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Running Naked Through the Streets is an account of the year Dr. Caramine White lived in the former Communist country Slovakia, from August 2004 - May 2005. When Dr. White received a Fulbright Scholarship, she and an American literature professor from a Slovak university 'exchanged' jobs. Dr. White lived in Banska Bystrica, a city of about 84,000 in central Slovakia. Although her students spoke English, very few of the townspeople did, and the living conditions were much different from those enjoyed in America. Running Naked Through the Streets, which refers to the utter helplessness and vulnerability she often felt, is neither an autobiography nor a travel book. Although Dr. White does include some interesting information for tourists, the crux of the book is how being so alone and dependent can encourage and even accelerate personal growth. It is told with a great deal of humor and honesty. Interwoven throughout the text are humorous essays recounting some of her bizarre adventures during the year, which range from belly dancing to marathon running, from inadvertently taking part in a Polish Confirmation ceremony to becoming the object of affection for a mentally challenged homeless man.
Run Naked in the Wind The Story of "Ol' Piccimuc" and the "Spook light"-an existing phenomenon which occurs nightly along a certain lonely stretch of the Missouri-Oklahoma border near the little town of Hornet, Missouri. Through the years, scientists, US Army engineers and countless other groups and individuals have tried to discover the source of the light, but still to this day, it's origin remains a mystery. There once lived such a man as "Ol' Piccimuc;" gentle, fine looking, clean of morals, holder of a law degree, is half Indian and slated for destruction by wealthy horse-breeder Joseph Coppedge. The reason? His spirited young daughter and her tragic love for young Piccimuc. OBerlin Thorton, a young writer seeking serenity in the hills of Missouri, happens upon Piccimuc, now an aging hermit, ridiculed, condemned and even hunted by the local citizenry, wins his trust and learns the secret of the mystery surrounding Ol' Piccimuc. 'Amplified by the echoing hills the moaning had grown louder. It sounded like a woman sobbing in a bereaved monotone, taking time out every little while to catch her breath he remembered the terrible moaning on the night he was lost, the night he had stumbled onto Piccimuc's cabin his flesh began to crawl '
In the mid-nineties, Russell Frank left a peaceful life in rural California to raise three kids in a town saturated with fraternities, late-night undergrad fast food haunts, and rowdy football crowds. Among the Woo People recounts his two decades living—and surviving—in State College, Pennsylvania, the often-chaotic home of Penn State University. This humorous peek at life in a college town smack-dab in the middle of rural Pennsylvania chronicles a changing community over the course of two eventful decades. A professor of journalism, former columnist for the Centre Daily Times, and contributor to StateCollege.com, Frank has a unique perspective on living in the shadow of a university—especially on the tribe of nomadic young adults known as the “Woo people,” so named for their signature mode of celebratory communication. He invites readers into the routines of his hectic household as they embrace their new home, skewers the culture of intercollegiate sports, relates the challenges and peculiarities of teaching at one of the nation’s largest universities, and, most important, teaches us to be amused at college-kid antics and to appreciate their academic and real-world accomplishments, even as we anxiously tick off the days until semester’s end. From tales of missing porch furniture and red plastic cups in the bushes to a “Nude Year’s Eve” run by an octet of forty-somethings to the sweet relief of summer, Frank’s hilarious, insightful essays are indispensable for anyone who wants to survive, appreciate, and enjoy college-town life.
In these stories, which make an important contribution to the literary heritage of South Africa, we have a kind of marriage between P G du Plessis and Herman Charles Bosman. The style is eloquent, the picaresque characters unique and typical at the same time. The writer manages, within the limited space of a short story, to print a picture of his characters' physical attributes as well as their personality traits. There are a number of stories that tell why certain people are the way they are. The content and the style of writing give the stories a delightful South African flavour in the evocative use of appropriate figurative language and symbolism. There is a good balance between narration and dialogue. Settings, where necessary, are vividly described, especially the arid landscape, the farms and the vegetation. The stories are all the more interesting and topical for their pithy comment on the ills of modern society and the allusions to problems in the New South Africa. They make compelling reading, for the outcome of each is invariably unexpected. The author has written a quartette of stories, the other three titles of the quartette being Pivot of Violence: Tales of the New South Africa, Flakes of Dark and Light: Tales From Southern Africa and Elsewhere; and Just a Bit Touched: Tales of Perspective. All make a very vivid and lasting impression.
Tallinn, 1419. What links the Keeper of the Tower, a prostitute and a Flemish painter to a haunted house on Rataskaevu Street? All three claim to have seen a ghost near the house, and each is found dead soon afterwards. Melchior Wakenstede, apothecary and assistant bailiff, is charged with unearthing the truth. With a cultivated sense for justice, Melchior investigates the deaths and attempts to find out whether, as the denizens of medieval Tallinn believe, ghosts can reap their revenge upon the living. When a powerful merchant dies, Melchior perceives a corporeal connection between this and the other deaths. As Melchior becomes embroiled in the conflicts and rivalries between religious orders, merchant guilds and Teutonic Knights, all vying with one another for control of the town, what he discovers is more incredible and more terrible than any ghost.