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"Wise old Vergil says in one of his Georgics, 'Praise large farms, stick to small ones,'" Robert Frost said. "Twenty acres are just about enough." Frost started out as a school teacher living the rural life of a would-be farmer, and later turned to farming full time when he bought a place of his own. After a sojourn in England where his first two books were published to critical acclaim, he returned to New England, acquired a new farm and became a rustic for much of the rest of his life. Frost claimed that all of his poetry was farm poetry. His deep admiration for Virgil's Georgics, or poems of rural life, inspired the creation of his own New England "georgics," his answer to the haughty 20th-century modernism that seemed certain to define the future of Western poetry. Like the "West-Running Brook" in his poem of the same name, Frost's poetry can be seen as an embodiment of contrariness.
"Sexually explicit poems that address the radical possibilities of a woman's pleasure and the endless varieties of human desire. Arielle Greenberg's I Live in the Country & other dirty poems exploits and undoes the stereotype of the "wholesome country life." Here, the speaker moves to the country ("where the animals are") in order to live a whole life, one in which she can live honestly and openly in a non-monogamous marriage. Her book is a visceral, erotic celebration of the cornucopia of sexual pleasures to be had in that rural life-in the muck of a pasture in spring or behind the bins of whole-wheat pastry flour at the local Co-op. Greenberg hauls out what has previously been stored under dark counters and labeled deviant-kink, fetish, and bondage- and moves it into the sunshine of sex-positivity and mutual consent. In doing so, she forges new literary territory-a feminist re-visioning of the Romantic pastoral poems of seduction. "I am trying to turn my eye toward joy," she writes. "My heart toward bliss.""--
Poetry. 'I took much trouble into myself, ' says Tim Earley at the beginning of this audacious and revelatory book. Like an Appalachian Whitman, he consumes everything -- work, kinship, sex, love, illness, religion, and violence (both invasion and self-harm) -- and '[vomits] out the old weird America.' Earley sings in 'impossible registers, ' rivaling fellow white trash iconoclast Axl Rose's famous vocal range. He gives us Dauphins and Goody powder, 'pure spirit' and Spam, moving easily between the ludicrous and the sublime. Every page of this book is scrawled with stupendous feats of language, but LINTHEAD STOMP is no mere verbal flood. It is an elegy for a 'cousin who died in restraints at the mental hospital in Morganton, ' a brother so distraught over the death of Dale Earnhardt he loses fifty pounds, a friend going mad in a trailer full of pills and Spanish art. It is a tribute to a people who have been ridiculed, patronized, exploited, and ignored. Terrifying and heartfelt, urgent and absurd, LINTHEAD STOMP is Earley at his most devastating and delightful. A truly transcendent book. --Mark Neely
The memoirs of one of Illinois’ great poets, author of Spoon River Anthology, with many vignettes of the Chicago Renaissance. This intimate and provocative autobiography, first published in 1936, reveals the innermost thoughts of a great American poet. Edgar Lee Masters was a transitional figure in American literature with one foot planted in the nineteenth century and the other firmly placed on the path of what we now think of as the modern period. Richly illustrated throughout with black and white photographs. “Across Spoon River: An Autobiography is blunt and cranky about a life [Masters] saw as largely “scrappy and unmanageable.” Emphasizing life on his grandfather’s farm, his school days, his political battles, the workday world, and the growth of a poet’s mind through wide reading, the book is a valuable record of Masters’s work habits and offers considerable insight on his position as a critic and his place in American literature.”—Ronald Primeau, American National Biography
Elegiac, brimming with beauty, and grounded in daily life on a farm. An accessible and sweet document of human experience.
A moving portrait of the contemporary experiences of migrant Moroccan men. Umbria is known to most Americans for its picturesque rolling hills and medieval villages, but to the many migrant Moroccan men who travel there, Umbria is better known for the tobacco fields, construction sites, small industries, and the outdoor weekly markets where they work. Marginalized and far from their homes, these men turn to Moroccan traditions of music and poetry that evoke the countryside they have left— l-‘arubiya, or the rural. In this book, Alessandra Ciucci takes us inside the lives of Moroccan workers, unpacking the way they share a particular musical style of the rural to create a sense of home and belonging in a foreign and inhospitable nation. Along the way, she uncovers how this culture of belonging is not just the product of the struggles of migration, but also tied to the reclamation of a noble and virtuous masculine identity that is inaccessible to Moroccan migrants in Italy. The Voice of the Rural allows us to understand the contemporary experiences of migrant Moroccan men by examining their imagined relationship to the rural through sound, shedding new light on the urgent issues of migration and belonging.
Honored in "Best Books of the Year" listings from The New Yorker, National Public Radio, Library Journal, and The Huffington Post. "One With Others represents Wright's most audacious experiment yet."—The New Yorker "[A] book . . . that defies description and discovers a powerful mode of its own."— National Public Radio "[A] searing dissection of hate crimes and their malignant legacy."—Booklist Today, Gentle Reader, the sermon once again: "Segregation After Death." Showers in the a.m. The threat they say is moving from the east. The sheriff's club says Not now. Not nokindofhow. Not never. The children's minds say Never waver. Air fanned by a flock of hands in the old funeral home where the meetings were called [because Mrs. Oliver owned it free and clear], and that selfsame air, sanctified and doomed, rent with racism, and it percolates up from the soil itself . . . In this National Book Award finalist and National Book Critics Circle Award finalist, C.D. Wright returns to her native Arkansas and examines explosive incidents grounded in the Civil Rights Movement. In her signature style, Wright interweaves oral histories, hymns, lists, interviews, newspaper accounts, and personal memories—especially those of her incandescent mentor, Mrs. Vittitow—with the voices of witnesses, neighbors, police, and activists. This history leaps howling off the page. C.D. Wright has published over a dozen works of poetry and prose. Among her honors are the Griffin Poetry Prize and a MacArthur Fellowship. She teaches at Brown University and lives outside of Providence, Rhode Island.
A collection of poetry by the former president shares Carter's private meditations and memories about his youth, family, friends, and politics. 75,000 first printing. $75,000 ad/promo. Tour.