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This book takes up the obtrusive problem of visual representation of fiction in contemporary Russian book design. By analyzing a broad variety of book covers, the study offers an absolutely unique material that illustrates a radically changing notion of literature in the transformation of Soviet print culture to a post-Soviet book market. It delivers a profound and critical exploration of Russian visual imaginary of classic, popular, and contemporary prose. Among all the carelessly bungled covers of mass-published post-Soviet series the study identifies gems from experimental designers. By taking a comparative approach to the clash of two formerly separate book cultures, the Western and the Soviet, that results both in a mixture of highbrow and lowbrow forms and in ideological re-interpretations of the literary works, this book contributes to opening an East-West dialogue between the fields of Russian studies, contemporary book and media history, art, design, and visual studies.
Straddling Europe and Asia, the Russian Federation is the largest country in the world and home to a panoply of religious and ethnic groups from the Muslim Tatars to the Buddhist Buryats. Over the past 40 years, Russia has experienced the most dramatic transformation of any modern state. The second edition of Historical Dictionary of the Russian Federation provides insight into this rapidly developing country. This volume includes coverage of pivotal movements, events, and persons in the late Soviet Union (1985-1991) and contemporary Russia (1991-present), This second edition of Historical Dictionary of the Russian Federation contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 700 cross-referenced entries on important personalities, politics, economy, foreign relations, religion, and culture. This book is an excellent resource for students, researchers, and anyone wanting to know more about Russia.
The Jewish emigration from Russia after the Revolution of 1917 changed the face of Jewish culture in Western Europe. Russian Jews brought with them the visions of a national Jewish literature in Hebrew, Yiddish or Russian, and new concepts of secular Jewish music and art. Often they acted as intermediaries between Jewish centres in Europe, which resulted in the creation of a single sphere of Jewish culture common to all parts of the European diaspora. Although some stayed in Western Europe for only a few years before moving on to Palestine, the budding Hebrew culture in Palestine would not have been the same without this relatively short period of intense contact between Russian Jewish and Western European cultures.
Children have occupied a prominent place in Yiddish literature since early modern times, but children’s literature as a genre has its beginnings in the early 20th century. Its emergence reflected the desire of Jewish intellectuals to introduce modern forms of education, and promote ideological agendas, both in Eastern Europe and in immigrant communities elsewhere. Before the Second World War, a number of publishing houses and periodicals in Europe and the Americas specialized in stories, novels and poems for various age groups. Prominent authors such as Yankev Glatshteyn, Der Nister, Joseph Opatoshu, Leyb Kvitko, made original contributions to the genre, while artists, such as Marc Chagall, El Lissitzky and Yisakhar Ber Rybak, also took an active part. In the Soviet Union, meanwhile, children’s literature provided an opportunity to escape strong ideological pressure. Yiddish children’s literature is still being produced today, both for secular and strongly Orthodox communities. This volume is a pioneering collective study not only of children’s literature but of the role played by children in literature.
In an attempt to discover some of the underlying origins of World War I, the eminent diplomat and writer George Kennan focuses on a small sector of offstage events to show how they affected the drama at large long before the war even began. In the introduction to his book George Kennan tells us, "I came to see World War I . . . as the great seminal catastrophe of this century--the event which . . . lay at the heart of the failure and decline of this Western civilization." But, he asks, who could help being struck by the contrast between this apocalyptic result and the "delirious euphoria" of the crowds on the streets of Europe at the outbreak of war in 1914! "Were we not," he suggests, "in the face of some monstrous miscalculation--some pervasive failure to read correctly the outward indicators of one's own situation?" It is from this perspective that Mr. Kennan launches a "micro-history" of the Franco-Russian relationship as far back as the 1870s in an effort to determine the motives that led people "to wander so blindly" into the horrors of the First World War.
Examining Russian military intelligence in the war with Japan of 1904-05, this book gives an overview of the origins, structure and performance of Russian military intelligence in the Far East at the turn of the twentieth century.
Despite the growing number of publications on the Russo-Japanese War, an abundance of questions and issues related to this topic remain unsolved, or call for a reexamination. This 30-chapter volume, the first in the two-volume project Rethinking the Russo-Japanese War, provides a comprehensive reexamination of the origins of the conflict, the various dimensions of the nineteen-month conflagration, the legacy of the war, and its place in the history of the twentieth century. Such an enterprise is not only timely but unique. It has benefited from a multinational team of thirty-two scholars from twelve nations representing a broad disciplinary background. The majority of them focus on topics never researched before and without exception provide a novel and critical view of the war. This reexamination is, of course, facilitated by a century-long perspective as well as an impressive assortment of primary and secondary sources, many of them unexplored and, in a number of cases, unavailable earlier.