the ethics of love and loss, and bears witness to our collective experience of limitless looking, reminding us that "the future is coming / and we're all in it."
Long unavailable, The Selected Letters of William Carlos Williams is now reissued as a New Directions Paperbook. Spanning fifty-four years, this collection record the creative growth of one of the twentieth century's most influential and versatile writers.
Poetry. Asian & Asian American Studies. ETERNAL SNOW is a testament to the power of words to inspire, encourage, and heal across vastly disparate cultures and distant places. Over one hundred and twenty-five poets from around the world come together in this anthology to explore their interactions, collisions, and intersections with Yuyutsu Sharma, renowned Himalayan poet, journalist, translator, and editor from Kathmandu, Nepal. The book is a clear example of the new world itinerancy of the modern poet, and the global efficacy of poetry, in that Yuyu's world travels have touched the hearts and minds of thousands of people who have heard his readings around the world and read his words in print and online. Not all the contributors are professional poets. ETERNAL SNOW also captures the poetic voices of a hairstylist, a photographer, a Yoga teacher, a priest, a nurse, and a social scientist. In these pages, a young poet in Kathmandu sees her late father in Yuyu's face; a social worker conjures the Goddess of the Children while serving the Bhutanese refugees in California; a New York University professor ponders an Asian challenge: setting her house on fire to become a real poet. The results captured in these poems attest to the literary collisions which occur when global poets meet. ETERNAL SNOW is a singular, remarkable, and moving work of art. Includes poetry by John Clarke, David Ray, James Ragan, Ravi Shankar, Eileen O'Connor, Gorka Lasa, Pascale Petit, Elena Karina Byrne, Chuck Joy, Amarendra Khatua, Ruth Danon, Tim Tomlinson, Verónica Aranda, David Axlerod, Tony Barnstone, Art Good Times, Kim Nuzzo, Robin Mets, Barbara Novack, Hélène Cardona, Irene O' Garden, Agnes Marton, Carolyn Wells, M. L. Williams, Diane Frank, Bill Wolak, and Others