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Elizabeth Helsinger's iconoclastic book explores the peculiar power of rural England to stand for conflicting ideas of Britain. Despite the nostalgic appeal of Constable's or Tennyson's rural scenes, they record the severe social and economic disturbances of the turbulent years after Waterloo. Artists and writers like Cobbett, Clare, Turner, Emily Brontë, and George Eliot competed to claim the English countryside as ideological ground. No image of rural life produced consensus over the great questions: who should constitute the nation, and how should they be represented? Helsinger ponders how some images of rural life and land come to serve as national metaphors while others challenge their constructions of Englishness at the heart of the British Empire. Drawing on recent work in social history, nationalism, and geography, as well as the visual and literary arts, Helsinger recovers other possible and alternative readings of social ties embedded in the imagery of land. She reflects on the power of rural images to transfer local loyalties to the national scene, first popularizing then institutionalizing them. By turning a critical gaze on these scenes, she comments on the difference between art and ideology, and the problems and dangers of asserting any kind of national identity through imagery of the land. Originally published in 1996. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
A Major Activity Of The Sahitya Akademi Is The Preparation Of An Encyclopaedia Of Indian Literature. The Venture, Covering Twenty-Two Languages Of India, Is The First Of Its Kind. Written In English, The Encyclopaedia Gives A Comprehensive Idea Of The Growth And Development Of Indian Literature. The Entries On Authors, Books And General Topics Have Been Tabulated By The Concerned Advisory Boards And Finalised By A Steering Committee. Hundreds Of Writers All Over The Country Contributed Articles On Various Topics. The Encyclopaedia, Planned As A Six-Volume Project, Has Been Brought Out. The Sahitya Akademi Embarked Upon This Project In Right Earnest In 1984. The Efforts Of The Highly Skilled And Professional Editorial Staff Started Showing Results And The First Volume Was Brought Out In 1987. The Second Volume Was Brought Out In 1988, The Third In 1989, The Fourth In 1991, The Fifth In 1992, And The Sixth Volume In 1994. All The Six Volumes Together Include Approximately 7500 Entries On Various Topics, Literary Trends And Movements, Eminent Authors And Significant Works. The First Three Volume Were Edited By Prof. Amaresh Datta, Fourth And Fifth Volume By Mohan Lal And Sixth Volume By Shri K.C.Dutt.
Join us on a poetic journey to the soul of India. The Poetry of T.V. Reddy is grounded in human struggles and unrest, social as well as psychological and depicts the varied shades of restlessness that is the order of modern times. He protests against the social ills and evils in a gripping way in his absorbing poetry. He paints his experiences in a characteristic choice diction and the different images that he has carved out of human life and nature make a deep impression on the minds of the readers and linger there. The poet takes the readers into the soul of India, the villages and rural life which are the backbone of the countryóthat speaks volumes of his commitment to rural element and makes people come alive in his poetry. Natural rhyme and rhythm of the poems creates the pleasing melody. Clarity of thought and lucidity of expression, splendid imagery and marvelous melody are the hallmarks of his poetry. -- Dr. P.V. Laxmiprasad, Editor T.V. Reddy is not only a poet of highly perceptive temperament but also an accomplished critic and novelist. His awesome ingenious insight into the purpose and meaning of life in a perceptive and intuitive way leads the reader to the invisible force meticulously driving the point that the spiritual region lying within a man offers solace, harmony and consolation par excellence. For Reddy often finds strong affinity in Indian soil and here, rural backdrop inspires him to cultivate niceties of life where rural-oriented background turns out religious for him. -- P.C.K. Prem, Authoritative critic on Indian English Poetry from Himachal Paradesh, India T.V. Reddy's poems have the earthly smear of sweat and blood. Images crystallized, come alive in subtle but strong words gaining a permanent place in the hearts of the readers. His pen moves carving lasting images in a simple and straight form without any pompous gimmicks in the name of modern craft. His art of highlighting even tiny specks into gigantic monuments and the quality of lyrical writing gives a sense of exhilaration bringing the varied themes alive before our eyes elevating the soul to a higher consciousness. T.V. Reddy is a poet in the true sense, who gives us the best of the poetry in Indian English. -- D.H. Kabadi, from his review of Melting Melodies in Poetcrit T.V. Reddy is a skilled poet who handles thoughts that compel recognition. He deals with wide ranging themes that are sensitively sketched. While many poems capture common human tendencies and susceptibilities, vanities and vagaries with a sharp realist eye, there are some that move on to the dramatization of a grander perspective of eternity intruding into time to seek to redeem it of its ravages. -- Prof. C.R.Visveswar Rao, Former Vice Chancellor, Vikrama Simhapuri University, Nellore, A.P., India; and currently the Chairman, Indian Society for Commonwealth Studies (ISCS) , New Delhi From Modern History Press www.ModernHistoryPress.com
Rochester's scandalous reputation belies the variety and sophistication of his love poems and satires. This new, modern-spelling edition is the most textually up to date, based not on the unreliable printed editions but on the most authoritative manuscripts. It includes a valuable introduction, helpful notes, and an index of manuscripts.
'If I by miracle can be This livelong minute true to thee 'Tis all that heav'n allows.' The Earl of Rochester was England's first celebrity poet, a byword for the theatricality, licentiousness, and scepticism of the Restoration age. But his scandalous reputation belies the variety and sophistication of his work: his love poems set new standards not only of sexual explicitness but also of psychological acuity and lyric grace, while his satires broke new ground as much by the refinement of their ironies as in the brutality of their invective. A fascinatingly contradictory figure, Rochester emerges more clearly than ever from this new edition, the first selection of his work in modern spelling to take account of recent revolutionary advances in textual scholarship. It includes only poems now securely attributed to the poet, in texts based not on the posthumous and unreliable printed editions but on the most authoritative manuscripts which circulated in his lifetime. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
By identifying a pervasive cultivation of attention as a perceptual and cognitive state in eighteenth-century poetry, this book explores overt themes of attention and demonstrate techniques of readerly attention.
A COMPANION TO & EIGHTEENTH-CENTURY POETRY A COMPANION TO & EIGHTEENTH-CENTURY POETRY Edited by Christine Gerrard This wide-ranging Companion reflects the dramatic transformation that has taken place in the study of eighteenth-century poetry over the past two decades. New essays by leading scholars in the field address an expanded poetic canon that now incorporates verse by many women poets and other formerly marginalized poetic voices. The volume engages with topical critical debates such as the production and consumption of literary texts, the constructions of femininity, sentiment and sensibility, enthusiasm, politics and aesthetics, and the growth of imperialism. The Companion opens with a section on contexts, considering eighteenth-century poetry’s relationships with such topics as party politics, religion, science, the visual arts, and the literary marketplace. A series of close readings of specific poems follows, ranging from familiar texts such as Pope’s The Rape of the Lock to slightly less well-known works such as Swift’s “Stella” poems and Lady Mary Wortley Montagu’s Town Eclogues. Essays on forms and genres, and a series of more provocative contributions on significant themes and debates, complete the volume. The Companion gives readers a thorough grounding in both the background and the substance of eighteenth-century poetry, and is designed to be used alongside David Fairer and Christine Gerrard’s Eighteenth-Century Poetry: An Annotated Anthology (3rd edition, 2014).
The Critical Heritage gathers together a large body of critical sources on major figures in literature. Each volume presents contemporary responses to a writer's work, enabling students and researchers to read for themselves, for example, comments on early performances of Shakespeare's plays, or reactions to the first publication of Jane Austen's novels. The carefully selected sources range from landmark essays in the history of criticism to journalism and contemporary opinion, and little published documentary material such as letters and diaries. Significant pieces of criticism from later periods are also included, in order to demonstrate the fluctuations in an author's reputation. Each volume contains an introduction to the writer's published works, a selected bibliography, and an index of works, authors and subjects.
The Oxford Handbook of Victorian Poetry offers an authorative collection of original essays and is an essential resource for those interested in Victorian poetry and poetics.